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1. Holy Island Cathedral

Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. For the Sexes: The Gates of Paradise, Plate 4, "Water"

For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Mewstone, Entrance of Plymouth Sound

The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Mewstone, Entrance of Plymouth Sound

The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Line engraving, first published state on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Scene at Colgong on the Ganges

Scene at Colgong on the Ganges
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

13. The Expedition against Cape Breton in Nova Scotia

The Expedition against Cape Breton in Nova Scotia
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 7 x 11in. (17.8 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Karakakao Bay, Owhyee

Karakakao Bay, Owhyee
Creator:
Matthew Dubourg, active 1786–1838
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Remembering and Forgetting

Remembering and Forgetting
Creator:
Print made by Peter Ford, born 1937
Date:
2003
Materials & Techniques:
Monotype printed from cut pencil eraser blocks on artist's handmade paper
Dimensions:
Frame: 41 × 29 1/4 × 1 3/4 inches (104.1 × 74.3 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Irene and Barry Bull, Yale BA 1969, and their family

16. The Island Opposite Boyle's Farm

The Island Opposite Boyle's Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/16 x 11 9/16 inches (20.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

17. A Landscape, with the Story of Europa

A Landscape, with the Story of Europa
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1802
Materials & Techniques:
Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

18. The Mew Stone. Entrance of Plymouth Sound

The Mew Stone. Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Farne Island - Shipwreck

Farne Island - Shipwreck
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1853-1874
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View of Pont St. Michel, Taken from Pont Neuf

View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1833
Materials & Techniques:
Etching and line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. George Pritchard, Her Britannic Majesty's Consul

George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. View of Pont Neuf, The Mint etc.

View of Pont Neuf, The Mint etc.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Knighton, the Seat of George M. Bisset, Esq.

Knighton, the Seat of George M. Bisset, Esq.
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
before 1781
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 1/8 inches (21.7 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Old Wind-Pump on Hayling Island

Old Wind-Pump on Hayling Island
Creator:
Sir Frank Short, 1857–1945
Date:
1908
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 12 x 17in. (30.5 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Bending Pillars at Staffa (from Smith's Geography)

The Bending Pillars at Staffa (from Smith's Geography)
Creator:
Alfred William Warren, active 1791–1809
Date:
1810
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. On the Medway

On the Medway
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
ca. 1838
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Sunset off Arran

No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
1926
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 11/16 x 14 13/16 inches (24.6 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery