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1801. River Landscape

River Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1802. River Landscape with Lock in Foreground

River Landscape with Lock in Foreground
Creator:
Joseph Powell, 1780–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, rough, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 5/16 inches (16.5 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1803. Figures by a Ferry

Figures by a Ferry
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1804. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1805. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1806. Great Marlow Church, Buckinghamshire

Great Marlow Church, Buckinghamshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1807. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1808. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (ab) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1809. A Town House on the Thames

A Town House on the Thames
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1810. A Thames Wharf with Westminster Bridge in the Distance

A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1811. The Thames with Montagu House and Westminster Bridge

The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1812. A Wood Yard on the Thames at Nine Elms

A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1813. Westminster Bridge under Construction

Westminster Bridge under Construction
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1814. Figures and Boats on the Thames

Figures and Boats on the Thames
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1815. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

A View of Bristol with Ratcilffe Church and Lime Kiln Dock
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

1816. Thames Side Buildings

Thames Side Buildings
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1817. Mr. Vaughan's, Boys Hill, Dorset

Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

1818. Falls of Tivoli

Falls of Tivoli
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, pasted on thick, smooth, cream wove paper
Dimensions:
Mount: 23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1819. A Bridge

A Bridge
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige card
Dimensions:
Mount: 7 5/8 x 10 3/16 inches (19.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1820. Avignon: Bridge over a River

Avignon: Bridge over a River
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1821. Felucca on a River

Felucca on a River
Creator:
David Herbert Lawrence, 1885 –1930
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 x 7 3/4 inches (33 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1822. River Landscape with a Single Arched Bridge

River Landscape with a Single Arched Bridge
Creator:
John Warwick Smith, 1749–1831
Date:
1797
Materials & Techniques:
Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1823. Fishing near a Waterfall

Fishing near a Waterfall
Creator:
unknown artist
Date:
1790
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 7 5/16 inches (16.2 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1824. Drawing for The First Voyage

Drawing for The First Voyage
Creator:
William Mulready, 1786–1863
Date:
ca. 1833
Materials & Techniques:
Red chalk, white chalk, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/8 x 23 5/8 inches (48.6 x 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1825. Shell Guide to Cambridgeshire

Shell Guide to Cambridgeshire
Creator:
Print made by John Northcote Nash, 1893–1977
Date:
1963
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 29 x 20 inches (73.7 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1826. Ludlow Castle

Ludlow Castle
Creator:
Samuel Scott, ca. 1702–1772
Date:
between 1765 and 1769
Materials & Techniques:
Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:
Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1827. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

The Falls from the Narrow Neck near the Eastern Headland of the Outlet
Creator:
F. Jones, 19th century
Date:
1865
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

1828. The Falls from the Western End of the Chasm

The Falls from the Western End of the Chasm
Creator:
Print made by Day & Co., 1824–1913
Date:
1856
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

1829. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Entrance to the Gap of Dunloh, Killarney, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1830. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 9 3/4 inches (18.6 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

1831. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1832. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1833. Lincoln from the River Witham

Lincoln from the River Witham
Creator:
Print made by S. T. Davies, active ca. 1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1834. Godalming, Surrey

Godalming, Surrey
Creator:
John Greig, active 1803–1853
Date:
1820
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1835. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 5/8 × 18 1/4 inches (16.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1836. View of the Pantheon, taken from the Arsenal

View of the Pantheon, taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1837. View of the Village of Chaillot, etc., taken from Pont de la Concorde

View of the Village of Chaillot, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1838. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1839. View of the Tuilleries and Bridge, taken from the Quai d'Orsay

View of the Tuilleries and Bridge, taken from the Quai d'Orsay
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 9 1/2 × 20 1/2 inches (24.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1840. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1841. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1842. A View of Pont Neuf, the Mint, etc.

A View of Pont Neuf, the Mint, etc.
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1802
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1843. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown laid paper
Dimensions:
Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1844. Wooded Upland Landscape with Riders and Packhorse

Wooded Upland Landscape with Riders and Packhorse
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1845. Map of Bewdley from the Ordnance Survey

Map of Bewdley from the Ordnance Survey
Creator:
Print made by Robert Kearsley Dawson, 1798–1861
Date:
undated
Materials & Techniques:
Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 9/16 × 8 7/16 inches (34.4 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1846. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1847. Eton College from Datchet Road

Eton College from Datchet Road
Creator:
Thomas Girtin, 1775–1802
Date:
1790
Materials & Techniques:
Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1848. Dumbarton Rock and Castle

Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1849. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1850. The North

The North
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1851. The North

The North
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1852. Whitby, Yorkshire

Whitby, Yorkshire
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1853. Kirkstall Abbey, Yorkshire

Kirkstall Abbey, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1854. Romantic Landscape

Romantic Landscape
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1801
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1855. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1856. Sailboats on the Nile

Sailboats on the Nile
Creator:
John William Burgon, 1813 –1888
Date:
between 1861 and 1862
Materials & Techniques:
Watercolor on medium, slightly textured, wove paper mounted on board
Dimensions:
Sheet: 5 1/2 x 13 1/8 inches (14 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

1857. The Abbey Mill, Knaresborough

The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1858. The Nile

The Nile
Creator:
William Holman Hunt, 1827–1910
Date:
1854
Materials & Techniques:
Watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 10 inches (10.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

1859. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1860. Ripon Minster, Yorkshire

Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1861. Sandsend, Yorkshire

Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1862. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1863. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1864. London from Highgate Hill

London from Highgate Hill
Creator:
Thomas Girtin, 1775–1802
Date:
1792
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1865. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1866. Seville

Seville
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor, graphite, and red gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 14 1/2 inches (10.2 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1867. Palace on a River

Palace on a River
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Graphite with watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1868. On the Thames

On the Thames
Creator:
David Roberts, 1796–1864
Date:
1860
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1869. From London Bridge

From London Bridge
Creator:
David Roberts, 1796–1864
Date:
1860
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1870. The Pass of Pancorbo, The Pyrenees

The Pass of Pancorbo, The Pyrenees
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 7/16 inches (26.7 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1871. The Bridge, Cahors

The Bridge, Cahors
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream wove paper
Dimensions:
Plate: 7 1/8 × 9 3/8 inches (18.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel and Pearl K. Bell

1872. Jedburgh Abbey from the South East

Jedburgh Abbey from the South East
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1873. Warwick Castle

Warwick Castle
Creator:
Print made by James Fittler, 1758–1835
Date:
1780
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 x 12 5/16 inches (24.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1874. A Perspective of ye Royal Palace of Somerset next ye River

A Perspective of ye Royal Palace of Somerset next ye River
Creator:
John Maurer, active 1713–1761
Date:
1742
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1875. A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1876. Snipe Shooting

Snipe Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1877. The Castle of Dumbritton from Kilpatrick

The Castle of Dumbritton from Kilpatrick
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1878. The Prospect of ye Town of Dundee

The Prospect of ye Town of Dundee
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 3/4 x 16 3/4in. (27.3 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1879. View of the City of Bristol

View of the City of Bristol
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1831
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie

1880. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

1881. Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae

Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1834
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 17 1/2 inches (30.1 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

1882. Boy Holding a Hat and Girl Holding a Basket of Flowers, Standing in a Landscape

Boy Holding a Hat and Girl Holding a Basket of Flowers, Standing in a Landscape
Creator:
Attributed to James Sharples, ca. 1751–1811
Date:
undated
Materials & Techniques:
Pastel and graphite on medium, smooth cream wove paper
Dimensions:
Frame: 14 1/2 × 13 × 1 inches (36.8 × 33 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

1883. Warwick Castle

Warwick Castle
Creator:
Charles Reginald Aston, 1832–1908
Date:
undated
Materials & Techniques:
Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 17 3/4 inches (24.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert and Pauline Knoll

1884. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1885. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1886. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1887. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1888. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1889. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1890. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1891. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (bc) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1892. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1893. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1894. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1895. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof, before (a) on moderatly thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1896. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1897. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 40 1/2 × 11 11/16 inches (102.9 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1898. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1899. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1900. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection