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301. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. The Fates

The Fates
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Alarming Case of Indigestion: The Doctor Called In

Alarming Case of Indigestion: The Doctor Called In
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 5/16 x 17 5/16 inches (31.2 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.

A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Rather a Dangerous Kind of Hug

Rather a Dangerous Kind of Hug
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Another Saint Sebastian, Shot at by Cruel Archers

Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. The Old Donkey Turned Restive at Last

The Old Donkey Turned Restive at Last
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 7/8 inches (30.5 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Common Sense Versus Precedent

Common Sense Versus Precedent
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 17 15/16 inches (30.4 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. The State Wagon in Difficulties

The State Wagon in Difficulties
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. The (Modern) Deluge

The (Modern) Deluge
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.3 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. The Harpies Attacking the Daughters of Pandarus

The Harpies Attacking the Daughters of Pandarus
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. The Rivals: Extremes Meet

The Rivals: Extremes Meet
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. "Concert Monstre" of "Musical Congress" Extraordinary!

"Concert Monstre" of "Musical Congress" Extraordinary!
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 5/16 inches (29.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. The Ass and the Sick Lion

The Ass and the Sick Lion
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 3/16 inches (29.7 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. A Parliamentary "Souvenir"

A Parliamentary "Souvenir"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 18 1/8 x 11 15/16 inches (46 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. New Illustration of Hudibras

New Illustration of Hudibras
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1851
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/4 inches (29.8 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. The Man Wot "Whips the House Out"

The Man Wot "Whips the House Out"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 1/4 x 11 13/16 inches (43.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. A Morning Ride

A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

330. The Royal Rush Light

The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Literary Characters Assembled around the Medallion of Shakespeare

Literary Characters Assembled around the Medallion of Shakespeare
Creator:
Print made by Lydia Bates, active 1784
Date:
ca. 1777
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 16 9/16 inches (28.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

332. A Lesson Westward - or A Morning Visit to Betsy Cole

A Lesson Westward - or A Morning Visit to Betsy Cole
Creator:
Robert Dighton, 1752–1814
Date:
1782
Materials & Techniques:
Mezzotint and etching, hand-colored with gummed gouache on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 13 7/16 × 9 13/16 inches (34.2 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. The Spoiled Child, Scene I

The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. The Spoiled Child, Scene V

The Spoiled Child, Scene V
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. The Spoiled Child, Scene III

The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. The Spoiled Child, Scene IV

The Spoiled Child, Scene IV
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. The Spoiled Child, Scene II

The Spoiled Child, Scene II
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. The Spoiled Child, Scene VI

The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Amateurs of Tye-Wig Music

Amateurs of Tye-Wig Music
Creator:
Edward Francis Burney, 1760–1848
Date:
ca. 1800-1815
Materials & Techniques:
Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. The Search after Truth

The Search after Truth
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Pen and black ink, black chalk, gray wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 14 13/16 × 21 5/16 inches (37.6 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. The Long Minuet as Danced at Bath

The Long Minuet as Danced at Bath
Creator:
unknown artist
Date:
after 1787
Materials & Techniques:
Brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 58 7/16 inches (24 x 148.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. The Union Club

The Union Club
Creator:
Charles Williams, active 1796–1830
Date:
undated
Materials & Techniques:
Pen and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 7/16 inches (31.1 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. A Fashion in 1845

A Fashion in 1845
Creator:
unknown artist
Date:
ca. 1845
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, blue card
Dimensions:
Mount: 16 × 11 1/2 inches (40.6 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

344. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

345. Hats

Hats
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1773
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 11/16 x 17 5/8 inches (27.1 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Proteus ye 2d in Sev'ral Among his Many Publick Characters

Proteus ye 2d in Sev'ral Among his Many Publick Characters
Creator:
Print made by unknown artist
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 14in. (20.6 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. The Loves of the Fox and the Badger, - or The Coalition Wedding

The Loves of the Fox and the Badger, - or The Coalition Wedding
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. The Legacy

The Legacy
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 6 1/4in. (29.5 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. The Loves of the Fox and the Badger, - or The Coalition Wedding

The Loves of the Fox and the Badger, - or The Coalition Wedding
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. The Dutch Divisions

The Dutch Divisions
Creator:
Print made by James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. The Sick Prince

The Sick Prince
Creator:
Print made by James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 9 3/4in. (21 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Swearing to the Cutting Monster or - A Scene in Bow Street

Swearing to the Cutting Monster or - A Scene in Bow Street
Creator:
James Gillray, 1756–1815
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13in. (22.9 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. The (Prince's) Nursery or Nine Months After

The (Prince's) Nursery or Nine Months After
Creator:
James Gillray, 1756–1815
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 3/4in. (24.8 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. The Ghost's, or the Taylor Befrited &c. &c. A German Story

The Ghost's, or the Taylor Befrited &c. &c. A German Story
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. The Doctor Indulged with his Favorite Scene ---

The Doctor Indulged with his Favorite Scene ---
Creator:
James Gillray, 1756–1815
Date:
ca. 1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 13 5/8in. (22.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street

A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
Creator:
Print made by unknown artist
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/2 x 11 7/8in. (19.1 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. The Fall of Dagon - or Rare News for Leaden-Hall Street

The Fall of Dagon - or Rare News for Leaden-Hall Street
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/8 x 11 5/16in. (18.7 x 28.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. The Tottering Pyramid

The Tottering Pyramid
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 8 1/2in. (29.8 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. The Funeral Procession of Miss Regency

The Funeral Procession of Miss Regency
Creator:
James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover

The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. A Modern Cherub, - Vide Peters

A Modern Cherub, - Vide Peters
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 4 1/4 x 3in. (10.8 x 7.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. The Pitt Fall

The Pitt Fall
Creator:
Print made by Frederick George Byron, 1764–1794
Date:
ca. 1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/4 x 10 1/4in. (34.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. The Butchers of Freedom

The Butchers of Freedom
Creator:
Print made by James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 3/8in. (23.2 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. The Battle of Bow-Street

The Battle of Bow-Street
Creator:
James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 8 x 13 3/16in. (20.3 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The English Regency

The English Regency
Creator:
James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/4 x 9 1/2in. (32.4 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. A Section of a Magnificent & Superb Water Closet

A Section of a Magnificent & Superb Water Closet
Creator:
Print made by unknown artist
Date:
ca. 1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 4 3/4 x 4in. (12.1 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Plan of Mud Island, off the Kingdom of Corsica

Plan of Mud Island, off the Kingdom of Corsica
Creator:
Print made by unknown artist
Date:
ca. 1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 4 1/2 x 7in. (11.4 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Mason, The Duke's Confectioner Disposing of the Trinkets

Mason, The Duke's Confectioner Disposing of the Trinkets
Creator:
Print made by James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 9 3/8 x 13in. (23.8 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. The Restricted Regency

The Restricted Regency
Creator:
Print made by unknown artist
Date:
1789
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---

Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. The (Coward), Comforted; - or - A Scene Immediately After the Duel ---

The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?

John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 1/8in. (23.2 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. General Fast

General Fast
Creator:
Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. General Complaint

General Complaint
Creator:
Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. The Westminster Seceder on Fresh Duty

The Westminster Seceder on Fresh Duty
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 8 1/8in. (28.9 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. The April Fool Consigned to Infamy and Ridicule

The April Fool Consigned to Infamy and Ridicule
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/8 x 14 1/4in. (25.7 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Cross Examination

Cross Examination
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. The Union Club Masquerade

The Union Club Masquerade
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Between Two Stools The Bottom Goes to the Ground

Between Two Stools The Bottom Goes to the Ground
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. The Balance of Justice

The Balance of Justice
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 14 3/4in. (23.8 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. The City Combat, or the Desperate Attack at The English Baron

The City Combat, or the Desperate Attack at The English Baron
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 14 7/8in. (22.9 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. A New Bravura with a Duett Affettuoso

A New Bravura with a Duett Affettuoso
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 14 1/8in. (23.8 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. The British Menagerie

The British Menagerie
Creator:
Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 17 1/8in. (28.9 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure

The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Prize Beef or Luxury in the Nineteenth Century

Prize Beef or Luxury in the Nineteenth Century
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 7/8in. (25.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput

The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
Creator:
Isaac Cruikshank, 1764–1811
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/8 x 8 7/8in. (31.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. A Peep into Totenham Street or Dillitanti Performers in Training

A Peep into Totenham Street or Dillitanti Performers in Training
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 13/16 x 13 1/2in. (24.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. The Doctor Administering His Gilded Pill

The Doctor Administering His Gilded Pill
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 8 1/4in. (28.9 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 7/8in. (24.8 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. To Be Paid For - The Dog Tax

To Be Paid For - The Dog Tax
Creator:
James Gillray, 1756–1815
Date:
1796
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 11 x 8 9/16in. (27.9 x 21.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France

The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/4 x 16 1/4in. (28.6 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Leaving off Powder, - or - a Frugal Family Saving the Guinea

Leaving off Powder, - or - a Frugal Family Saving the Guinea
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 5/8in. (23.2 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Portrait of an Irish Chief; Drawn from Life at Wexford

Portrait of an Irish Chief; Drawn from Life at Wexford
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 12 13/16 x 8 13/16in. (32.5 x 22.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. A Slice of Glo'ster Cheese

A Slice of Glo'ster Cheese
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 4 1/2in. (22.9 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Councellor Ego. - i.e.: - Little I, Myself, I.

Councellor Ego. - i.e.: - Little I, Myself, I.
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 3/8 x 4in. (16.2 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child

-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 5 1/2in. (21.9 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)

John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 13 15/16in. (24.4 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"

Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 19 1/2 x 13 7/8in. (49.5 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)

Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)

Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9 3/4in. (33 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection