Subject Terms: hill - YCBA Collections Search Search Results

301. Dover's Hill: Dawn

Creator:: Frederick Landseer Maur Griggs, 1876–1938
Date:: 1931
Materials & Techniques:: Graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 14 7/8 inches (32.1 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

302. Figures in a park overlooking a city on a river

Creator:: Francis Dodd, 1874–1949
Date:: 1928
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream (wove?) paper
Dimensions:: Sheet: 11 x 14 3/4 inches (27.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Susan Morse Hilles

303. Country Markets

Creator:: Philip Roberts, active 1960
Date:: 1960
Materials & Techniques:: Chromolithograph
Dimensions:: Sheet: 40 x 24 15/16 inches (101.6 x 63.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

304. Torquay from the North Hill

Creator:: unknown artist
Date:: ca. 1880
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Melville Chapin, transfer from the Yale University Art Gallery

305. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Two Gigs in Trouble

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 7 3/16 inches (11.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. The Hill

Creator:: Print made by Ken Kiff, 1935–2001
Date:: undated
Materials & Techniques:: Aquatint and etching on thick, smooth, white wove paper
Dimensions:: Sheet: 29 3/4 x 26 inches (75.6 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Elderfield and Jeanne Collins

308. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Durham Cathedral

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 15 3/8 inches (26.4 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Figures, One Riding, Going Towards a House

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 7 1/4 inches (8.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Harlech Castle, North Wales

Creator:: Francis Bedford, 1816–1894
Date:: ca. 1860
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

312. Loch Ranza

Creator:: Thomas Annan, 1829–1887
Date:: early 1860s
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

313. River Scene with Cliff, Man in Boat

Creator:: Payne Jennings, active ca. 1875, died 1926
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

314. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

315. River view with Ruins

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with green wash
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Landscape with a Castle on a Hill at Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:: Sheet: 5 1/2 x 7 5/16in. (14 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Landscape with a Castle on a Hill in Center Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and black ink, over graphite on moderately thick, moderately textured, cream wove paper, prepared with yellow wash
Dimensions:: Sheet: 5 5/16 x 7 3/8 inches (13.5 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Bridgnorth Bridge, Shropshire

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1799
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 x 11 7/8 inches (19.2 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. View from Stokenchurch Hill, Buckinghamshire

Creator:: William Alfred Delamotte, 1775–1863
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 13 5/8 inches (22.5 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Observers on a Hill Overlooking the Sea

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on medium, moderately textured, gray wove paper
Dimensions:: Sheet: 3 3/8 × 4 7/8 inches (8.6 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Hastings Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 × 11 inches (22.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Annual Resort of Hindoos to Mundar Hill near Bhagulpore [Bhagalpur]

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 9/16 × 29 inches (49.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Granby Hill, Bristol

Creator:: James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

324. St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 13 5/8 inches (22.9 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Travelling Palanquins

Creator:: Unknown artist (Company style)
Date:: ca. 1800
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 17 inches (24.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in memory of Richard J. Storr

326. Richmond Hill

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1830
Materials & Techniques:: Watercolor with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 12 inches (16.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Trees on a Bank

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 13 1/2 x 18 5/8 inches (34.3 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Bromley Hill

Creator:: Peter DeWint, 1784–1849
Date:: 1812
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. A Fence by a Gorge

Creator:: Samuel Davis, 1760–1819
Date:: between 1777 and 1808
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. River Scene with a Fort on a hill in the middle distance

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Ruined Fort on a Hill

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Pen and gray ink, wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Kapta [Chapcha] Castle

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 3/8 inches (27 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. River Scene with Buildings

Creator:: Samuel Davis, 1760–1819
Date:: between 1777 and 1808
Materials & Techniques:: Watercolor over graphite on medium, slightly textured,cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Landscape

Creator:: Attributed to Thomas Churchyard, 1798–1865
Date:: 1838
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured wove paper mounted to card
Dimensions:: Sheet: 10 1/2 × 13 inches (26.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William C. and Elizabeth F. Overstreet in memory of David Gallagher, Yale PhD

336. Stream with Trees and Cattle near Bromley Hill, Kent

Creator:: Henry Edridge, 1769–1821
Date:: 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. A Church at Stanstead

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 8 7/8 inches (15.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Wooded Landscape with Figures on Horseback Crossing a Bridge

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1775 and 1780
Materials & Techniques:: Gray wash, pen and gray ink, white gouache, and white chalk on medium, slightly textured, cream laid paper, mounted on card
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Wooded Landscape with Figures and Houses on the Hill

Creator:: Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Black chalk with stumping, white chalk, and gray wash on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 11 1/4 x 16 1/8 inches (28.6 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Wooded Landscape with Herdsman, Cows and Cottage

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Black chalk, white chalk, brown chalk, blue chalk, and stumping on moderately thick, slightly textured, light blue laid paper
Dimensions:: Sheet: 12 7/8 x 10 3/8 inches (32.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Study of a Massive Rock

Creator:: John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Brown chalk and gray wash on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 8 3/4 × 8 1/2 inches (22.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Wooded Landscape with Peasant and Donkeys

Creator:: follower of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Brown and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 15 1/8 inches (27.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918

344. Jason

Creator:: Printed by Sir Frank Short, 1857–1945
Date:: 1807
Materials & Techniques:: Electrotype print of canceled plate after mezzotint removed, with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 7/8 inches (33.3 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. The Salutation

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1778
Materials & Techniques:: Mezzotint (? state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/2 × 18 7/8 inches (64.8 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

346. The Return of Tobias

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 inches (50.8 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

347. Elkanah, Hannah and Samuel

Creator:: Print made by George Graham, active 1786–1813
Date:: 1815
Materials & Techniques:: Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

348. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

Creator:: James Watson, 1740–1790
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 1/2 × 16 11/16 inches (64.8 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Reverend William Lort Mansel, Lord Bishop of Bristol

Creator:: William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 × 13 7/8 inches (50.6 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Aesacus and Hesperie

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Castle Urquhart

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

356. The Judgment of Paris

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

357. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

Creator:: Published by Arnold Fawcus, 1917–1979
Date:: 1972
Materials & Techniques:: Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

361. The Hilltop

Creator:: William Lee Hankey, 1869–1952
Date:: 1912
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 14 5/16 inches (29.6 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

362. On the Sussex Downs

Creator:: William Lee Hankey, 1869–1952
Date:: 1916
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 14 3/16 inches (26.3 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

363. The Farm on the Hilltop

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

364. Village Street

Creator:: John Frederic Greenwood, 1885–1954
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 1/8 x 6 3/4 inches (20.6 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

365. Design for a Blind for Thomas Upcher, Sheringham Hall

Creator:: Eliot Hodgkin, 1905–1987
Date:: ca. 1936
Materials & Techniques:: Graphite and watercolor, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 8 5/8 inches (38.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

366. Study of a Hill above a Valley Town

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

367. Landscape Study from a Hillside above a City

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 1/2 inches (29.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

368. Scottish Landscape

Creator:: Joseph Gray, 1890–1962
Date:: 1928
Materials & Techniques:: Etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 9/16 x 15 13/16 inches (29.4 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

369. Scottish Landscape

Creator:: Joseph Gray, 1890–1962
Date:: ca. 1928
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/16 inches (25.4 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

370. Jerusalem from Olivet

Creator:: Print made by James McBey, 1883–1959
Date:: 1921
Materials & Techniques:: Drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 18 1/8 inches (21 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

371. The Photographer's Burden

Creator:: Bill Jay, 1940–2009
Date:: before 1992
Materials & Techniques:: Collage on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

372. Classical Landscape

Creator:: Bernard Lens III, 1682–1740
Date:: 1717
Materials & Techniques:: Gouache and gum arabic on vellum
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. Ruins Outside Rome

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1783
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/16 x 14 3/16 inches (23.7 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. From the Church Hill, Ambleside

Creator:: John Harden, 1772–1847
Date:: 1816
Materials & Techniques:: Watercolor, gouache, and pen and black ink, with stumping on thick, rough, blue-gray wove paper
Dimensions:: Sheet: 7 1/8 × 11 inches (18.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Casade de Lys From Below

Creator:: James Duffield Harding, 1798–1863
Date:: 1834
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 14 1/2 x 10 5/8 inches (36.8 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Trees in Ashtead Park, Surrey

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 5/8 × 13 1/4 inches (27 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The Ruins of the College of Lincluden, near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1806
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Heveningham Hall, Suffolk

Creator:: unknown artist
Date:: between 1782 and 1790
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. A Tudor Manor House and Church

Creator:: Claude de Jongh, ca. 1600–1663
Date:: 1625
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Sir William Norris Bungalow, Penang

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 14in. (23 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Figures on a Bank, Kensington Gravel Pits

Creator:: John Linnell, 1792–1882
Date:: 1812
Materials & Techniques:: Watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 5 3/4 inches (9.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. The Chestnut Tree at Little Wymondley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Results

301. Dover's Hill: Dawn

302. Figures in a park overlooking a city on a river

303. Country Markets

304. Torquay from the North Hill

305. Comforts of Bath: Gouty Persons Fall on Steep HIll

306. Two Gigs in Trouble

307. The Hill

308. A Burial at Carisbrooke, Isle of Wight

309. Durham Cathedral

310. Figures, One Riding, Going Towards a House

311. Harlech Castle, North Wales

312. Loch Ranza

313. River Scene with Cliff, Man in Boat

314. Loch Mouraig

315. River view with Ruins

316. Landscape with a Castle on a Hill at Right

317. Landscape with a Castle on a Hill in Center Distance

318. Bridgnorth Bridge, Shropshire

319. View from Stokenchurch Hill, Buckinghamshire

320. Observers on a Hill Overlooking the Sea

321. Hastings Castle

322. The Annual Resort of Hindoos to Mundar Hill near Bhagulpore [Bhagalpur]

323. Granby Hill, Bristol

324. St. Alban's Abbey

325. Travelling Palanquins

326. Richmond Hill

327. Trees on a Bank

328. Bromley Hill

329. A Fence by a Gorge

330. River Scene with a Fort on a hill in the middle distance

331. Ruined Fort on a Hill

332. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

333. Kapta [Chapcha] Castle

334. River Scene with Buildings

335. Landscape

336. Stream with Trees and Cattle near Bromley Hill, Kent

337. A Church at Stanstead

338. Wooded Landscape with Figures on Horseback Crossing a Bridge

339. Wooded Landscape with Figures and Houses on the Hill

340. Wooded Landscape with Herdsman, Cows and Cottage

341. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

342. Study of a Massive Rock

343. Wooded Landscape with Peasant and Donkeys

344. Jason

345. The Salutation

346. The Return of Tobias

347. Elkanah, Hannah and Samuel

348. The Bay of Baiae - Apollo and the Sibyl

349. Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

350. Reverend William Lort Mansel, Lord Bishop of Bristol

351. The Golden Bough

352. The Golden Bough

353. The Bay of Baiæ, Apollo and the Sibyl

354. Aesacus and Hesperie

355. Castle Urquhart

356. The Judgment of Paris

357. The Soul Hovering over the Body reluctantly Parting with Life

358. The Soul Hovering over the Body reluctantly Parting with Life

359. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

360. Old Castle of Gloom (Castle Campbell)

361. The Hilltop

362. On the Sussex Downs

363. The Farm on the Hilltop

364. Village Street

365. Design for a Blind for Thomas Upcher, Sheringham Hall

366. Study of a Hill above a Valley Town

367. Landscape Study from a Hillside above a City

368. Scottish Landscape

369. Scottish Landscape

370. Jerusalem from Olivet

371. The Photographer's Burden

372. Classical Landscape

373. Ruins Outside Rome

374. From the Church Hill, Ambleside

375. Casade de Lys From Below