Subject Terms: windows - YCBA Collections Search Search Results

101. Cobham Hall, Kent: Chamber Floor Plan

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 20 1/2 inches (27.3 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Cobham Hall, Kent: Plan of Parlor Floor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Cobham Hall, Kent: Section of the drawing room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Watercolor and pink and gray wash, over pen, black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Cobham Hall, Kent: Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1794
Materials & Techniques:: Watercolor and gray wash over pen, graphite and black ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 20 1/4 inches (36.2 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 x 20 1/8 inches (35.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Cobham Hall, Kent: Section of Unidentified Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 19 1/4 inches (36.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, blue and gray wash, pen and brown and black ink on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 x 14 1/4 inches (50.2 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Cobham Hall, Kent: Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 21 3/4 inches (33.7 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 25 3/4 inches (53.3 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The River Avon: with Passing Vessels

Creator:: Nicholas Pocock, 1740–1821
Date:: 1785
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Headfort House, Ireland: Section of the Staircase

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 1/2 inches (54 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Design for Polychromatic Decoration of a Church

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/4 × 9 1/2 inches (28.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Hinton St. George, Somerset: View of the Saloon

Creator:: Sir John Soane, 1753–1837
Date:: 1797
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 15/16 inches (23.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Maxstoke Priory, Warwickshire

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. A Summer House with Full-length Lattice Windows

Creator:: Humphry Repton, 1752–1818
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 1/4 inches (14.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Dagnall Lane, St. Albans

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. The Lecture House, Watford

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Gaunt's House, Wimborne

Creator:: John Preston Neale, 1771/80–1847
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream wove paper
Dimensions:: Sheet: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, sligihtly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Bambridge on Trial for Murder by a Committee of the House of Commons

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

132. Hinton St. George, Somerset: Plan of the East Dining Room

Creator:: James Wyatt, 1746–1813
Date:: 1811
Materials & Techniques:: Graphite and pen and black ink on thick, moderately textured, cream laid paper and masking tape, verso, upper center
Dimensions:: Sheet: 15 1/8 x 21 3/4 inches (38.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 5/16 × 5 1/2 inches (18.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Church Tower at Stretton, Leicestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1915
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

137. The Bell, No.1 at Wareham, Dorest

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

138. The Cathedral, Palma

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1928
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/8 inches (28.7 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

139. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

140. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

141. Stockholm

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1923
Materials & Techniques:: Drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 16 3/4 inches (29.9 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

142. A Venetian Fountain [North Italian Set: No. 7]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

143. Via ai Prati, Genoa [North Italian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

144. Ponte Vecchio [North Italian Set: No. 21]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

145. The Palace Doorway [North Italian Set: No. 22]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

146. The Palace of the Stuarts

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

147. Siena

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

148. The Abbazia, Venice

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

149. Rosslyn Chapel

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

150. Doge's Palace

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

151. Belgian Set: Damme [No. 5]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

152. Craigievar

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

153. Beauvais

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

154. Springtime at Fulham

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

155. The Capitol, Rome

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1923
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 12 3/16 inches (21.6 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

156. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

157. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

158. The Palace, Stirling Castle

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

159. Porta del Molo, Genoa [North Italian Set: No. 23]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

160. The Rialto

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 1/4 inches (33.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

161. The Belfry of Bruges [Belgian Set: No. 6]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching
Dimensions:: Sheet: 16 3/4 × 7 7/8 inches (42.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

162. Dinant [Belgian Set: No. 9]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

163. Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

164. A Valley of the Ardennes [Belgian Set: No. 10]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

165. Street in Cairo

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

166. Yvon

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

167. The Mosque Doorway, Cairo

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

168. Inverlochy

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

169. Tewkesbury Abbey

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

170. The Horse of Ostend

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

171. Early Spring, Gloucestershire

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

172. Architectural View

Creator:: Print made by Edward Jay Cherry, active 1920
Date:: ca. 1920
Materials & Techniques:: Etching on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 6 inches (20.3 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Horace L. Hotchkiss

173. Cottage

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Thaxted Church, Essex

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Reading Abbey Gateway

Creator:: Edward Hawke Locker, 1777–1849
Date:: 1803
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Cobham Hall, Kent: Plan of Stables and Coach Houses

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured beige laid paper
Dimensions:: Sheet: 21 1/4 x 35 inches (54 x 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Cobham Hall, Kent: South Elevation of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 21 1/2 inches (33 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Cobham Hall, Kent: Section Through the Offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 21 7/8 inches (33.7 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Cobham Hall, Kent: New Passage by Butler's Pantry

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Cobham Hall, Kent: East Front Elevation of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, modrately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 21 1/4 inches (31.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Cobham Hall, Kent: Section through Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 21 1/2 inches (31.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Cobham Hall, Kent: Elevation of the South Front of the Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 21 1/4 inches (33 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1790
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/4 x 25 1/4 inches (52.7 x 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1790
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 25 1/2 inches (54 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Cobham Hall, Kent: North Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink on medium, modterately textured, beige laid paper
Dimensions:: Sheet: 13 7/8 x 23 1/4 inches (35.2 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 25 1/2 inches (54.3 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Road Scene in Windsor Forest

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/4 x 20 1/4 inches (42.5 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:: Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Le Château de Blois

Creator:: attributed to Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Lismore Castle, Ireland

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. A Lodge at Cassiobury

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. The Cathedral of St. Pierre, Caen

Creator:: Ambrose Poynter, 1796–1886
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 7 3/16 inches (25.2 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Larchant near Fontainebleau

Creator:: Ambrose Poynter, 1796–1886
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink on moderately thick, slgihtly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 1 13/16 inches (8.3 × 4.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink, and and pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 x 6in. (12.5 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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101. Cobham Hall, Kent: Chamber Floor Plan

102. Cobham Hall, Kent: Plan of Parlor Floor

103. Cobham Hall, Kent: Section of the drawing room

104. Cobham Hall, Kent: Elevation of Dairy

105. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

106. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

107. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

108. Cobham Hall, Kent: Section of Unidentified Room

109. Cobham Hall, Kent: Section of the Audit Room at Earl Darnley's

110. Cobham Hall, Kent: Elevation of Dairy

111. Cobham Hall, Kent: Elevations of Stables

112. The River Avon: with Passing Vessels

113. Headfort House, Ireland: Section of the Staircase

114. Design for Polychromatic Decoration of a Church

115. Hinton St. George, Somerset: View of the Saloon

116. Maxstoke Priory, Warwickshire

117. Badminton Church and Part of the Duke of Beaufort's House

118. A Summer House with Full-length Lattice Windows

119. Dagnall Lane, St. Albans

120. The Lecture House, Watford

121. Gaunt's House, Wimborne

122. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

123. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

124. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

125. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

126. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

127. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

128. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

129. Lewes Bridge, Sussex

130. Knaresborough

131. Bambridge on Trial for Murder by a Committee of the House of Commons

132. Hinton St. George, Somerset: Plan of the East Dining Room

133. Elevation of the Ordnance Office

134. Design for a London Townhouse: Elevation

135. Windsor Castle, Berkshire

136. Church Tower at Stretton, Leicestershire

137. The Bell, No.1 at Wareham, Dorest

138. The Cathedral, Palma

139. A Spanish Good Friday

140. Demolition of St. James's Hall, Interior

141. Stockholm

142. A Venetian Fountain [North Italian Set: No. 7]

143. Via ai Prati, Genoa [North Italian Set: No. 8]

144. Ponte Vecchio [North Italian Set: No. 21]

145. The Palace Doorway [North Italian Set: No. 22]

146. The Palace of the Stuarts

147. Siena

148. The Abbazia, Venice

149. Rosslyn Chapel

150. Doge's Palace

151. Belgian Set: Damme [No. 5]

152. Craigievar

153. Beauvais

154. Springtime at Fulham

155. The Capitol, Rome

156. The Building

157. St. Paul's from Ludgate Hill

158. The Palace, Stirling Castle

159. Porta del Molo, Genoa [North Italian Set: No. 23]

160. The Rialto

161. The Belfry of Bruges [Belgian Set: No. 6]

162. Dinant [Belgian Set: No. 9]

163. Notre Dame, Dinant [Belgian Set: No. 8]

164. A Valley of the Ardennes [Belgian Set: No. 10]

165. Street in Cairo

166. Yvon

167. The Mosque Doorway, Cairo

168. Inverlochy

169. Tewkesbury Abbey

170. The Horse of Ostend

171. Early Spring, Gloucestershire

172. Architectural View

173. Cottage

174. Thaxted Church, Essex

175. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone