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Print made by George Cruikshank, 1792–1878

Untitled

undated

Thomas Rowlandson, 1756–1827

A Pawnbroker with His Client

undated

Attributed to John Carter, 1748–1817

Front and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Thomas Rowlandson, 1756–1827

Dr Syntax & Dairymaid

1821

James Wyatt, 1746–1813

[One of] Five Designs for a Church

undated

Print made by Edward Le Davis, active 1671–1691

Catherine of Braganza

1682

Print made by Henry Cousins, died 1864

Henry Liverseege

1835

Attributed to John Carter, 1748–1817

Detail for Preceding Elevations

between 1806 and 1815

Attributed to John Carter, 1748–1817

Continuation of Details

between 1806 and 1815

Attributed to John Carter, 1748–1817

Window, Dean's Yard

between 1806 and 1815

Attributed to John Carter, 1748–1817

Continuation of Detail

between 1806 and 1815

Thomas Rowlandson, 1756–1827

Concerto a la Catalani

undated

Thomas Rowlandson, 1756–1827

Rag Fair or Rosemary Lane

undated

Thomas Rowlandson, 1756–1827

An Artist's Studio

1814

Thomas Rowlandson, 1756–1827

Norwich Market Place

undated

Thomas Rowlandson, 1756–1827

Death and the Debauchee

between 1814 and 1816

Thomas Rowlandson, 1756–1827

Two Girls Tippling

undated

James Moore, 1762–1799

Exeter Cathedral, Devon, England

1791

Thomas Rowlandson, 1756–1827

Dr. Syntax Copying the Wit of the Window

between 1809 and 1812

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

Print made by John Faber the Younger, ca. 1695–1756

Sir Godfrey Kneller

1735

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Austin, Robert, 1895-1973, 1895–1973

Before Mass

1926

Joseph Edward Southall, 1861–1944

At the Cottage Gate, July 16, 1906

1906

Attributed to John Carter, 1748–1817

Detail, Dean's Yard

between 1806 and 1815

Thomas Rowlandson, 1756–1827

A Dead Horse on a Knacker's Cart

undated

Thomas Rowlandson, 1756–1827

A Maiden Aunt Smelling Fire

1804

Thomas Rowlandson, 1756–1827

New Shoes

undated

Thomas Rowlandson, 1756–1827

Reflections, or the Music Lesson

undated

Thomas Rowlandson, 1756–1827

Register Office for the Hiring of Servants

between 1800 and 1805

Thomas Rowlandson, 1756–1827

The Historian Animating the Mind of the Young Painter

undated

John Downman, 1750–1824

Robert, Duke of Normandy

1779

unknown artist

Portrait of a Lady, Facing Right

undated

Bill Jay, 1940–2009

Aaron Siskind

2004

Bill Jay, 1940–2009

Nancy Newhall

2004

Bill Jay, 1940–2009

Frederick Gandolfi

2004

Bill Jay, 1940–2009

Andrea Modica

2004

After Edward Burne-Jones, 1833–1898

The Rose Bower

1892

After Edward Burne-Jones, 1833–1898

The Council Chamber

1892

After Edward Burne-Jones, 1833–1898

The Garden Court

1892

Jason Florio, born 1965

Suliman & Pinup, Libya

2004

Michael Kenna, born 1953

Lace Factories, Study 37, Calais, France

1999

James Stephanoff, 1787–1874

Fete Champetre

undated

John Sell Cotman, 1782–1842

Window on the North Side of Burnham Ulph Church, Norfolk

ca. 1815

John Sell Cotman, 1782–1842

West Window of Snettisham Church, Norfolk

1818

John Sell Cotman, 1782–1842

West Doorway and Window in the Church of Ham near Valognes, Normandy

1818

Henry Fuseli, 1741–1825

Woman Reading, Seated Before a Window

1805

Hubert-François Gravelot, 1699–1773

Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

undated