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A Prancing Horse, Facing Right
Creator:
George Stubbs, 1724–1806
Date:
ca. 1790
Materials & Techniques:
Red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 x 9 5/8 inches (22.5 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for the Self-portrait in Enamel
Creator:
George Stubbs, 1724–1806
Date:
ca. 1781
Materials & Techniques:
Graphite on medium, smooth, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 12 x 9 1/8 inches (30.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Asleep with his Mouth Wide Open and Hands Crossed
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 3/8 × 4 3/4 inches (18.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Figures for "A View of the Campagna"
Creator:
Richard Wilson, ca. 1712–1782
Date:
ca. 1755
Materials & Techniques:
Black chalk and white gouache on medium, rough, brown laid paper mounted on card
Dimensions:
Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Girl for "Mary, Queen of Scots, Escaping from Loch Leven Castle"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Black chalk with brown wash on thick, slightly textured, beige card
Dimensions:
Sheet: 18 1/8 × 11 3/8 inches (46 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pensive Lady
Creator:
George Romney, 1734–1802
Date:
early 1770s
Materials & Techniques:
Pen and brown ink on medium slightly textured beige laid paper
Dimensions:
Sheet: 5 7/8 x 4 1/2 inches (14.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection