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101. Temple of Venus near Baia

Temple of Venus near Baia
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 6 1/4 inches (13.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Temple of Vesta, Tivoli

Temple of Vesta, Tivoli
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, white laid paper
Dimensions:
Sheet: 9 1/8 x 7 3/4 inches (23.2 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Albanian Scenes

Albanian Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Jesus Driving the Moneychangers from the Temple (Latin)

Jesus Driving the Moneychangers from the Temple (Latin)
Creator:
Eric Gill, 1882–1940
Date:
1919
Materials & Techniques:
Wood-engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 3/16 inches (15.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

105. Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)

Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1816
Materials & Techniques:
Etching on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 inches (54.6 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Inside of the Pantheon at Rome

The Inside of the Pantheon at Rome
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Outbuildings with figures

Outbuildings with figures
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

111. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Landscape with Ruins

Landscape with Ruins
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

114. Temple Ruins at Plessey

Temple Ruins at Plessey
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 13 1/2 inches (21.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

115. Architectural Ornament from a Temple

Architectural Ornament from a Temple
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

116. Ganesha, near Sita's Temple, Rangpur

Ganesha, near Sita's Temple, Rangpur
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 8 1/2 inches (26.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

117. Virginia Water, No. 1

Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Virginia Water, No. 1

Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Virginia Water, No. 2

Virginia Water, No. 2
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Virginia Water, No. 1

Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1832
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Virginia Water, No. 2

Virginia Water, No. 2
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Drawing of a Pillar at Karla

Drawing of a Pillar at Karla
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1793
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Ramesseum at Thebes

The Ramesseum at Thebes
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Temple of Edfou, Upper Egypt

Temple of Edfou, Upper Egypt
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1841 and 1851
Materials & Techniques:
Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Christ Preaching to the Elders in the Temple

Christ Preaching to the Elders in the Temple
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Christ with Three Figures

Christ with Three Figures
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Classical Scene: Minerva as the Goddess of Arts and Sciences

Classical Scene: Minerva as the Goddess of Arts and Sciences
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Deucalion and Pyrrha after the Flood

Deucalion and Pyrrha after the Flood
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

133. Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and graphite on wove paper mounted on board
Dimensions:
Sheet: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Great Bull and Pagoda at Tanjore

The Great Bull and Pagoda at Tanjore
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Moonlit Lake

The Moonlit Lake
Creator:
attributed to Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Details of a Corinthian Temple on the Acropolis of Pergamon

Details of a Corinthian Temple on the Acropolis of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 13/16 inches (53.9 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. View of Ruins of the Asclepium at Pergamon

View of Ruins of the Asclepium at Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Garden of Gethsemane

Garden of Gethsemane
Creator:
Sir David Wilkie, 1785–1841
Date:
1841
Materials & Techniques:
Black chalk, white chalk, and red chalk over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 x 19 5/16 inches (33 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Temple of Minerva Medica, Rome

Temple of Minerva Medica, Rome
Creator:
Richard Wilson, ca. 1712–1782
Date:
1754
Materials & Techniques:
Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:
Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. A Temple

A Temple
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Image: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Temple of Venus, Bay of Baie

Temple of Venus, Bay of Baie
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1788-1820
Materials & Techniques:
Black chalk and stump on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Illustration to Tonson's Ovid Metamorphosis (two of four)

Illustration to Tonson's Ovid Metamorphosis (two of four)
Creator:
unknown artist
Date:
ca. 1710
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:
Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Karnak

Karnak
Creator:
William James Muller, 1812–1845
Date:
between 1838 and 1839
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 10 7/8 x 15 1/16 inches (27.6 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Temple of Venus and Rome from the Colosseum

Temple of Venus and Rome from the Colosseum
Creator:
William Pars, 1742–1782
Date:
1781
Materials & Techniques:
Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Christ Disputing with the Elders in the Temple

Christ Disputing with the Elders in the Temple
Creator:
Louis Laguerre, 1663–1721
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 10 inches (14.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Design for the Old Lime Kiln Seat, Home Park, Windsor

Design for the Old Lime Kiln Seat, Home Park, Windsor
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 7/16 × 7 1/2 inches (29.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Temple of Gerf Hussein

Temple of Gerf Hussein
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper, laid in mount
Dimensions:
Sheet: 6 15/16 x 9 1/2 inches (17.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

149. Seran Raja's Palace

Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

150. Interior View of the Great Chaitya Hall at Karla

Interior View of the Great Chaitya Hall at Karla
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1793
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. A Temple in Harewood Park

A Temple in Harewood Park
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Tempio di Clitumno, Rome, after Piranesi

Tempio di Clitumno, Rome, after Piranesi
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Great Temple of Amon Karnak, The Hypostyle Hall

The Great Temple of Amon Karnak, The Hypostyle Hall
Creator:
David Roberts, 1796–1864
Date:
1838
Materials & Techniques:
Watercolor and gouache with scratching out and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. From under the Portico of the Temple of Edfu, Upper Egypt

From under the Portico of the Temple of Edfu, Upper Egypt
Creator:
David Roberts, 1796–1864
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/4 inches (34.6 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Ancient Temple at Kunkhul

Ancient Temple at Kunkhul
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

157. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. St Paul Preaching in Athens

St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Italian sketchbook

Italian sketchbook
Creator:
Richard Wilson, ca. 1712–1782
Date:
1754
Materials & Techniques:
Graphite with white chalk and black chalk on medium, rough, gray wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Death of the First Born of Egypt

Death of the First Born of Egypt
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. See India: Travancore State

See India: Travancore State
Creator:
D. Newsome, active 1935
Date:
ca. 1935
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 7/16 x 24 7/16 inches (100.2 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

167. Temple of Venus and Rome, Palatine

Temple of Venus and Rome, Palatine
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and brown wash on slightly textured, thin, white laid paper
Dimensions:
Sheet: 9 9/16 × 16 3/16 inches (24.3 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus

The Three Columns at the Foot of the Capitol, Formerly Styled the Temple of Jupiter Tonons, and the Arch of Septimus Severus
Creator:
Robert MacPherson, 1814–1872
Date:
1860s
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 16 3/16 × 12 1/2 inches (41.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

170. Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi

Temple of Vesta, Temple of Fortuna Virilis, and the House of Rienzi
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1863
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 11 3/4 × 15 15/16 inches (29.8 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery

171. Hindu Fakirs Practising their Superstitious Rites

Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

172. The Temple of Aphaia at Aegina: Survey

The Temple of Aphaia at Aegina: Survey
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on slightly textured, thin, white wove paper
Dimensions:
Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Facade for a Temple of Peace, Kew Gardens, Surrey

Facade for a Temple of Peace, Kew Gardens, Surrey
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Caves of Ellora

Caves of Ellora
Creator:
Samuel Bourne, 1834–1912
Date:
between 1865 and 1867
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

175. Descent of the Ganges, Mamallapuram

Descent of the Ganges, Mamallapuram
Creator:
unknown artist
Date:
ca. 1858
Materials & Techniques:
Albumenized salted paper print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

176. Infanticide in India, as Practised in the Temples of Ganesa

Infanticide in India, as Practised in the Temples of Ganesa
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 1/8 inches (26.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

177. The Great Temple, Hurdwar

The Great Temple, Hurdwar
Creator:
Print made by William Finden, 1787–1852
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

178. Key to Plate of Hindu Fakirs Practising their Superstitious Rites

Key to Plate of Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

179. Pilgrims at the Sacred Fair of Hurdwar

Pilgrims at the Sacred Fair of Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

180. Triad Figure, Interior of Elephanta

Triad Figure, Interior of Elephanta
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

181. Entrance to the Cave of Elephanta

Entrance to the Cave of Elephanta
Creator:
Print made by unknown artist
Date:
ca. 1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

182. Hurdwar, A Place of Hindoo Pilgrimage

Hurdwar, A Place of Hindoo Pilgrimage
Creator:
Print made by W. J. Cook, active 1830s–1840s
Date:
1831
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

183. Borro Boedoor

Borro Boedoor
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

184. Taj Mahal, Agra

Taj Mahal, Agra
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

185. The Hindoo Mother

The Hindoo Mother
Creator:
Print made by Edward J. Portbury, 1795–1885
Date:
1858
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/8 inches (27 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

186. Buddhist Temple, Ceylon

Buddhist Temple, Ceylon
Creator:
Print made by Peter Bernhard Wilhelm Heine, 1827–1885
Date:
1856
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/2 inches (22.5 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

187. At Chatsoo near Jeypoor

At Chatsoo near Jeypoor
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 7 3/4 inches (17.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

188. The Temple near Brighton

The Temple near Brighton
Creator:
Mary Smirke, 1779–1853
Date:
undated
Materials & Techniques:
Pen and ink and watercolor over graphite on medium, smooth, white wove paper
Dimensions:
Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. The Temple of Aphaia at Aegina: Molding Details

The Temple of Aphaia at Aegina: Molding Details
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. The Temple of Aphaia at Aegina: Perspective of Roof

The Temple of Aphaia at Aegina: Perspective of Roof
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. The Temple of Aphaia at Aegina: Wall Section

The Temple of Aphaia at Aegina: Wall Section
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. The Temple of Venus in the Port at Aegina: Elevations

The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Trafalgar Square

Trafalgar Square
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

196. The Temple of Aphaia at Aegina: Sections

The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

The Temple of Aphaea at Aegina: Details and Field Notes of Excavation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Temple of Apollo Epikourios: View of the Interior

The Temple of Apollo Epikourios: View of the Interior
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. The Temple of Apollo Epikourios: Details of the Ionic Order

The Temple of Apollo Epikourios: Details of the Ionic Order
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection