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101. Infanticide in India, as Practised in the Temples of Ganesa

Infanticide in India, as Practised in the Temples of Ganesa
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

102. Hindu Fakirs Practising their Superstitious Rites

Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

103. Key to Plate of Hindu Fakirs Practising their Superstitious Rites

Key to Plate of Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

104. Triad Figure, Interior of Elephanta

Triad Figure, Interior of Elephanta
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

105. Borro Boedoor

Borro Boedoor
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

106. Entrance to the Cave of Elephanta

Entrance to the Cave of Elephanta
Creator:
Print made by unknown artist
Date:
ca. 1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

107. The Hindoo Mother

The Hindoo Mother
Creator:
Print made by Edward J. Portbury, 1795–1885
Date:
1858
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/8 inches (27 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

108. Buddhist Temple, Ceylon

Buddhist Temple, Ceylon
Creator:
Print made by Peter Bernhard Wilhelm Heine, 1827–1885
Date:
1856
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/2 inches (22.5 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

109. At Chatsoo near Jeypoor

At Chatsoo near Jeypoor
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 7 3/4 inches (17.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

110. Religious Ceremony in Ancient Greece

Religious Ceremony in Ancient Greece
Creator:
Francis Oliver Finch, 1802–1862
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Landscape with a Temple and Figures by a River

Landscape with a Temple and Figures by a River
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:
Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Facade of Ruined (?) Roman Temple, with Columns and Doorway
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
after 1771
Materials & Techniques:
Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
Creator:
Thomas Daniell, 1749–1840
Date:
ca. 1785
Materials & Techniques:
Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias
Creator:
John Fulleylove, 1845–1908
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, rough, wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Temple Ruins at Plessey

Temple Ruins at Plessey
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 13 1/2 inches (21.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

117. Architectural Ornament from a Temple

Architectural Ornament from a Temple
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

118. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Jesus Driving the Moneychangers from the Temple (Latin)

Jesus Driving the Moneychangers from the Temple (Latin)
Creator:
Eric Gill, 1882–1940
Date:
1919
Materials & Techniques:
Wood-engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 3/16 inches (15.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

120. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Temple of Venus and Rome, Palatine

Temple of Venus and Rome, Palatine
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and brown wash on slightly textured, thin, white laid paper
Dimensions:
Sheet: 9 9/16 × 16 3/16 inches (24.3 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Ganesha, near Sita's Temple, Rangpur

Ganesha, near Sita's Temple, Rangpur
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 8 1/2 inches (26.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

123. Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi

Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1863
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 11 3/4 × 15 15/16 inches (29.8 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

124. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 16 3/16 × 12 1/2 inches (41.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

125. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1816
Materials & Techniques:
Etching on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Inside of the Pantheon at Rome

The Inside of the Pantheon at Rome
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
Creator:
Carington Bowles, 1724–1793
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Christ Disputing with the Elders in the Temple

Christ Disputing with the Elders in the Temple
Creator:
Louis Laguerre, 1663–1721
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. The Temple of Aphaia at Aegina: Perspective of Roof

The Temple of Aphaia at Aegina: Perspective of Roof
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. The Temple of Venus in the Port at Aegina: Elevations

The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Trafalgar Square

Trafalgar Square
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

132. The Temple of Aphaia at Aegina: Ground Plan

The Temple of Aphaia at Aegina: Ground Plan
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Temple by the Lake

Temple by the Lake
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Watercolor with brown and black ink over pencil on medium, slightly textured, cream wove paper
Dimensions:
Image: 2 3/8 × 6 7/8 inches (6 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Figure Seated by an Indian Temple

Figure Seated by an Indian Temple
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream wove paper
Dimensions:
Image: 9 5/8 × 11 1/4 inches (24.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Ruins of a Temple, Sunset

Ruins of a Temple, Sunset
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Ancient Temple at Kunkhul

Ancient Temple at Kunkhul
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

137. Descent of the Ganges, Mamallapuram

Descent of the Ganges, Mamallapuram
Creator:
unknown artist
Date:
ca. 1858
Materials & Techniques:
Albumenized salted paper print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

138. Temple to Maha Deo at Puttugotta (Puttergotta)

Temple to Maha Deo at Puttugotta (Puttergotta)
Creator:
Samuel Davis, 1760–1819
Date:
between 1777 and 1809
Materials & Techniques:
Pen and black ink, pen and brown ink, graphite, gray wash and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. The Temple of Wangdutse

The Temple of Wangdutse
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 19 inches (34 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. A Scene between Galle and Matura, about Six Miles from Galle

A Scene between Galle and Matura, about Six Miles from Galle
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1801
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 17 7/8 inches (31.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The Temple of Aphaia at Aegina: Wall Section

The Temple of Aphaia at Aegina: Wall Section
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Temple of Aphaia at Aegina: Sections

The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Pilgrims at the Sacred Fair of Hurdwar

Pilgrims at the Sacred Fair of Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

146. Hurdwar, A Place of Hindoo Pilgrimage

Hurdwar, A Place of Hindoo Pilgrimage
Creator:
Print made by W. J. Cook, active 1830s–1840s
Date:
1831
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

147. Facade for a Temple of Peace, Kew Gardens, Surrey

Facade for a Temple of Peace, Kew Gardens, Surrey
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Ruined Temple after Richard Wilson

Ruined Temple after Richard Wilson
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium slightly textured cream wove paper
Dimensions:
Sheet: 4 x 6 5/8 inches (10.2 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. The Temple of Diana near Baia

The Temple of Diana near Baia
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Travelling Palanquins

Travelling Palanquins
Creator:
Unknown artist (Company style)
Date:
ca. 1800
Materials & Techniques:
Watercolor, gouache, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 17 inches (24.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in memory of Richard J. Storr

151. Landscape with a Ruined Temple

Landscape with a Ruined Temple
Creator:
Alexander Cozens, 1717–1786
Date:
between 1746 and 1750
Materials & Techniques:
Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. The Temple of Aphaia at Aegina: Molding Details

The Temple of Aphaia at Aegina: Molding Details
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. The Temple of Aphaia at Aegina: Survey

The Temple of Aphaia at Aegina: Survey
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on slightly textured, thin, white wove paper
Dimensions:
Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

The Temple of Aphaea at Aegina: Details and Field Notes of Excavation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. The Temple of Apollo Epikourios: Details of the Ionic Order

The Temple of Apollo Epikourios: Details of the Ionic Order
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. The Temple of Apollo Epikourios: View of the Interior

The Temple of Apollo Epikourios: View of the Interior
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. A High Caste Woman Standing by a Wall

A High Caste Woman Standing by a Wall
Creator:
William Daniell, 1769–1837
Date:
ca. 1829
Materials & Techniques:
Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. A Temple in Harewood Park

A Temple in Harewood Park
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Design for the Old Lime Kiln Seat, Home Park, Windsor

Design for the Old Lime Kiln Seat, Home Park, Windsor
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 7/16 × 7 1/2 inches (29.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Temple of Gerf Hussein

Temple of Gerf Hussein
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper, laid in mount
Dimensions:
Sheet: 6 15/16 x 9 1/2 inches (17.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

163. Seran Raja's Palace

Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

164. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. A Temple Perched on a Rocky Outcrop Seen Across a Lake

A Temple Perched on a Rocky Outcrop Seen Across a Lake
Creator:
Alexander Runciman, 1736–1785
Date:
ca. 1767
Materials & Techniques:
Watercolor, gray wash, blue wash and pen and black ink; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and graphite on wove paper mounted on board
Dimensions:
Sheet: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. The Tribute Money

The Tribute Money
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 5/8 × 22 5/8 inches (47.3 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. A Vestal Virgin

A Vestal Virgin
Creator:
Print made by William Humphrey, 1745–1810
Date:
1770
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 9/16 × 11 13/16 inches (42.1 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

169. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:
between 1581 and 1586
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 21 1/8 inches (39.4 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Panthei Fidelissime Dimensi Exterior et Interior

Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist
Date:
1553
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:
between 1581 and 1586
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 14 1/8 inches (31.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Panthei Fidelissime Dimensi Exterior et Interior

Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist
Date:
1553
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 18 3/4 inches (36.5 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
1549
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Deucalion and Pyrrha after the Flood

Deucalion and Pyrrha after the Flood
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

177. The Great Bull and Pagoda at Tanjore

The Great Bull and Pagoda at Tanjore
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. The Moonlit Lake

The Moonlit Lake
Creator:
attributed to Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. The Tribute Money

The Tribute Money
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 20 1/4 inches (41.3 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. The Tribute Money

The Tribute Money
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. Hercules before the Temple of Janus

Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

182. Virginia Water No. 11

Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Virginia Water No. 1

Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Virginia Water No. 11

Virginia Water No. 11
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Drawing of a Column from Ekvera

Drawing of a Column from Ekvera
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Hiram King of Tyre, Sends Presents to King Solomon

Hiram King of Tyre, Sends Presents to King Solomon
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

187. Hercules before the Temple of Janus

Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Views in the Levant: Paestum

Views in the Levant: Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Unidentified Periodical / Play Illustration

Unidentified Periodical / Play Illustration
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 4 1/16 inches (16.8 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. Temple of Venus near Baia

Temple of Venus near Baia
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 6 1/4 inches (13.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Temple of Vesta, Tivoli

Temple of Vesta, Tivoli
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, white laid paper
Dimensions:
Sheet: 9 1/8 x 7 3/4 inches (23.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. The Paphian Bower

The Paphian Bower
Creator:
George H. Phillips, active 1819–1825
Date:
1826
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Death of the First Born

Death of the First Born
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Landscape with Ruins

Landscape with Ruins
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

197. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Interior View of the Temple at Ekvera (Karle)

Interior View of the Temple at Ekvera (Karle)
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1793
Materials & Techniques:
Gray wash, brown wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Temple of Venus on the Bay of Baia, December 2

The Temple of Venus on the Bay of Baia, December 2
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 5/8 inches (18.4 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Albanian Scenes

Albanian Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection