Subject Terms: literary theme - YCBA Collections Search Search Results

1001. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite; early touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1002. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1003. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1853 reprint
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 4 7/8 inches (20.3 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1004. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1005. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1006. John Henderson as Iago

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1007. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

1008. "This is fairy gold, boy, and will prove so"

Creator:: James Heath, 1757–1834
Date:: 1804
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1009. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1010. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1011. Pirate's Isle

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Watercolor with stopping out, and scraping out on moderately thick slightly textured cream wove paper
Dimensions:: Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1012. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 3in. (11.4 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1013. Olivia and Maria

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1014. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and pen and brown ink on wove paper mounted on board
Dimensions:: Sheet: 2 1/2 x 3 3/4 inches (6.4 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1015. Henderson in the Character of Falstaff

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 x 10 7/16 inches (30.6 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1016. Troilus and Cessida: Six Women on the Walls of Illion

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1017. A Midsummer Night's Dream: Three Figures

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1018. Reclining Nude, Possibly Titania

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 13 inches (17.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1019. Infant Shakespeare, wih Comedy and Tragedy

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1020. Doctor Ass (A Satire on the Law)

Creator:: Abraham van Diepenbeeck, 1596–1675
Date:: undated
Materials & Techniques:: Pen and brown ink, brown was and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1021. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

Creator:: John Downman, 1750–1824
Date:: 1787
Materials & Techniques:: Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1022. Robin Hood and Clarinda Hunting Deer

Creator:: Joseph Slater, c. 1750– died after 1789
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1023. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thick, moderately textured, white wove paper
Dimensions:: Sheet: 3 3/4 × 4 inches (9.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1024. The Briar Wood

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 32 3/4 inches (41.9 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

1025. The Rose Bower

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 30 3/4 inches (41.9 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

1026. The Council Chamber

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 33 1/4 inches (42.5 × 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

1027. The Garden Court

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 30 1/2 inches (41.9 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

1028. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1029. Timon of Athens Before His Cave

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1030. The Nun's Priest Tale

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1031. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1032. Sketch for the Passions: Pride

Creator:: Richard Dadd, 1817–1886
Date:: ca. 1854
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1033. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

Creator:: David Allan, 1744–1796
Date:: 1788
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 5/8 inches (22.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1034. Shakespearean Scene (?): A Pilgrim

Creator:: Joseph Farington, 1747–1821
Date:: 1796
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1035. The Miller's Tale II

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:: Sheet: 23 3/8 × 15 1/2 inches (59.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1036. Prologue

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1037. The Miller's Tale I

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:: Sheet: 23 1/2 × 15 3/4 inches (59.7 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1038. Wife of Bath's Tale

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 31 1/2 × 23 1/8 inches (80 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1039. The Reeve's Tale

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1040. The Franklin's Tale

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1972
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 31 1/2 × 23 inches (80 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

1041. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1042. Illustration to Fielding's Amelia

Creator:: George Chinnery, 1774–1852
Date:: between 1785 and 1802
Materials & Techniques:: Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1043. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1044. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1045. Macbeth and the Apparition of the Armed Head

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1046. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1047. Macbeth and the Witch

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1048. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1049. Sketch for the Passions: Love

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1050. Sketch for the Passions: Jealousy

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1051. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1052. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1053. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1054. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1055. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1056. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1057. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1058. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1059. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1060. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1061. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 3/4 inches (11.4 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1062. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

Creator:: after John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1063. Hudibras and Rolpho

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 6 inches (17.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1064. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1065. Fluellen Forcing Pistol to Eat His Leek

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1066. Alcibiades and Timon

Creator:: Richard Westall, 1765–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1067. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1068. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1069. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1070. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1071. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1072. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1073. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1074. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1075. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1076. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1077. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1078. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1079. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1080. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1081. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1082. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1083. David Garrick with a Bust of Shakespeare

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 24 1/2 x 15 1/8in. (62.2 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1084. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1085. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1086. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1087. Tempest, Act I, Scene II. The Enchanted Island.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1088. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1089. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 18 3/8 inches (64.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1090. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1091. Garrick in the Character of Richard, third

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1092. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1093. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1094. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/8 inches (30.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1095. Thomas Leland

Creator:: John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1096. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1097. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1098. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1099. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink (trial proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

1100. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

YCBA Collections Search

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1001. Junction of the Greta and the Tees

1002. Carlisle

1003. Loch Achray

1004. Junction of the Greta and the Tees

1005. Sandy Knowe, or Smailholm Tower

1006. John Henderson as Iago

1007. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1008. "This is fairy gold, boy, and will prove so"

1009. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1010. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1011. Pirate's Isle

1012. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

1013. Olivia and Maria

1014. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

1015. Henderson in the Character of Falstaff

1016. Troilus and Cessida: Six Women on the Walls of Illion

1017. A Midsummer Night's Dream: Three Figures

1018. Reclining Nude, Possibly Titania

1019. Infant Shakespeare, wih Comedy and Tragedy

1020. Doctor Ass (A Satire on the Law)

1021. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

1022. Robin Hood and Clarinda Hunting Deer

1023. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

1024. The Briar Wood

1025. The Rose Bower

1026. The Council Chamber

1027. The Garden Court

1028. Othello and Desdemona, 'Othello', Act V, Scene II

1029. Timon of Athens Before His Cave

1030. The Nun's Priest Tale

1031. Hamlet and the Ghost

1032. Sketch for the Passions: Pride

1033. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

1034. Shakespearean Scene (?): A Pilgrim

1035. The Miller's Tale II

1036. Prologue

1037. The Miller's Tale I

1038. Wife of Bath's Tale

1039. The Reeve's Tale

1040. The Franklin's Tale

1041. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

1042. Illustration to Fielding's Amelia

1043. The Princes in the Tower

1044. Hamlet and the Ghost

1045. Macbeth and the Apparition of the Armed Head

1046. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

1047. Macbeth and the Witch

1048. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

1049. Sketch for the Passions: Love

1050. Sketch for the Passions: Jealousy

1051. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

1052. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

1053. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

1054. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

1055. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

1056. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

1057. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

1058. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

1059. Theatrical Figures About a Throne

1060. Illustration to Pilgrim's Progress

1061. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

1062. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

1063. Hudibras and Rolpho

1064. To Phoebus at His Birth, From Aeschylus, Furies

1065. Fluellen Forcing Pistol to Eat His Leek

1066. Alcibiades and Timon

1067. The Peasant's Dream, Paradise Lost, Book 1, 781-8

1068. The Three Witches from Macbeth: Double, Double, Toil and Trouble

1069. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

1070. Ferdinand and Ariel

1071. Lady Macbeth, Sleepwalking

1072. Prospero and Miranda

1073. Ophelia's Death

1074. Lady Percy Watching the Sleeping Hotspur

1075. Lear and Cordelia