Subject Terms: fences - YCBA Collections Search Search Results

101. A Farm at Eton

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Landscape with Cottage, Bridge and Figures

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1774
Materials & Techniques:: Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 9 1/4 inches (23.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Kennington Common

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1776
Materials & Techniques:: Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. At Mortlake

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1773
Materials & Techniques:: Gray wash, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Landscape with a Ruined Norman Church

Creator:: attributed to Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Adams's Visit to Parson Trulliber

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1831
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/16 x 5 11/16 inches (24 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

109. A Prospect of St. James's Park

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Full Cry. 1821: Riders Taking a Wooden Fence

Creator:: George Alken, 1794–active 1837
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Two Riders Taking a Double Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Steeplechasing: The Field Jumping in and Out of a Lane

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Winchelsea

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Torbay, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. North West View of Harlaxton Manor House, Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Foxhunting: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Guy Fawkes

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 12 1/2 inches (21.8 × 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. An Old Cabin on the Bank of a River

Creator:: attributed to John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black chalk, white chalk and graphite on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 9 3/8 × 15 1/16 inches (23.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Quorn towards Ashby de la Zouch, Leicestershire

Creator:: Lionel Edwards, 1878–1966
Date:: 1919
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Clovely on the Coast of North Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove papr
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Harvest Time

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 3/8 x 19 1/4 inches (31.4 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Bromley Hill

Creator:: Peter DeWint, 1784–1849
Date:: 1812
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Bridge over a Stream with Figures

Creator:: imitator of Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Black and white chalk on medium, smooth, brown wove paper
Dimensions:: Sheet: 9 5/8 x 8 7/8 inches (24.4 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. The Dent de Lion, Margate, Kent

Creator:: William Alexander, 1767–1816
Date:: ca. 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Young Woodcutter

Creator:: Joshua Cristall, 1768–1847
Date:: 1818
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Family Posed in Front of a Doorway

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Entrance to Earlham Park, near Norwich

Creator:: John Crome, 1768–1821
Date:: between 1807 and 1808
Materials & Techniques:: Brown wash and watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 22 1/8 x 18 3/16in. (56.2 x 46.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Charging an Ox Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Francis P. Garvan, Yale BA 1897, in memory of Harry Payne Whitney, Yale BA 1894, transfer from the Yale University Art Gallery, Whitney Sporting Art Collection

137. A View of Hall-head Sugar Plantation, Jamaica

Creator:: Print made by John Byrne, 1786–1847
Date:: 1816
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 5/8 inches (21.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Langhorne

138. House Under Construction

Creator:: E. Philip Pimlott, 1871–1960
Date:: ca. 1930
Materials & Techniques:: Watercolor, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper on board
Dimensions:: Sheet: 12 1/8 × 11 1/8 inches (30.8 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

139. Topping a Flight of Rails and Coming Well into the Next Field

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Francis P. Garvan, Yale BA 1897, in memory of Harry Payne Whitney, Yale BA 1894, transfer from the Yale University Art Gallery, Whitney Sporting Art Collection

140. Stag Chased by Two Hounds

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 5 inches (16.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Landscape View at Powerscourt

Creator:: Thomas Creswick, 1811–1869
Date:: 1847
Materials & Techniques:: Watercolor and graphite, with scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 14 5/8 inches (21 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Plough

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

143. The Angelus

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 9/16 x 13 7/16 inches (26.9 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

144. Cattle Resting

Creator:: Print made by Robert Hills, 1769–1844
Date:: 1807
Materials & Techniques:: Lithograph on moderately thick, moderately textured, gray laid paper
Dimensions:: Sheet: 8 15/16 x 12 1/4 inches (22.7 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

145. Pentre Ddu Bridge, North Wales

Creator:: Thomas Collier, 1840–1891
Date:: 1863
Materials & Techniques:: Graphite and watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

146. The Pack Bridge

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1926
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 x 7 1/4 inches (28.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

147. Zoutelande

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1929
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/16 x 7 5/16 inches (24 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

148. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

149. Highbridge

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/16 x 10 3/8 inches (23.3 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

150. Girl at a Gate

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: between 1938 and 1939
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/16 x 7 5/16 inches (23.3 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

151. L'Amoureuse

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint with etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 5/16 x 12 3/8 inches (44 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

152. Pheasant defying Hunters

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 3/16 inches (7.6 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

153. The South-West View of Battel-Abbey, in the County of Sussex

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 17 13/16 inches (28.4 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Wandering Musicians

Creator:: Print made by Louis de Fontaine, active 1723–1757
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 9/16 × 4 7/16 inches (14.1 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

155. St. Ann's, The Governor's Residence (Trinidad)

Creator:: Richard Bridgens, active 1838
Date:: 1838
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 12 1/2 inches (16.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. The Farmyard

Creator:: John Linnell, 1792–1882
Date:: 1812
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 5 7/8 inches (10.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. North East View of a House at Ringmer with Cattle and Sheep by a Pond

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1787
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 20 15/16 inches (37.9 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. The Horse Guard's Parade, Whitehall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. The Bishop's Palace, Bromley (A Country House)

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Landscape with Cottages, Broadmoor

Creator:: Richard Dadd, 1817–1886
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Bath: The Circus

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Bath: Queen Square

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Wooded Landscape

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, smooth, beige Aisian paper
Dimensions:: Sheet: 6 9/16 × 6 3/16 inches (16.7 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Unidentified Periodical/Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Graphite and gray wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/8 inches (16.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

167. Cathedrals in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Morning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. The Royal Naval School at New Cross

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: undated
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Sutton

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1912
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 inches (33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

175. Cadore

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

176. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Witley Court in Worcestershire, the Seat of Lord Foley

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Dudley Priory in Worcestershire, Plate 2

Creator:: M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Warwick Castle

Creator:: Print made by James Fittler, 1758–1835
Date:: 1780
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 x 12 5/16 inches (24.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Paysan des environs de Cracouie; Costume des environs de Cracouie

Creator:: Print made by Gabriel Charton, active 1810
Date:: ca. 1810
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 15 1/4 inches (26 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Scotland, Cheshire, &c.

Creator:: Maria Leycester, 1798–1870
Date:: 1819 to 1823
Materials & Techniques:: Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mark Emanuel

183. The Farmyard

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 6 5/16 inches (11.9 x 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 1/2 inches (25 x 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate...

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 11/16 x 15 3/16 inches (24.6 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Architectural Designs Incorporating Chinoiserie motifs: China Railing

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Architectural Designs incorporating Chinoiserie Motifs: Rails

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Castles in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Ancienne Porte a Stirling

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Rural Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Returning from the Spring. Virginia.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Tintern Abbey

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 5/16 inches (30.2 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 3/8 inches (28.8 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Lambing Time

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 13/16 inches (12.8 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. A Farm at Eton

102. Landscape with Cottage, Bridge and Figures

103. Kennington Common

104. At Mortlake

105. Landscape with a Ruined Norman Church

106. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

107. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

108. Adams's Visit to Parson Trulliber

109. A Prospect of St. James's Park

110. Full Cry. 1821: Riders Taking a Wooden Fence

111. Two Riders Taking a Double Fence

112. Steeplechasing: The Field Jumping in and Out of a Lane

113. The Night Riders of Nacton: The Last Field near Nacton Heath

114. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

115. Winchelsea

116. Torbay, Devon

117. North West View of Harlaxton Manor House, Lincolnshire

118. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

119. Foxhunting: Full Cry

120. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

121. View of Queen Square

122. Guy Fawkes

123. An Old Cabin on the Bank of a River

124. The Leicestershire Hunt - A Struggle for the Start

125. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

126. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

127. The Quorn towards Ashby de la Zouch, Leicestershire

128. Clovely on the Coast of North Devon

129. Harvest Time

130. Bromley Hill

131. Bridge over a Stream with Figures

132. The Dent de Lion, Margate, Kent

133. Young Woodcutter

134. Family Posed in Front of a Doorway

135. Entrance to Earlham Park, near Norwich

136. Charging an Ox Fence

137. A View of Hall-head Sugar Plantation, Jamaica

138. House Under Construction

139. Topping a Flight of Rails and Coming Well into the Next Field

140. Stag Chased by Two Hounds

141. Landscape View at Powerscourt

142. The Plough

143. The Angelus

144. Cattle Resting

145. Pentre Ddu Bridge, North Wales

146. The Pack Bridge

147. Zoutelande

148. A Morning Ride

149. Highbridge

150. Girl at a Gate

151. L'Amoureuse

152. Pheasant defying Hunters

153. The South-West View of Battel-Abbey, in the County of Sussex

154. Wandering Musicians

155. St. Ann's, The Governor's Residence (Trinidad)

156. The Farmyard

157. North East View of a House at Ringmer with Cattle and Sheep by a Pond

158. The Horse Guard's Parade, Whitehall

159. The Bishop's Palace, Bromley (A Country House)

160. Landscape with Cottages, Broadmoor

161. Bath: The Circus

162. Bath: Queen Square

163. The City of Bath taken from the London Road

164. Wooded Landscape

165. The Late Entrance to Ber Street, Norwich

166. Unidentified Periodical/Play Illustration

167. Cathedrals in England

168. Eight colour prints

169. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

170. The Death of Ananias

171. The South Sea House

172. Morning

173. The Royal Naval School at New Cross

174. Sutton

175. Cadore