Subject Terms: ruins - YCBA Collections Search Search Results

601. Classical Landscape with Two Figures on Horseback at Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

602. Landscape with a Ruined Castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash, gray ink, and graphite on moderately thick, moderately textured, cream wove paper, prepared with orange wash
Dimensions:: Sheet: 5 3/8 x 7 1/4 inches (13.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

603. Landscape with a Ruined Castle on the Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash, black ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with pink wash
Dimensions:: Sheet: 5 1/2 x 7 3/8in. (14 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

604. Landscape with Road in Foreground

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 inches (13.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

605. Three Figures in a Hilly Landscape with Ruins, beyond

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 6 3/4 inches (11.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

606. The Keep, Porchester Castle

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

607. A ruin fantasy

Creator:: John Devoto, active 1708–1752
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

608. Llanberis Lake, with Castle Dolbadern

Creator:: John Varley, 1778–1842
Date:: ca. 1805
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

609. Edlingham Castle, Northumberland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, brown wash and black chalk on moderately thick, slightly textured gray wove paper
Dimensions:: Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

610. Druidical Remains

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

611. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

612. The Temple of Aphaia at Aegina: Ground Plan

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

613. Hastings Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 × 11 inches (22.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

614. Bramber Castle

Creator:: unknown artist
Date:: between 1824 and 1835
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

615. The Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: 1802
Materials & Techniques:: Watercolor over graphite on wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

616. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

617. Temple by the Lake

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor with brown and black ink over pencil on medium, slightly textured, cream wove paper
Dimensions:: Image: 2 3/8 × 6 7/8 inches (6 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

618. Ruins of a Temple, Sunset

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

619. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

620. Bridge and Patna Gate and Monghyr Fort

Creator:: William Daniell, 1769–1837
Date:: 1788
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

621. Nether Hall, Essex

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

622. View of the Convent of the Clarisses at Valenciennes after the Seige

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

623. Ruins at Chiaravalle near Ancona, Italy

Creator:: Edward Jones, active 1819–1835
Date:: 1818
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 4 1/2 inches (15.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

624. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

625. East End of Howden Church, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 3/4 inches (39.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

626. Castle Acre Priory, Norfolk, West Front

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

627. A View of Praya Grande, Macao, through a Doorway on Penha Hill

Creator:: George Chinnery, 1774–1852
Date:: 1842
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 8 3/4 inches (24.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

628. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

629. An Old Barn, Trees and Cow

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

630. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

631. Figure with Cattle Standing in the Shadow of a Building

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

632. A River Scene

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 5/8 inches (17.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

633. Interior of the Ruins of Yarmouth Priory

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

634. Framlingham Castle, Suffolk: Part of Ruined Interior

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1815
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 8 3/4 inches (31.8 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

635. Ruin behind the Free School, Thetford, Suffolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

636. Ruin on a Lake, in the Manner of Richard Wilson

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite on medium smooth cream wove paper
Dimensions:: Sheet: 4 x 6 1/2 inches (10.2 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

637. Ruined Temple after Richard Wilson

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium slightly textured cream wove paper
Dimensions:: Sheet: 4 x 6 5/8 inches (10.2 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

638. Bridge and Ruin, after Richard Wilson; On the Tiber

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite and black chalk on medium slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

639. River and Mountain, with Ruins

Creator:: Alexander Cozens, 1717–1786
Date:: between 1750 and 1759
Materials & Techniques:: Brushed black ink, gray wash, pen and brown ink, and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 6 3/4 inches (8.9 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

640. Landscape with a Lake and Distant Mountain

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1750
Materials & Techniques:: Brushed black ink with graphite and buff ground on medium, sightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 7 7/8 inches (15.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

641. Unidentified Castle (Formerly Called Clanbury Castle)

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

642. A Castle Tower, Caernarvon Castle

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, white wove paper
Dimensions:: Sheet: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

643. Landscape with a Ruined Temple

Creator:: Alexander Cozens, 1717–1786
Date:: between 1746 and 1750
Materials & Techniques:: Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

644. Caister Castle, Norfolk

Creator:: follower of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 11 1/2 inches (26.4 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

645. Castle Acre Priory, Norfolk

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: 19th century
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 9 1/2 inches (34 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

646. Castle Acre Priory, Norfolk

Creator:: follower of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 inches (30.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

647. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

648. West Front of Byland Abbey, Yorkshire

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

649. Ruined Fort on a Hill

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Pen and gray ink, wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

650. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

651. The Dent de Lion, Margate, Kent

Creator:: William Alexander, 1767–1816
Date:: ca. 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

652. Landscape

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 19 3/16 inches (34.8 x 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

653. Ruins of a Monastery with Farmyard Animals

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor over graphite with gouache and scraping on thick, slightly textured, beige card
Dimensions:: Sheet: 15 15/16 × 21 1/4 inches (40.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

654. Ruined Fort on a River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 19 1/4 inches (30.8 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

655. Ruined Palace by a River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 16 1/4 inches (30.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

656. Knaresborough Castle

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/2 × 9 5/8 inches (34.3 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

657. Caerphilly Castle

Creator:: Hendrik Danckerts, ca. 1625–1680
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 16 5/8 inches (24.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

658. Caerphilly Castle

Creator:: Hendrik Danckerts, ca. 1625–1680
Date:: undated
Materials & Techniques:: Pen and gray ink, brown wash, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

659. Cattle Watering by Corinthian Columns

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 7/8 inches (15.1 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

660. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

661. Long-Horned Cattle

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 14 15/16 inches (28.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

662. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

663. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

664. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

665. Haverfordwest, Pembrokeshire

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1791
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

666. Landscape with a Ruined Norman Church

Creator:: attributed to Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

667. Holy Island and Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

668. Mitford Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

669. Norham Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

670. Gate of the Old Fort at Old Benares

Creator:: Samuel Davis, 1760–1819
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on wove paper with pen and brown ink border laid down on heavy wove paper
Dimensions:: Mount: 21 × 27 3/4 inches (53.3 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

671. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

672. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

673. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

674. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

675. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

676. St. Andrew's Castle in the Kingdom of Fife

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 18 5/8 x 14 13/16 inches (47.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

677. The Meuse [Belgian Set: No. 4]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 16 3/8 inches (23.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

678. Thermae of Caracalla

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1923
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

679. Castle Urquhart

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

680. North View of the Refectory Battle Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 15/16 x 13 7/8in. (22.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

681. Entrance to a Village Below an Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 14 3/16 inches (22.8 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

682. Temple Ruins

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/2 x 5 7/8 inches (16.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

683. The Ruins of Nervesa

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 12 1/2 × 8 5/8 inches (31.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

684. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

685. The Lonely Tower, Roman Campagna

Creator:: George Percival Gaskell, 1868–1934
Date:: undated
Materials & Techniques:: Aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 19 7/8 inches (33.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

686. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 15 7/8 x 25 1/8in. (40.3 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

687. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1828
Materials & Techniques:: Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

688. Stonehenge

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 12 1/2 inches (20.6 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

689. St. Martin's Bridge, Toledo

Creator:: Print made by Oliver Hall, 1869–1957
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, orange card
Dimensions:: Mount: 11 5/16 x 13 13/16 inches (28.8 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald & Willi Holden

690. The Residency, Lucknow

Creator:: G. W. Lawrie, active 1880s–1890s
Date:: 1880s
Materials & Techniques:: Albumen print on thin, smooth, white wove paper
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

691. The Temple of Aphaia at Aegina: View of Landscape

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 5/16 × 8 13/16 inches (13.5 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

692. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

693. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

694. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

695. Tivoli: Classical Composition

Creator:: George Barret Jr., 1767–1842
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor over graphite, touched with white gouache and scraping out on wove paper mounted on stretcher
Dimensions:: Sheet: 27 7/8 x 40 3/16in. (70.8 x 102.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

696. The Temple of Vesta, Rome

Creator:: James Holland, 1799–1870
Date:: 1849
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 7/8in. (19.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

697. Ruins Outside Rome

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: ca. 1783
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/16 x 14 3/16 inches (23.7 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

698. O'Hara's Tower, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

699. Mount Palatine

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

700. Hilly Landscape with Figures Approaching a Bridge

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1763
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper, on contemporary mount
Dimensions:: Sheet: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, James W. and Mary C. Fosburgh Collection

YCBA Collections Search

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601. Classical Landscape with Two Figures on Horseback at Right

602. Landscape with a Ruined Castle

603. Landscape with a Ruined Castle on the Right

604. Landscape with Road in Foreground

605. Three Figures in a Hilly Landscape with Ruins, beyond

606. The Keep, Porchester Castle

607. A ruin fantasy

608. Llanberis Lake, with Castle Dolbadern

609. Edlingham Castle, Northumberland

610. Druidical Remains

611. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

612. The Temple of Aphaia at Aegina: Ground Plan

613. Hastings Castle

614. Bramber Castle

615. The Colosseum, Rome

616. An Interior View of the Colosseum, Rome

617. Temple by the Lake

618. Ruins of a Temple, Sunset

619. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

620. Bridge and Patna Gate and Monghyr Fort

621. Nether Hall, Essex

622. View of the Convent of the Clarisses at Valenciennes after the Seige

623. Ruins at Chiaravalle near Ancona, Italy

624. View of St. Nicholas Church at Valenciennes after the Siege

625. East End of Howden Church, Yorkshire

626. Castle Acre Priory, Norfolk, West Front

627. A View of Praya Grande, Macao, through a Doorway on Penha Hill

628. Ruined Archway with a Line of Washing, possibly in Rome

629. An Old Barn, Trees and Cow

630. Facade of Ruined (?) Roman Temple, with Columns and Doorway

631. Figure with Cattle Standing in the Shadow of a Building

632. A River Scene

633. Interior of the Ruins of Yarmouth Priory

634. Framlingham Castle, Suffolk: Part of Ruined Interior

635. Ruin behind the Free School, Thetford, Suffolk

636. Ruin on a Lake, in the Manner of Richard Wilson

637. Ruined Temple after Richard Wilson

638. Bridge and Ruin, after Richard Wilson; On the Tiber

639. River and Mountain, with Ruins

640. Landscape with a Lake and Distant Mountain

641. Unidentified Castle (Formerly Called Clanbury Castle)

642. A Castle Tower, Caernarvon Castle

643. Landscape with a Ruined Temple

644. Caister Castle, Norfolk

645. Castle Acre Priory, Norfolk

646. Castle Acre Priory, Norfolk

647. Ruin of a Norman Church

648. West Front of Byland Abbey, Yorkshire

649. Ruined Fort on a Hill

650. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

651. The Dent de Lion, Margate, Kent

652. Landscape

653. Ruins of a Monastery with Farmyard Animals

654. Ruined Fort on a River

655. Ruined Palace by a River

656. Knaresborough Castle

657. Caerphilly Castle

658. Caerphilly Castle

659. Cattle Watering by Corinthian Columns

660. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

661. Long-Horned Cattle

662. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

663. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

664. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

665. Haverfordwest, Pembrokeshire

666. Landscape with a Ruined Norman Church

667. Holy Island and Castle, Northumberland

668. Mitford Castle, Northumberland

669. Norham Castle, Northumberland

670. Gate of the Old Fort at Old Benares

671. The Bay of Baiae - Apollo and the Sibyl

672. The Golden Bough

673. The Golden Bough

674. The Bay of Baiæ, Apollo and the Sibyl

675. Scottish Scenes. Albanian Scenes.