Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
1008
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
1009
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
1010
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
1011
David Cox, 1783–1859
Pirate's Isle
1826
1012
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
1013
Robert Smirke, 1752–1845
Olivia and Maria
1822
1014
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
1015
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
1016
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
1017
unknown artist
A Midsummer Night's Dream: Three Figures
undated
1018
unknown artist
Reclining Nude, Possibly Titania
undated
1019
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
1020
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
1021
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
1022
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
1023
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
1024
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
1025
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
1026
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
1027
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
1028
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
1029
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
1030
Print made by Dame Elisabeth Frink, 1930–1993
The Nun's Priest Tale
1972
1031
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
1032
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
1033
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
1034
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
1035
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale II
1974
1036
Print made by Dame Elisabeth Frink, 1930–1993
Prologue
1972
1037
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale I
1974
1038
Print made by Dame Elisabeth Frink, 1930–1993
Wife of Bath's Tale
1972
1039
Print made by Dame Elisabeth Frink, 1930–1993
The Reeve's Tale
1972
1040
Print made by Dame Elisabeth Frink, 1930–1993
The Franklin's Tale
1972
1041
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
1042
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
between 1785 and 1802
1043
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
1044
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
1045
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
1046
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
1047
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
1048
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
1049
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
1050
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
1051
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
1052
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
1053
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
1054
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
1055
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
1056
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
1057
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
1058
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
1059
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
1060
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
1061
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
1062
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
1063
unknown artist
Hudibras and Rolpho
undated
1064
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
1065
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
1066
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
1067
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
1068
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
1069
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
1070
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
1071
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
1072
Mary Hoare, 1744–1820
Prospero and Miranda
1781
1073
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
1074
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
1075
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
1076
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
1077
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
1078
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
1079
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
1080
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
1081
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
1082
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
1083
Print made by Valentine Green, 1739–1813
David Garrick with a Bust of Shakespeare
1769
1084
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
1085
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
1086
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802
1087
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
1088
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
1089
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
1090
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II