Subject Terms: literary theme - YCBA Collections Search Search Results

501. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. The First Book of Urizen, Plate 11 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. For the Sexes: The Gates of Paradise, Plate 1, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Aubertus Miræus

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 7 1/2 inches (27 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 × 6 11/16 inches (10 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

531. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 3 3/4 inches (16.2 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

532. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slight textured cream laid paper
Dimensions:: Sheet: 5 7/8 × 3 3/4 inches (14.9 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

533. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 3 15/16 inches (17 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

534. The Siege of Namur

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. The Battle of the Cataplasm

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Overthrow of Dr. Slop

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. Procris and Cephalus

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1864
Materials & Techniques:: Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Creator:: Print made by Hugh Downman, d. 1789
Date:: ca. 1787
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. Alcibiades and Timon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

541. Portentous Things

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:: Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

542. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. The Death of Cordelia

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

545. Cleopatra on the Cydnus to Meet Antony

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1821
Materials & Techniques:: Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

546. MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 9 × 9 inches (22.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

547. Falstaff Disguised as Herne

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

548. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

549. The Duel: 'Twelfth Night,' Act III, Scene IV

Creator:: Henry William Bunbury, 1750–1811
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

550. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Malvolio: Possibly a Self-Portrait in the Role

Creator:: John Boyne, ca. 1750–1810
Date:: undated
Materials & Techniques:: Black and gray wash with pen and black ink, scraping, graphite, and red pencil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 6 1/16 inches (22.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Enter Malvolio, Crossgartered...

Creator:: Sir John Gilbert, 1817–1897
Date:: 1863
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

554. Apotheosis of Shakespeare's Characters

Creator:: Sir John Gilbert, 1817–1897
Date:: 1871
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:: Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

555. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

556. Sheet of Sketches

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite; verso: pen and brown ink and graphite on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 14 3/8 inches (24.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Ferdinand Riding the Waves

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1830
Materials & Techniques:: Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Prospero Watching Ferdinand and Miranda

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1840
Materials & Techniques:: Graphite with black chalk and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

559. Faust and Margaret

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. Queen Katherine's Dream

Creator:: George Henry Harlow, 1787–1819
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

561. Hecate

Creator:: George Henry Harlow, 1787–1819
Date:: 1815
Materials & Techniques:: Graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 7 inches (21.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

562. Falstaff Inspecting the Recruits

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1761 and 1765
Materials & Techniques:: Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. Anne Page and Slender

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Prospero and Ariel

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. Illustration to the Maids of Elfen-Mere

Creator:: Dante Gabriel Rossetti, 1828–1882
Date:: 1854
Materials & Techniques:: Graphite with pen and black ink and pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 1/4 inches (13 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

569. St. Cecilia

Creator:: James Henry Watt, 1799–1867
Date:: 1834
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 11 3/8 inches (43.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. The Sleepwalking Scene in Macbeth

Creator:: Henry Pierce Bone, 1779–1855
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, graphite and traces of white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 7/8 x 13 7/8 inches (50.5 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

572. Falstaff Carrying Dead Hotspur

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

573. Launce Teaching His Dog Crab

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

574. Illustration to the Virtuous Orphan

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Illustration to Beaumont and Fletcher

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 4 inches (17.5 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. Illustration to the Virtuous Orphan

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 2 7/8 inches (12.4 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Prospero Summoning Ariel

Creator:: William Young Ottley, 1771–1836
Date:: ca. 1800
Materials & Techniques:: Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. An Illustration to Rob Roy: Interior with a Party Drinking

Creator:: William Henry Pyne, 1769–1843
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/16 inches (11.7 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. Illustration to the Iliad

Creator:: John Michael Rysbrack, 1694–1770
Date:: between 1760 and 1769
Materials & Techniques:: Watercolor and gouache with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 1/8 inches (23.5 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

580. Tom Jones Assisting Molly Seagrim

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

581. Design for Midsummer Night's Dream

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and ink, and graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 6 1/2 inches (55.9 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Title page for "The Guardian"

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 4 1/2 inches (15.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

584. Ceres and Abas: Ovid, Metamorphoses, Book 5

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, beige laid paper, mounted on moderately thick, slightly textured, beige laid paper
Dimensions:: Mount: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

585. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck

Creator:: John Flaxman, 1755–1826
Date:: ca. 1795
Materials & Techniques:: Album of pen and ink sketches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/8in. (26.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. Lysander Awakening to See Helena

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Falstaff in the Boar's Head

Creator:: Robert Smirke, 1752–1845
Date:: 1807
Materials & Techniques:: Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. Head of a Man with a Beard and Long Hair in the Wind

Creator:: Samuel De Wilde, 1748–1832
Date:: 1786
Materials & Techniques:: Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Illustration to Homer's Iliad

Creator:: Thomas Carwitham, active 1723
Date:: 1723
Materials & Techniques:: Pen and brown ink with brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1807
Materials & Techniques:: Brown ink, oil, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. Literary Characters Assembled Around the Medallion of Shakespeare

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. Illustration to Aesop's Fables: The Fox & the Crane

Creator:: Follower of Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 5 7/8 inches (12.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. Celadon and Amelia from Thomson's 'The Seasons'

Creator:: Alexander Runciman, 1736–1785
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Illustration to Tonson's Ovid Metamorphosis (three of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Illustration to Tonson's Ovid Metamorphosis (one of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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501. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

502. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

503. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

504. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

505. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

506. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

507. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

508. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

509. For the Sexes: The Gates of Paradise, Plate 4, "Water"

510. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

511. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

512. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

513. The First Book of Urizen, Plate 11 (Bentley 17)

514. The First Book of Urizen, Plate 21 (Bentley 16)

515. The First Book of Urizen, Plate 23 (Bentley 9)

516. The First Book of Urizen, Plate 3 (Bentley 22)

517. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

518. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

519. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

520. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

521. The First Book of Urizen, Plate 7 (Bentley 12)

522. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

523. For the Sexes: The Gates of Paradise, Plate 1, Title Page

524. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

525. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

526. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

527. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

528. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

529. Aubertus Miræus

530. Unidentified Periodical / Play Illustration

531. Unidentified Periodical / Play Illustration

532. Unidentified Periodical / Play Illustration

533. Unidentified Periodical / Play Illustration

534. The Siege of Namur

535. The Battle of the Cataplasm

536. Overthrow of Dr. Slop

537. Procris and Cephalus

538. Gulliver Bound by the Lilliputians

539. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

540. Alcibiades and Timon

541. Portentous Things

542. Illustration to Tonson's Ovid Metamorphosis (two of four)

543. The Tenth Day of the Decameron

544. The Death of Cordelia

545. Cleopatra on the Cydnus to Meet Antony

546. MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

547. Falstaff Disguised as Herne

548. Macbeth and Banquo on the Heath

549. The Duel: 'Twelfth Night,' Act III, Scene IV

550. St. Julienne's Chapel

551. Malvolio: Possibly a Self-Portrait in the Role

552. Scene from Quentin Durward

553. Enter Malvolio, Crossgartered...

554. Apotheosis of Shakespeare's Characters

555. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

556. Sheet of Sketches

557. Ferdinand Riding the Waves

558. Prospero Watching Ferdinand and Miranda

559. Faust and Margaret

560. Queen Katherine's Dream

561. Hecate

562. Falstaff Inspecting the Recruits

563. Study for 'Finding of the Body of Bassanio'

564. Anne Page and Slender

565. Prospero and Ariel

566. Falstaff Instructing Bardolph

567. Falstaff Dragging the Body of Hotspur

568. Illustration to the Maids of Elfen-Mere

569. St. Cecilia

570. Loch Achray

571. The Sleepwalking Scene in Macbeth

572. Falstaff Carrying Dead Hotspur

573. Launce Teaching His Dog Crab

574. Illustration to the Virtuous Orphan

575. Illustration to Beaumont and Fletcher