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Classification Prints

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan Found!

Print made by Robert Polhill Bevan, 1865–1925

Found!

1898-1899

Robert Polhill Bevan The Flying Pack

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

1898-1899

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake The Tyger (Plate 42)

Print made by William Blake, 1757–1827

The Tyger (Plate 42)

1794

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Spring (Plate 12)

Print made by William Blake, 1757–1827

Spring (Plate 12)

1789

William Blake The Lamb (Plate 18)

Print made by William Blake, 1757–1827

The Lamb (Plate 18)

1789

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Richard Ansdell Sleepest or Wakest Thou?

Print made by Richard Ansdell, 1815–1885

Sleepest or Wakest Thou?

ca. 1853

unknown artist Horse

Print made by unknown artist

Horse

undated

unknown artist Lioness

Print made by unknown artist

Lioness

undated

unknown artist Pigs

Print made by unknown artist

Pigs

undated

unknown artist Bulls Fighting

Print made by unknown artist

Bulls Fighting

undated

unknown artist Wild Boars

Print made by unknown artist

Wild Boars

undated

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Charles Bretherton Postiglione Inglese

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

John Crome Wooded Landscape

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

Richard Parkes Bonington Lillebonne - Château d'Harcourt

Print made by Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

1824

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Sir Frank Short Pan and Syrinx

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Robert Dixon The Black Tower Norwich

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Robert Dixon West Tower, Wymondham Church

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Francis Haward Master Bunbury

Print made by Francis Haward, 1759–1797

Master Bunbury

1781

Gerhard Bockman The Guitar Player

Print made by Gerhard Bockman, 1686–1773

The Guitar Player

undated

Thomas Bewick The Cadger's Trot (first State)

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot (first State)

1823

Thomas Bewick The Cadger's Trot

Print made by Thomas Bewick, 1753–1828

The Cadger's Trot

1823

Richard Parkes Bonington Vue Generale des Ruines du Château d'Arlay

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Thomas Bewick The Wild Bull of Chillingham

Print made by Thomas Bewick, 1753–1828

The Wild Bull of Chillingham

1781

Edward Calvert The Bride

Print made by Edward Calvert, 1799–1883

The Bride

1828

Thomas Girtin View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Print made by Thomas Girtin, 1775–1802

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

1802

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock Returning from the Spring. Virginia.

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

James Clark Cowdray Ruins

Print made by James Clark, 19th century

Cowdray Ruins

1824

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Louis Haghe Thornbury Castle, Gloucestershire

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

George H. Phillips The Paphian Bower

George H. Phillips, active 1819–1825

The Paphian Bower

1826

John Dean Moses in the Bulrushes [Reclining Child]

John Dean, 1754–1798

Moses in the Bulrushes [Reclining Child]

1786

Robert Dighton A Jack in Office

Robert Dighton, 1752–1814

A Jack in Office

1793

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Bradshaw & Blacklock Cathedrals in England

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Bradshaw & Blacklock The Crimean War

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Bradshaw & Blacklock Chepstow Castle

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Austin, Robert, 1895-1973 Church Tower at Stretton, Leicestershire

Print made by Austin, Robert, 1895-1973, 1895–1973

Church Tower at Stretton, Leicestershire

1915

Austin, Robert, 1895-1973 The Horse of Ostend

Print made by Austin, Robert, 1895-1973, 1895–1973

The Horse of Ostend

1921

Austin, Robert, 1895-1973 Salus Infirmorum

Print made by Austin, Robert, 1895-1973, 1895–1973

Salus Infirmorum

1922

Richard Samuel Chattock The Holt

Print made by Richard Samuel Chattock, 1825–1906

The Holt

undated

unknown artist St. John with the Lamb

Print made by unknown artist

St. John with the Lamb

undated

unknown artist St. John with the Lamb

Print made by unknown artist

St. John with the Lamb

undated

John Smith, the mezzotinter Cupid

Print made by John Smith, the mezzotinter, 1652–1743

Cupid

undated

John Robert Cozens South View of Bath

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

John Robert Cozens Bath: The North Parade

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

John Robert Cozens Bath: The South Parade

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

John Copley Sheep in Twilight

Print made by John Copley, 1875–1950

Sheep in Twilight

1922

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

William Dickinson, 1746–1823

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

1774

Alfred W. Cooper Lambing Time (tail piece)

Print made by Alfred W. Cooper, active 1850–1901

Lambing Time (tail piece)

undated

Alfred W. Cooper Lambing Time

Print made by Alfred W. Cooper, active 1850–1901

Lambing Time

undated