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901. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

902. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

903. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

904. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

905. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

906. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

907. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

908. Left Bank, Meuse

Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

909. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

910. Fortune

Fortune
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

911. Betwixt a Subtile Priest & Cursed Wife

Betwixt a Subtile Priest & Cursed Wife
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on medium, moderately textured, laid paper
Dimensions:
Sheet: 10 11/16 x 7 3/4 inches (27.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

912. The Barber

The Barber
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1670 and 1690
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 5 1/2 inches (20.2 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

913. Aeneas Entering Hades

Aeneas Entering Hades
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1675 and 1680
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 × 7 5/16 inches (25.3 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

914. Susanna and the Elders

Susanna and the Elders
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1670 and 1690
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 11 7/16 inches (36.9 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

915. The Guitar Player

The Guitar Player
Creator:
Print made by Gerhard Bockman, 1686–1773
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 15/16 x 10 15/16 inches (43.1 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

916. Susanna and the Two Elders

Susanna and the Two Elders
Creator:
Print made by Richard Brookshaw, 1736–1804
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 10 15/16 inches (37.4 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

917. The Contented Dutchmen

The Contented Dutchmen
Creator:
Print made by Richard Brookshaw, 1736–1804
Date:
1770
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 11/16 inches (24.9 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

918. Making a Cast at a Fault

Making a Cast at a Fault
Creator:
Print made by Thomas Burford, ca. 1710–after 1774
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

919. River Meuse

River Meuse
Creator:
Print made by Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/8 inches (20.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

920. Bedside Scene

Bedside Scene
Creator:
Print made by Abraham de Blois, active 1679–1720
Date:
ca. 1680
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 11 5/16 inches (35.6 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

921. Peasants Drinking

Peasants Drinking
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
between 1765 and 1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 x 5 7/8 inches (20 x 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

922. The Old Beau in an Extasy

The Old Beau in an Extasy
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1773
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

923. Susanna and the Elders

Susanna and the Elders
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1769
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

924. L'âge Viril

L'âge Viril
Creator:
Print made by Cornelis Dusart, 1660–1704
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 15/16 x 7 3/16 inches (25.3 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

925. Interior of a Stable

Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

926. Bucks of the First Head

Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

927. Bucks of the First Head

Bucks of the First Head
Creator:
Print made by unknown artist
Materials & Techniques:
Photomechanical reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

928. A Pier at Amsterdam (Version A)

A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

929. The Undergraduate's Room

The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

930. The Land of Beulah

The Land of Beulah
Creator:
Edward Burne-Jones, 1833–1898
Date:
1881
Materials & Techniques:
Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

931. Angry Scene in a Street

Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

932. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

933. Rowlandson and Wigstead on Tour

Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

934. Lot and His Family

Lot and His Family
Creator:
Print made by John Alexander, 1686–before 1768
Date:
ca. 1718
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

935. Three Sportsmen Sleeping at the Table in Their Chairs

Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 6 15/16 inches (10.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

936. The Light Dragoons

The Light Dragoons
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 6 3/4 inches (7.6 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

937. Bayswater - London

Bayswater - London
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

938. Election Scene

Election Scene
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 x 4 5/8 inches (7.3 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

939. Finsbury Square

Finsbury Square
Creator:
George Sidney Shepherd, 1784–1862
Date:
1814
Materials & Techniques:
Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

940. The Times and Evening Mail Office

The Times and Evening Mail Office
Creator:
George Sidney Shepherd, 1784–1862
Date:
1811
Materials & Techniques:
Watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 5/8 inches (17.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

941. Green Park

Green Park
Creator:
George Sidney Shepherd, 1784–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

942. Alpine Bridge and Woodland Scenery near Pistil y Maw

Alpine Bridge and Woodland Scenery near Pistil y Maw
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 3/4 inches (15.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

943. A Sheet of Slight Sketches

A Sheet of Slight Sketches
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/8 x 7 3/4 inches (10.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

944. Farmers Harvesting

Farmers Harvesting
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/4 inches (10.8 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

945. Elijah Casting off His Mantle

Elijah Casting off His Mantle
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 8 5/8 inches (21 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

946. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Creator:
Ford Madox Brown, 1821–1893
Date:
1858
Materials & Techniques:
Watercolor, gouache, graphite and pastel on medium, slightly textured cream wove paper mounted to thick, gray card
Dimensions:
Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

947. Scene near Shipton on Cherwell, Oxfordshire

Scene near Shipton on Cherwell, Oxfordshire
Creator:
William Turner of Oxford, 1789–1862
Date:
1835
Materials & Techniques:
Watercolor, gouache and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 29 5/8 inches (54.6 x 75.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

948. Malvolio Dancing

Malvolio Dancing
Creator:
Robert Smirke, 1752–1845
Date:
1827
Materials & Techniques:
Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

949. An Encampment in St. James Park

An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

950. Junius

Junius
Creator:
Print made by Thomas Bonner, ca. 1740–ca. 1812
Date:
1769
Materials & Techniques:
Etching and stipple engraving on medium, smooth, cream laid paper in contemporary laid paper insert
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

951. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

952. Saint Stephen's, Walbrook

Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

953. 'The Gamester,' Act V, Scene IV

'The Gamester,' Act V, Scene IV
Creator:
James Fittler, 1758–1835
Date:
1792
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

954. Le Ete - Der Sommer

Le Ete - Der Sommer
Creator:
Print made by Johann Philip Koch, ca. 1716–1796
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 19 1/4 inches (40.3 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

955. Portrait of Two Men, One Playing Recorder

Portrait of Two Men, One Playing Recorder
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 1/2 x 14 5/16 inches (52 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

956. Le depart de l'Enfant Prodigue

Le depart de l'Enfant Prodigue
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/16 x 18 1/16 inches (36.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

957. Landscape with Two Men

Landscape with Two Men
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 11/16 × 13 7/16 inches (22.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

958. Ancienne Tour Près de Lanark

Ancienne Tour Près de Lanark
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

959. Ancienne Porte a Stirling

Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

960. Campos sur les bords du Rio das Velhas

Campos sur les bords du Rio das Velhas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

961. Façade de l'Eglise de Brou

Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

962. Figure Studies

Figure Studies
Creator:
Edward John Burra, 1905–1976
Date:
undated
Materials & Techniques:
Pen and black and brown ink, brown wash, gray wash and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

963. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

964. Eglise de St. Jean a Lyons

Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

965. Lac de Killin

Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

966. Croix de Moulin les Planches

Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

967. Le Silence Favorable

Le Silence Favorable
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

968. Les Pendus

Les Pendus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

969. Le Retour

Le Retour
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

970. Rue du Gros Horloge

Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

971. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

972. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

973. Tour aux Archives a Vernon

Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

974. Phryne

Phryne
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pastel, graphite with pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift

975. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

976. Coventry Cathedral Service, Good Friday, 1943

Coventry Cathedral Service, Good Friday, 1943
Creator:
Print made by Miriam Garratt
Date:
after 1943
Materials & Techniques:
Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 15/16 x 8 3/4 inches (30.4 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph C. Garratt

977. The Merry Tales of the Wise Man of Gotham

The Merry Tales of the Wise Man of Gotham
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 5 3/16 inches (13.7 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

978. Pilgrims Paying Their Devotion in St. Peters at Rome

Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

979. William Blake in Youth and Age

William Blake in Youth and Age
Creator:
George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Graphite with brush and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

980. Stephano and Trinculo with Caliban

Stephano and Trinculo with Caliban
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

981. Feste, as Sir Topas, addressing Malvolio

Feste, as Sir Topas, addressing Malvolio
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

982. Christopher Sly and the Page, as His Wife

Christopher Sly and the Page, as His Wife
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

983. Lady Mortimer's Welsh Song

Lady Mortimer's Welsh Song
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

984. Falstaff with Mistress Quickly and Bardolph

Falstaff with Mistress Quickly and Bardolph
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

985. Falstaff at Herne's Oak

Falstaff at Herne's Oak
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

986. Master William Page and Sir Hugh Evans

Master William Page and Sir Hugh Evans
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

987. Hotspur and the Plotters at Bangor

Hotspur and the Plotters at Bangor
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

988. Oberon and Puck

Oberon and Puck
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 7/16 inches (19.1 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

989. Ruins on the Coast

Ruins on the Coast
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, class of 1935

990. Château des Comtes de Flandre, Ghent

Château des Comtes de Flandre, Ghent
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

991. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

992. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

993. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

994. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

995. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

996. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced
Creator:
Print made by Gregory, Collins and Reynolds, active 1843
Date:
ca. 1845
Materials & Techniques:
Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

997. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

998. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

999. Chelsea

Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
ca. 1882
Materials & Techniques:
Etching and drypoint on thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

1000. Royal Horse Artillery, 1843

Royal Horse Artillery, 1843
Creator:
John Grant, Died 1873
Date:
1843
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection