Subject Terms: water - YCBA Collections Search Search Results

401. Amada, 6:50 am, 12 February 1867 (419)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 3 5/8 x 6 7/8 inches (9.2 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

402. Amada, 7:20 am, 12 February 1867 (421)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 3/8 x 9 7/8 inches (8.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

403. Amada, 7:25 am, 12 February 1867 (422)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 7 inches (9.2 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

404. Amada, 7:30 am, 12 February 1867 (423)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 2 1/4 × 10 1/4 inches (5.7 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

405. Between Sabooa & Maharraka

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, rough, wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 x 6 7/8 inches (5.1 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

406. Near Maharraka, 6:00 p.m., February 13, 1867 (458)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 x 7 5/8 inches (6.3 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

407. Maharraka, 7:30 am, 14 February 1867 (464)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 1/2 x 6 7/8 inches (6.3 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

408. Maharraka, 7:35 am, 14 February 1867 (465)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/16 x 6 7/8 inches (5.9 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

409. Korti

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/16 x 7 5/8 inches (5.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

410. Boat on the Nile

Creator:: Edward Lear, 1812–1888
Date:: January - March 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 7/8 x 5 15/16 inches (7.3 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

411. Near El Azerat

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/16 x 6 15/16 inches (6.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

412. Es Shoorafa, near Mensheeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured wove paper, mounted on very thick, slightly textured wove paper
Dimensions:: Sheet: 2 7/16 x 6 15/16 inches (6.2 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

413. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Ramle

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 15/16 inches (8.9 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

415. San Marino from Ravenna

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/4 x 9 inches (5.7 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

416. Desenzano

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, beige wove paper
Dimensions:: Sheet: 1 5/8 x 4 7/16 inches (4.1 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

417. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

418. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 4 11/16 inches (5.2 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

419. Deir Kadige

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 15/16 x 5 15/16 inches (4.9 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Marjorie D. Wynne

420. Venice, the Doge's Palace

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

421. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

422. Albenga

Creator:: Edward Lear, 1812–1888
Date:: 1864
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

423. Paul Before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching with line engraving and mezzotint
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

424. The Bath of Bath-sheba

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. Jerusalem, Plate 28 Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Jerusalem, Plate 24, "What have I said?...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Jerusalem, Plate 44, "With one accord...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. The Poems of Thomas Gray, Design 53, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. The Poems of Thomas Gray, Design 57, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. The Poems of Thomas Gray, Design 59, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. The First Book of Urizen, Plate 22 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Help! Help!; Plate 12

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Water; Plate 4

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Isola San Giulio, Lago d'Orta

Creator:: Edward John Poynter, 1836–1919
Date:: 1898
Materials & Techniques:: Watercolor with gouache on medium, slightley textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 14 3/8in. (53.7 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

462. Ruins on the Coast

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, class of 1935

463. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Narcissus and Echo

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Frame:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. From the Beach near Fort Blanc, Oct. 4, 1819

Creator:: Thomas Bradshaw, Born 1767
Date:: 1819
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 3/8 inches (15.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. The Royal Citadel and Cattewater, Plymouth

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. The Zattere, Sunset

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Naples from the Strada Nouva, Nov.26, 1830

Creator:: James Duffield Harding, 1798–1863
Date:: 1830
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. The Grand Canal, Venice

Creator:: James Duffield Harding, 1798–1863
Date:: 1835
Materials & Techniques:: Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on moderately thick, moderately textured, cream wove paper, stretched over solid wooden frame
Dimensions:: Sheet: 30 x 41 3/16 inches (76.2 x 104.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Cliffs and a Cove

Creator:: attributed to George Jones, 1786–1869
Date:: 1813
Materials & Techniques:: Watercolor on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

473. Sir William Norris Bungalow, Penang

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 14in. (23 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Hulks in the Medway

Creator:: Francis Swaine, 1730–1782
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 12 1/4 inches (15.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Preparing to lay eel traps

Creator:: J. Tobin, active 1776
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. Old Harry, Swanage Bay

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 19 inches (13.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

477. The Artist Sketching Mlle. de St. Legier as a Shepherdess

Creator:: James Moore, 1762–1799
Date:: 1787
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. Pale Melancholy

Creator:: Paul Sandby Munn, 1773–1845
Date:: ca. 1804
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Family Group

Creator:: John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 20 x 14 7/8 inches (50.8 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. Bridgenorth

Creator:: Print made by James Walker, 1748–1808
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Creator:: Francis Wheatley, 1747–1801
Date:: 1795
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. View of Gibraltar

Creator:: William Wyld, 1806–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, rough, white laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

483. The Harbour of Sebastopol

Creator:: Gaspard Le Marchant Tupper, 1862–1906
Date:: 1854
Materials & Techniques:: Watercolor, white gouache on moderately thick, slightly textured, light blue, wove paper
Dimensions:: Sheet: 6 7/8 x 20 3/8 inches (17.5 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Coastal Landscape

Creator:: Frank W. Warwick Topham, 1838–1924
Date:: undated
Materials & Techniques:: Watercolor, gouache and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 x 21 5/8 inches (38.1 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. The South Barracks, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Barges on a Canal in Rotterdam

Creator:: James Holland, 1799–1870
Date:: 1845
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 17 1/8 inches (24.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Romney Marsh

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Creator:: Attributed to William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Landscape with a Boatshed

Creator:: Attributed to George Harley, 1791–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 1/2 inches (14.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. Helios

Creator:: William Pitts, 1790–1840
Date:: undated
Materials & Techniques:: Brown wash with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 9 1/4 inches (27.3 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

492. Venice: The Grand Canal and Rialto

Creator:: John Frederick Lewis, 1804–1876
Date:: 1838
Materials & Techniques:: Watercolor, white gouache, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/8 inches (19.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. A Squall off a Mountainous Coast

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 10 13/16 inches (17.8 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. Rou Water Holder

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 6 3/4 inches (25.1 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Study of Boats with Horses and Carts

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. A Moated House

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/4 inches (27.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Plymouth Dockyard after the Fire

Creator:: William Callow, 1812–1908
Date:: 1840
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

499. Traveling Potter Outside a Cottage

Creator:: Francis Wheatley, 1747–1801
Date:: 1798
Materials & Techniques:: Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. The Ranger, Private Ship of War, with her Prizes

Creator:: Nicholas Pocock, 1740–1821
Date:: 1780
Materials & Techniques:: Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:: Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Subject Terms water

Search Results

401. Amada, 6:50 am, 12 February 1867 (419)

402. Amada, 7:20 am, 12 February 1867 (421)

403. Amada, 7:25 am, 12 February 1867 (422)

404. Amada, 7:30 am, 12 February 1867 (423)

405. Between Sabooa & Maharraka

406. Near Maharraka, 6:00 p.m., February 13, 1867 (458)

407. Maharraka, 7:30 am, 14 February 1867 (464)

408. Maharraka, 7:35 am, 14 February 1867 (465)

409. Korti

410. Boat on the Nile

411. Near El Azerat

412. Es Shoorafa, near Mensheeh

413. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

414. Ramle

415. San Marino from Ravenna

416. Desenzano

417. El Areesh

418. El Areesh

419. Deir Kadige

420. Venice, the Doge's Palace

421. Nice from the Genoa Road

422. Albenga

423. Paul Before Felix Burlesqued

424. The Bath of Bath-sheba

425. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

426. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

427. The Poems of Thomas Gray, Design 65, "The Bard."

428. The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."

429. The Poems of Thomas Gray, Design 77, "The Descent of Odin."

430. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

431. The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."

432. Jerusalem, Plate 28 Proof Impression

433. Jerusalem, Plate 11, "To labours mighty...."

434. America. A Prophecy, Plate 10, "The Terror Answered...."

435. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

436. Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

437. Jerusalem, Plate 24, "What have I said?...."

438. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

439. Jerusalem, Plate 78, "The Spectres of..."

440. The Poems of Thomas Gray, Design 101, "Ode for Music."

441. The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

442. Jerusalem, Plate 44, "With one accord...."

443. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

444. The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

445. The Poems of Thomas Gray, Design 53, "The Bard."

446. The Poems of Thomas Gray, Design 57, "The Bard."

447. The Poems of Thomas Gray, Design 59, "The Bard."

448. The First Book of Urizen, Plate 22 (Bentley 24)

449. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

450. The First Book of Urizen, Plate 5 (Bentley 12)

451. Help! Help!; Plate 12

452. Water; Plate 4

453. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

454. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

455. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

456. The First Book of Urizen, Plate 4 (Bentley 24)

457. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

458. For the Sexes: The Gates of Paradise, Plate 4, "Water"

459. The First Book of Urizen, Plate 7 (Bentley 12)

460. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

461. Isola San Giulio, Lago d'Orta

462. Ruins on the Coast

463. Greenland Fishery

464. Narcissus and Echo

465. Egham

466. From the Beach near Fort Blanc, Oct. 4, 1819

467. Gulliver Bound by the Lilliputians

468. The Royal Citadel and Cattewater, Plymouth

469. The Zattere, Sunset

470. Naples from the Strada Nouva, Nov.26, 1830

471. The Grand Canal, Venice

472. Cliffs and a Cove

473. Sir William Norris Bungalow, Penang

474. Hulks in the Medway

475. Preparing to lay eel traps