Search Constraints
Search Results
1
- Design for Overmantel
- 1912 to 1913
- Not on view
2
- The Family of John, 2nd Duke of Montagu and an Attendant
- between 1730 and 1735
- Not on view
3
- A Conversation (The Artist's Brothers Peter and James Romney)
- 1766
- Not on view
4
- Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
5
- The Governess
- 1860
- Not on view
6
- Fitzroy Street (William Coldstream and Graham Bell in an Interior)
- ca. 1935
- Not on view
7
- Peeling Potatoes
- ca. 1880
- Not on view
8
- A Study of 'The Schoolroom'
- ca. 1820
- Not on view
9
- "Lord, Thy Will Be Done"
- 1855
- Not on view
10
- Sketch for 'The Reading of a Will'
- 1820
- Not on view
11
- The Deserter's Home
- 1847
- Not on view
12
- Interior of the British Institution (Old Master Exhibition, Summer 1832)
- 1833
- Not on view
13
- David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
- ca. 1762
- Not on view
14
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
15
- The John Bacon Family
- between 1742 and 1743
- Not on view
16
- Portrait of a Man and a Boy Looking at Prints
- between 1765 and 1770
- Not on view
17
- Tea Party at Lord Harrington's House, St. James's
- 1730
- Not on view
18
- Evening
- 1799
- Not on view
19
- Night
- 1799
- Not on view
20
- Children in an Interior
- ca. 1743
- Not on view
21
- The Mistletoe Bough
- ca. 1790
- Not on view
22
- Kitchen Scene
- 1771
- Not on view
23
- John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
- 1796
- Not on view
24
- The Sense of Touch
- 1744 to 1747
- Not on view
25
- British Gentlemen at Sir Horace Mann's Home in Florence
- between 1763 and 1765
- Not on view
26
- The Brown Tea Pot
- between 1915 and 1916
- Not on view
27
- John Orde, His Wife, Anne Orde (née Marr), His Eldest Son, William, and an Unnamed Servant
- between 1754 and 1756
- Not on view
28
- The Lady Betty Germain Bedroom at Knole, Kent
- 1845
- Not on view
29
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
30
- Stage Design for Heart of Midlothian; Deans' Cottage
- ca. 1819
- Not on view
31
- Stage Design for Heart of Midlothian; The Tolbooth
- ca. 1819
- Not on view
32
- The Billiard Room
- ca. 1725
- Not on view
33
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
34
- Battledore and Shuttlecock
- ca. 1740
35
- Herstmonceux Castle, East Sussex: The Kitchen
- undated
36
- The Spoiled Child, Scene II
- ca. 1802
37
- The Spoiled Child, Scene VI
- ca. 1802
38
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
39
- Interior of a Room at Woodcock Manor
- undated
40
- Cobham Hall, Kent: Section of the drawing room
- ca. 1790
41
- Cobham Hall, Kent: Elevation of Fireplace and Overmantel
- ca. 1790
42
- Headfort House, Ireland: Elevation of the Eating Parlor
- 1771
43
- Amateurs of Tye-Wig Music
- ca. 1800-1815
44
- An Edinburgh Lady
- ca. 1908
45
- Design for the Plasterwork Decoration of a Circular Rotunda
- undated
46
- The Spoiled Child, Scene V
- ca. 1802
47
- Headfort House, Ireland: Elevations of the Front Hall
- between 1771 and 1775
48
- Denial and Disappointment
- undated
49
- At Mrs. Bulley's, Hooe, near Plymouth
- undated
50
- Olivia Returns to Her Family
- undated
51
- The Undergraduate's Room
- undated
52
- Hall, Easton Neston, Northants
- undated
53
- The Club Room
- undated
54
- George Fox Talks to the People About Dreams
- between 1890 and 1911
55
- Amateurs at Tye Wig Music
- Undated
56
- Interior View of the hall at Longleat; the Seat of the Marquis of Bath
- 1821
57
- The Dining Room at Newby Hall, Yorkshire
- 1816
58
- Woman and Girl at a Writing Desk
- undated
59
- Comforts of Bath: The Music Master
- 1798
60
- Cottager's Hospitality to Travellers of The Coach Broke Down
- 1819
61
- Untitled
- undated
62
- The Inside View of the Rotunda in Renelagh Gardens with the Company at Breakfast
63
- Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
- 1817
64
- The Hall of Blithfield
- 1823
65
- Interior View of the Hall at Hatfield House
- 1812
66
- Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart
- 1818
67
- April
- undated
68
- Reflections, or the Music Lesson
- undated
69
- 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
- between 1809 and 1811
70
- Norwich Market Place
- undated
71
- The Family of Children
- undated
72
- Interior View of the Hall at Rushton
- 1817
73
- Interior view of the Drawing Room, Stockton House
- 1812
74
- The Drunken Nurse
- undated
75
- Man Washing in Bucket of Water
- 1965
76
- Landlord and Tenant
- 1871
77
- Morley in Studio with Paintings
- 1954
78
- Headfort House, Ireland: Sections of the House and Offices
- 1765
79
- The Cartoon Gallery, Knole, Kent
- 1871
80
- Ladies' Drawing Room, Midland Adelphi Hotel, Liverpool
- ca. 1911
81
- The Cartoon Gallery, Knole, Kent
- 1840
82
- A Sailor and His Family
- undated
83
- Sir Thomas Lawrence's Painting Room in 1824
- 1824
84
- Janet, Seated by the Fireside
- undated
85
- A Gentleman's Art Gallery
- undated
86
- George Fox Is Challenged to Fight at Scarborough Castle
- between 1890 and 1911
87
- Dr. Syntax Copying the Wit of the Window
- between 1809 and 1812
88
- Sir Muirhead Bone
- 1931
89
- Interior of Hall of Christ Church
- 1807
90
- The Triumph of Cupid: A Reverie
- undated
91
- Le jeu de dames
- undated
92
- Dining Hall, Asylum
- 1808
93
- Levens, Westmoreland, The Small Drawing Room
- 1873
94
- Love Scene
- undated
95
- Tout autre chose
- undated
96
- The Infant
- 1824
97
- Miss-Ann-Thropy
- undated
98
- Falstaff and his Friends
- ca. 1868
99
- The Summer Room in the Artist's House at Patna
- 1824
100
- Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
- 1797