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101. Lake Geneva and Mount Blanc

Lake Geneva and Mount Blanc
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1802 to 1805
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:
Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Hind Head Hill

Hind Head Hill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Yewbarrow, Wastwater, 16 September 1836

Yewbarrow, Wastwater, 16 September 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:
Sheet: 6 3/4 x 10 1/8 inches (17.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

105. San Marino

San Marino
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 2 5/8 x 8 7/8 inches (6.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

106. Shepherdess Cutting an Inscription on a Tree

Shepherdess Cutting an Inscription on a Tree
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

107. Illustrations of Imitation of Eclogue I, Page 16

Illustrations of Imitation of Eclogue I, Page 16
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Illustrations of Imitation of Eclogue I, Page 14

Illustrations of Imitation of Eclogue I, Page 14
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Spring, from Songs of Innocence

Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

111. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

112. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Sheep in Twilight

Sheep in Twilight
Creator:
Print made by John Copley, 1875–1950
Date:
1922
Materials & Techniques:
Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection.

131. Farm Animals

Farm Animals
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/16 x 10 inches (16.3 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James A. Bergquist

132. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Road Scene, Trowse Hall, near Norwich

Road Scene, Trowse Hall, near Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Sheep, and Three Animals

Sheep, and Three Animals
Creator:
Richard Brookes, 1721–1763
Date:
ca. 1760
Materials & Techniques:
Pen and black ink with gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Couple in a Farmyard

Couple in a Farmyard
Creator:
Paul Sandby, 1731–1809
Date:
1782
Materials & Techniques:
Watercolor and pen with black and brown ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 26 1/8 x 19 5/8 inches (66.4 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Moorland with Sheep and Shepherd

Moorland with Sheep and Shepherd
Creator:
Claude Hayes, 1852–1922
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A Boar and a Ram

A Boar and a Ram
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. The Avon near Bristol

The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Landscape with beech trees and man driving cattle and sheep

Landscape with beech trees and man driving cattle and sheep
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. The Artist Sketching Mlle. de St. Legier as a Shepherdess

The Artist Sketching Mlle. de St. Legier as a Shepherdess
Creator:
James Moore, 1762–1799
Date:
1787
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Romantic Landscape with Distant Mountains

Romantic Landscape with Distant Mountains
Creator:
John Varley, 1778–1842
Date:
1842
Materials & Techniques:
Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Roslin Castle, Midlothian

Roslin Castle, Midlothian
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Gouache on medium laid paper, mounted on board
Dimensions:
Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Spoiled Child, Scene I

The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Classic Composition

Classic Composition
Creator:
John Varley, 1778–1842
Date:
ca. 1800
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 x 4 9/16 inches (15.4 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Three Sheep at Rest

Three Sheep at Rest
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Oil with varnish on medium, smooth, beige wove paper
Dimensions:
Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

147. The Trees and River in the Park at Coleorton Hall, Leicestershire

The Trees and River in the Park at Coleorton Hall, Leicestershire
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. A Park Landscape with Shepherd and Sheep

A Park Landscape with Shepherd and Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Valley Landscape with Sheep

Valley Landscape with Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. View from Skiddaw over Derwentwater

View from Skiddaw over Derwentwater
Creator:
Thomas Hearne, 1744–1817
Date:
between 1772 and 1782
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Temple of Venus and Rome from the Colosseum

Temple of Venus and Rome from the Colosseum
Creator:
William Pars, 1742–1782
Date:
1781
Materials & Techniques:
Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse

Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse
Creator:
Henry Tresham, 1751–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 19 7/8 inches (31.8 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Cain and Abel

Cain and Abel
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Ipswich from the Grounds of Christchurch Mansion

Ipswich from the Grounds of Christchurch Mansion
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Italianate Landscape with Travellers no. 2

Italianate Landscape with Travellers no. 2
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Italianate Landscape with Travelers, No. 1

Italianate Landscape with Travelers, No. 1
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Gaunt's House, Wimborne

Gaunt's House, Wimborne
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream wove paper
Dimensions:
Sheet: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Ram and Two Sheep

Ram and Two Sheep
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite and scratching out on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 8 1/4in. (15.2 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. The Ruins of the College of Lincluden, near Dumfries

The Ruins of the College of Lincluden, near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1806
Materials & Techniques:
Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Windsor Castle

Windsor Castle
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Farmyard Animals: Tribulation

Farmyard Animals: Tribulation
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1797
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. A Bull and a Rabbit

A Bull and a Rabbit
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Creator:
Paul Sandby, 1731–1809
Date:
1802
Materials & Techniques:
Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Hampton Court, Herefordshire

Hampton Court, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Elgin Cathedral, Morayshire

Elgin Cathedral, Morayshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 2nd published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Adam and Eve

Adam and Eve
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Bushey Church from the South West

Bushey Church from the South West
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Convent at Vietri, near Salerno

Convent at Vietri, near Salerno
Creator:
John Warwick Smith, 1749–1831
Date:
1808
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 inches (24.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Landscape with Shepherd and Sheep

Landscape with Shepherd and Sheep
Creator:
Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Landscape with Sheep

Landscape with Sheep
Creator:
William Callow, 1812–1908
Date:
undated
Materials & Techniques:
Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:
Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Study of Sheep

Study of Sheep
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 7/8 x 8 3/4 inches (17.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Shepherd and Shepherdess by Moonlight

Shepherd and Shepherdess by Moonlight
Creator:
Welby Sherman, active 1827
Date:
undated
Materials & Techniques:
Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Oxford from Boar's Hill

Oxford from Boar's Hill
Creator:
Hugh O'Neill, 1784–1824
Date:
1811
Materials & Techniques:
Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. St. Thomas' Church, Winchelsea

St. Thomas' Church, Winchelsea
Creator:
Henry Morton, ca. 1807–1825
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 7 1/16 inches (37.8 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Hanworth Park, Middlesex

Hanworth Park, Middlesex
Creator:
Charles Tomkins, 1757–1823
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 8 1/4 inches (15.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Kielder Castle, Northumberland

Kielder Castle, Northumberland
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. North East View of Dunster Castle, Somersetshire

North East View of Dunster Castle, Somersetshire
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Portrait Head of Samuel Palmer

Portrait Head of Samuel Palmer
Creator:
George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 3 3/8 inches (11 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Druidical Stone at Strather, near Barvas, Isle of Lewis

Druidical Stone at Strather, near Barvas, Isle of Lewis
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Landscape with Ruined Castle on the Esk

Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Hengar Wood, St. Tudy, Cornwall

Hengar Wood, St. Tudy, Cornwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige wove support paper
Dimensions:
Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. A Summer Idyll

A Summer Idyll
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor with pen and brown ink and pen and gray ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 3/8 x 10 15/16 inches (21.3 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Lassie Herding Sheep

The Lassie Herding Sheep
Creator:
Print made by John Burnet, 1784–1868
Date:
1843
Materials & Techniques:
Etching, stipple engraving, and mezzotint on thick cream smooth laid paper
Dimensions:
Sheet: 23 x 27 3/4 inches (58.4 x 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

188. Landscape in the Lake District

Landscape in the Lake District
Creator:
unknown artist
Date:
ca. 1813
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 x 12 inches (21 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

189. Admiral Christian's and Mr. Lyson's Cottages, Cowes

Admiral Christian's and Mr. Lyson's Cottages, Cowes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/16 x 20 inches (12.9 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Landscape Study with Tall Tree and Sheep

Landscape Study with Tall Tree and Sheep
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 7 1/2 inches (14.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

191. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

On the Road Between Aghadoe and Dunloh, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1841
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Sheep under a tree

Sheep under a tree
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/16 x 9 13/16in. (18.3 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Landscape with Sheep

Landscape with Sheep
Creator:
Charles Reginald Aston, 1832–1908
Date:
undated
Materials & Techniques:
Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Frame: 20 3/4 × 25 × 1 1/8 inches (52.7 × 63.5 × 2.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert and Pauline Knoll

194. Needles Cliff et Needles, Isle of Wight

Needles Cliff et Needles, Isle of Wight
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Sheep at Tulliallan

Sheep at Tulliallan
Creator:
Print made by Craigie Aitchison, 1926–2009
Date:
1998
Materials & Techniques:
Screen print on thick, rough, yellow wove paper
Dimensions:
Sheet: 18 1/16 x 15 1/16 inches (45.8 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection

196. William William's Second Wife

William William's Second Wife
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Young Male Shearing a Sheep

Young Male Shearing a Sheep
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Valle Crucis Abbey, near Llangollen

Valle Crucis Abbey, near Llangollen
Creator:
imitator of Thomas Girtin, 1775–1802
Date:
between 1798 and 1801
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Evening

Evening
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. The Cambrian Coast & Dee Valley

The Cambrian Coast & Dee Valley
Creator:
J. P. Sayer, active 1920
Date:
ca. 1920
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 40 1/4 x 50 inches (102.2 x 127 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965