Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
25
Edward Lear, 1812–1888
Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841
1841
26
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
27
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
28
Print made by William Blake, 1757–1827
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
30
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
34
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
35
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
36
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
38
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
40
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
41
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
42
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
43
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
44
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
45
Print made by John Browne, 1741–1801
Evening
ca. 1797
46
Print made by John Browne, 1741–1801
Evening
ca. 1797
47
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
48
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
49
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
50
Print made by John Browne, 1741–1801
Morning
ca. 1797
51
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
52
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
53
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
54
John Grant, Died 1873
Royal Horse Artillery, 1843
1843
55
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
56
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
57
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
58
Print made by William Finden, 1787–1852
The Drachenfels
1833
59
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
60
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
61
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
62
Print made by Robert Sargent Austin, 1895–1973
Romance
1922
63
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
64
Print made by Sir Muirhead Bone, 1876–1953
The Solent
1920
65
Sir David Young Cameron, 1865–1945
The Palace of the Stuarts
1898
66
Sir David Young Cameron, 1865–1945
Craigievar
1908
67
Print made by Robert Sargent Austin, 1895–1973
Plane Tree Cottage
1926
68
Print made by Gerald Leslie Brockhurst, 1890–1978
Viba
1929
69
Print made by Gerald Leslie Brockhurst, 1890–1978
Young Womanhood
1931
70
Charles William Cain, 1893–1962
Irrawaddy Nights
undated
71
Sir David Young Cameron, 1865–1945
A Valley of the Ardennes [Belgian Set: No. 10]
1907
72
Sir David Young Cameron, 1865–1945
Ben Ledi
1911
73
Sir David Young Cameron, 1865–1945
The Tay
1912
74
Print made by Robert Sargent Austin, 1895–1973
Portrait of the Artist
1921
75
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
76
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
77
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
78
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
79
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
80
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
81
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
82
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
83
Print made by Sir David Young Cameron, 1865–1945
Craigievar Castle
1908
84
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
85
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
86
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
87
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
88
Print made by William Finden, 1787–1852
The Drachenfels
1832-1834
89
unknown artist
The Prospect of their Majesties Castle of Sterling
90
unknown artist
The Prospect of the Town of Dumblane
91
Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
92
James Mason, 1710–1783
A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
93
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
94
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
95
Thomas Bowles, ca. 1712–died 1753
A View of Florence from the Convent of Capuchins at Montugi