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1. The Divine Image (Plate 24)

The Divine Image (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Nurse's Song (Plate 22)

Nurse's Song (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Façade de l'Eglise de Brou

Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Costume of the Reign of King Henry III, 1250

Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1814
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Duke of Monmouth as a Boy

Duke of Monmouth as a Boy
Creator:
Print made by unknown artist
Date:
between 1673 and 1685
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 9/16 × 10 1/4 inches (34.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

10. A Spanish Good Friday

A Spanish Good Friday
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1925
Materials & Techniques:
Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. The Return

The Return
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on medium, slightly textured, greened white laid paper
Dimensions:
Sheet: 12 3/16 x 9 1/16 inches (30.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. The Spirit of the East

The Spirit of the East
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
between 1923 and 1924
Materials & Techniques:
Drypoint and etching on moderately thick, very smooth, beige Asian paper
Dimensions:
Sheet: 16 7/16 x 12 1/8 inches (41.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. A Venetian Fountain [North Italian Set: No. 7]

A Venetian Fountain [North Italian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1894
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. Tewkesbury Abbey

Tewkesbury Abbey
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1915
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Flora and Putti

Flora and Putti
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Procession of the Knights of the Most Noble Order of the Garter

The Procession of the Knights of the Most Noble Order of the Garter
Creator:
Richard Cooper the Younger, 1740–1814
Date:
1782
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. George Fox Walks Through Whitehall

George Fox Walks Through Whitehall
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 9 3/16 inches (29.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

25. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Great Temple, Hurdwar

The Great Temple, Hurdwar
Creator:
Print made by William Finden, 1787–1852
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

27. Festival of Al-Mohurram

Festival of Al-Mohurram
Creator:
Print made by Francis William Topham, 1808–1877
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

28. Calcutta

Calcutta
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
ca. 1845
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 10 1/4 inches (16.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

29. Devotees in India Sacrificing Themselves to the Idol Juggernaut

Devotees in India Sacrificing Themselves to the Idol Juggernaut
Creator:
Print made by T. Kelly, active ca. 1837
Date:
1837
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/2 inches (20.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

30. King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
Creator:
Upper print made by unknown artist
Date:
1862
Materials & Techniques:
Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

31. Pilgrims

Pilgrims
Creator:
Print made by John Luard, 1790–1875
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 inches (21.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

32. Merchant's Great Festival

No cover image available
Creator:
Print made by unknown artist
Date:
1867
Materials & Techniques:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas Kenny and Susan Phillips, In Memory of Richard Kressler and Leland Sweet

33. A Daimios Funeral

No cover image available
Creator:
Print made by unknown artist
Date:
1867
Materials & Techniques:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas Kenny and Susan Phillips, In Memory of Richard Kressler and Leland Sweet