Subject Terms: historical subject - YCBA Collections Search Search Results

201. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 x 11 5/8 inches (23.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

202. George Fox Is Stoned by the Crowd at Walney Island

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

203. The Next Day Wee Passed on...

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 x 11 9/16 inches (23.4 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

204. George Fox and the Old Priest

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/16 x 12 inches (24 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

205. George Fox Is Beaten in the Steeple-House at Ulverston

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:: Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

206. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 3/16 inches (30.2 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

207. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

208. George Fox in Carlisle Dungeon

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

209. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

210. George Fox Walks Through Whitehall

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 9 3/16 inches (29.2 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

211. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

212. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Picasso's Meninas

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 1973
Materials & Techniques:: Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

214. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Another Saint Sebastian, Shot at by Cruel Archers

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Bird's Eye View of [Queen Victoria's Funeral] Procession

Creator:: Henry William Brewer, 1836–1903
Date:: 1902
Materials & Techniques:: Pen and black ink, graphite, gray wash and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:: Sheet: 22 15/16 × 16 3/16 inches (58.3 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

220. Track Laying by Night

Creator:: Terence Tenison Cuneo, 1907–1996
Date:: 1948
Materials & Techniques:: Lithograph on medium, smooth, beige wove paper affixed to thin, slightly textured, cream wove paper mounted on canvas
Dimensions:: Mount: 40 7/16 × 49 15/16 inches (102.7 × 126.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

221. York: See Britain by Train

Creator:: E. H. Spencer, active 1964
Date:: after 1948
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 7/8 x 49 7/8 inches (101.3 x 126.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

222. The Shah Nujeef

Creator:: William Simpson, 1823–1899
Date:: 1861
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

224. Stephen Brought Prisoner to Empress Mathilda

Creator:: Henry Singleton, 1766–1839
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Carriage Design: A Square Landau

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and collage on thick, smooth, white card
Dimensions:: Sheet: 5 1/2 × 10 1/4 inches (14 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and ink on board with touches of oil paint and watercolor on thick, smooth, white card
Dimensions:: Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, and collage on thick, smooth, white card
Dimensions:: Sheet: 5 1/8 × 9 7/8 inches (13 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Fall of Tippoo Saib

Creator:: Print made by Walker, active 1850s
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 3/4 inches (17.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

229. Robert, Duke of Normandy

Creator:: John Downman, 1750–1824
Date:: 1779
Materials & Techniques:: Black chalk with stumping and graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. Religious Ceremony in Ancient Greece

Creator:: Francis Oliver Finch, 1802–1862
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. François, Remove an Ounce of Nuts and Make That Machine Inoffensive

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, black wash, blue chalk, white gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 20 5/8 inches (35.2 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

232. The Good Earth

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 22 3/4 inches (38.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

233. The Indian Theatre

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

234. Travels to Discover the Source of the Nile. Edinburgh: J. Ruthven, for G. G. J. and J. Robinson, 1790

Creator:: James Heath, 1757–1834
Date:: 1770
Materials & Techniques:: Graphite, pen and black ink, and gray and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Uneasy Street

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 7/16 inches (33 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

236. Fredegonda at the Deathbed of Praetextatus

Creator:: Sir Lawrence Alma-Tadema, 1836–1912
Date:: ca. 1864
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

237. Sorry, Boys, I can't go both ways at once

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, white gouache, gum arabic, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/4 inches (35.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

238. Don't Forget I'm a Relation, Too

Creator:: Sir David Low, 1891–1963
Date:: 1937
Materials & Techniques:: Pen and black ink, with blue chalk, white gouache and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 20 5/8in. (33.8 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

239. The Great Wall of China

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, black wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 × 21 inches (35.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

240. Uncle Arthur and his Nightmares of the Round Table

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and blue chalk on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 17 7/16 inches (30 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

241. The March on Geneva

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, black wash, graphite, and blue chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 1/8 inches (34.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

242. Next Big Flight

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink and black wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 18 inches (30.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles & E. Jennifer Monaghan

243. Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

244. From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

245. Evening in Little Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

246. The Art Gallery

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

247. Night from the River

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

248. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Creator:: Print made by John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Jack Sheppard Tricking Shotbolt, the Gaoler

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/16 x 7 9/16 inches (21.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

254. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

255. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Arrest of Lord Edward Fitzgerald

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

259. Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel

Creator:: Bill Brandt, 1904–1983
Date:: 1940
Materials & Techniques:: Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:: Mount: 20 x 15 15/16 inches (50.8 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

260. People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939

Creator:: Bill Brandt, 1904–1983
Date:: ca. 1939
Materials & Techniques:: Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:: Mount: 20 x 16 inches (50.8 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

261. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Chance. The London Firemen's Dog

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Spanish Inquisition

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 12 1/8 inches (43.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Triumph of Music

Creator:: Walter Crane, 1845–1915
Date:: ca. 1876
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

268. Drawings after "A Voyage Round Great Britain"

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. A Scene From the Farce of "The Critic," a Little Altered.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Harpies Attacking the Daughters of Pandarus

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Creator:: Charles Claude Pyne, 1802–1878
Date:: 1872
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]

Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, in pen, with brown ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 8 15/16 inches (45.6 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Key to Life School at the Royal Academy

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

283. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

285. Wembley: Fireworks and Frolics

Creator:: H. S. Williamson, 1892–1978
Date:: ca. 1924
Materials & Techniques:: Chromolithograph on canvas
Dimensions:: Sheet: 117 3/4 x 78 1/4 inches (299.1 x 198.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

286. The Spirit of Coal: Gas Exhibit

Creator:: Septimus Edwin Scott, 1879–1962
Date:: after 1924
Materials & Techniques:: Chromolithograph on canvas
Dimensions:: Sheet: 116 7/8 x 77 7/8 inches (296.9 x 197.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

287. Britain's Past and Present

Creator:: E. A. Cox, 1876–1955
Date:: 1924
Materials & Techniques:: Chromolithograph on canvas
Dimensions:: Mount: 122 11/16 x 82 5/16 inches (311.6 x 209.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

288. Attempt to Assassinate Prince Edward in Palestine

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1816
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

289. The Duke of Gloucester Accusing Jane Shore of Witchcraft

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

290. Mary Queen of Scots Arrested

Creator:: Print made by William Walker, 1729–1793
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

291. Edward V. and The Duke of York, Smothered in the Tower

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1810
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

292. Cardinal Wolsey Receiving a Letter Sent by Henry VIII

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

293. The Death of Wat Tyler

Creator:: Print made by Thomas Milton, 1742/1743–1827
Date:: 1810
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

294. Death of Henry IV

Creator:: Print made by William Bromley, 1769–1842
Date:: 1816
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

295. Queen Margaret Resigning the Duke of York

Creator:: Print made by Thomas Milton, 1742/1743–1827
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

296. Magna Charta Presented to King John

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

297. Becket Assassinated

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

298. Lady Elizabeth Grey's Interview with Edward IV

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1816
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

299. Queen Margaret Protected by a Robber

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1810
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

300. The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

Creator:: Print made by Anker Smith, 1759–1819
Date:: 1811
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

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201. George Fox at Launceston Gaol

202. George Fox Is Stoned by the Crowd at Walney Island

203. The Next Day Wee Passed on...

204. George Fox and the Old Priest

205. George Fox Is Beaten in the Steeple-House at Ulverston

206. George Fox and Captain Keat

207. George Fox and Captain Keat

208. George Fox in Carlisle Dungeon

209. George Fox at Launceston Gaol

210. George Fox Walks Through Whitehall

211. George Fox and the Dead Cromwell

212. The Launching of H.M.S. 'Hibernia' 1804

213. Picasso's Meninas

214. St. Herbert's Chapel

215. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

216. Another Saint Sebastian, Shot at by Cruel Archers

217. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

218. Ticket: For the Benefit of Mr. Salpietro

219. Bird's Eye View of [Queen Victoria's Funeral] Procession

220. Track Laying by Night

221. York: See Britain by Train

222. The Shah Nujeef

223. A Race Meeting at Newmarket Heath

224. Stephen Brought Prisoner to Empress Mathilda

225. Carriage Design: A Square Landau

226. Carriage Design: A Rear View Design, Hooper and Company, Coachbuilders

227. Carriage Design: An Open Carriage, Hooper and Company, Coachbuilders

228. The Fall of Tippoo Saib

229. Robert, Duke of Normandy

230. Religious Ceremony in Ancient Greece

231. François, Remove an Ounce of Nuts and Make That Machine Inoffensive

232. The Good Earth

233. The Indian Theatre

234. Travels to Discover the Source of the Nile. Edinburgh: J. Ruthven, for G. G. J. and J. Robinson, 1790

235. Uneasy Street

236. Fredegonda at the Deathbed of Praetextatus

237. Sorry, Boys, I can't go both ways at once

238. Don't Forget I'm a Relation, Too

239. The Great Wall of China

240. Uncle Arthur and his Nightmares of the Round Table

241. The March on Geneva

242. Next Big Flight

243. Ireland and Russia

244. From the Dome

245. Evening in Little Russia

246. The Art Gallery

247. Night from the River

248. View of the Coronation Procession of George IV

249. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

250. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

251. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

252. The Earthquake Scare in Piccadilly

253. Jack Sheppard Tricking Shotbolt, the Gaoler

254. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

255. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

256. A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

257. Columbus Setting Sail

258. The Arrest of Lord Edward Fitzgerald

259. Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel

260. People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939

261. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

262. Chance. The London Firemen's Dog

263. Spanish Inquisition

264. Funeral of the Late Duke of Wellington

265. Funeral of the Late Duke of Wellington

266. William Tell's Chapel

267. The Triumph of Music

268. Drawings after "A Voyage Round Great Britain"

269. A Scene From the Farce of "The Critic," a Little Altered.

270. The Harpies Attacking the Daughters of Pandarus

271. Funeral of the Late Duke of Wellington

272. Ticket: For the Benefit of Mr. Salpietro

273. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

274. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

275. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]