<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Subject Terms women

Remove constraint Subject Terms: women

Search Results

1501. Death of the First Born of Egypt

Death of the First Born of Egypt
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1502. Hyde Park Corner

Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1503. Newbury Market Place, Berkshire

Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1504. Feeding the Ducklings

Feeding the Ducklings
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1505. A Woodcutter's Picnic

A Woodcutter's Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1506. A Potter Returning from Market

A Potter Returning from Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:
Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1507. Skating on the Serpentine

Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1508. A Village Scene with Peasants Resting

A Village Scene with Peasants Resting
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red and black ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1509. Customs House at Boulogne

Customs House at Boulogne
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790s
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1510. Nymphs at a Roman Bath

Nymphs at a Roman Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1511. Entry of the Rajah, Ogmor

Entry of the Rajah, Ogmor
Creator:
Print made by William Spencer Bagdatopolous, 1888–1965
Date:
1935
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 10 15/16 inches (42 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

1512. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

1513. View of the Entrance to Fishguard, from Goodwych Sands

View of the Entrance to Fishguard, from Goodwych Sands
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1514. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1515. Female Attendants

Female Attendants
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1516. Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1819
Materials & Techniques:
Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 9/16 inches (31.2 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1517. Nuts or Indian Jugglers

Nuts or Indian Jugglers
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1518. A Punca Bearer

A Punca Bearer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1519. The London Citizen

The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1520. Interior of a Dressing Room with Jack Bannister

Interior of a Dressing Room with Jack Bannister
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 8 5/16 inches (12.7 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1521. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1522. The Arrival of a Company of Militia at an Inn

The Arrival of a Company of Militia at an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray and pen and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 5/8 inches (14.9 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1523. Portrait of Anne and Maria Russell

Portrait of Anne and Maria Russell
Creator:
John Russell, 1745–1806
Date:
1804
Materials & Techniques:
Pastel and colored chalk on moderately textured, cream wove paper
Dimensions:
Sheet: 40 x 30 inches (101.6 x 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1524. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1525. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1526. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1527. The Esquire's Intrusion

The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1528. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1529. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1530. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1531. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1532. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1533. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1534. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1535. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1536. Jealousy, Rage, Disappointment...

Jealousy, Rage, Disappointment...
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1537. Elegant Company Dancing

Elegant Company Dancing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/8 inches (11.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1538. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1539. Fruit and Nut Picking

Fruit and Nut Picking
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper, mounted on board
Dimensions:
Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1540. Rag Fair or Rosemary Lane

Rag Fair or Rosemary Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1541. A Cavalry Barracks

A Cavalry Barracks
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1542. Île de la Cité, Paris

Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1543. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1544. Sketch of Heads

Sketch of Heads
Creator:
James McNeill Whistler, 1834–1903
Date:
1873
Materials & Techniques:
Drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 7/8 inches (24.8 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1545. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1546. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1547. Quakers' Meeting

Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1548. Kitty Overcome

Kitty Overcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1549. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1550. Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson

1551. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1552. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1553. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1554. The Family of Children

The Family of Children
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1555. Two Girls Tippling

Two Girls Tippling
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1556. Selling Fish on a Beach

Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1557. Four Women at a Well in Rome

Four Women at a Well in Rome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 inches (15.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1558. Study of Dancers for the Initiation

Study of Dancers for the Initiation
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1559. Study of Dancers for the Initiation

Study of Dancers for the Initiation
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/4 × 6 inches (22.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1560. The First Step

The First Step
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 10 1/8 inches (26.4 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1561. Group of Four Figures: A Family Group?

Group of Four Figures: A Family Group?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1562. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1563. Peggy Advocates a Sweetheart

Peggy Advocates a Sweetheart
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1564. Peggy and Patie

Peggy and Patie
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1565. Sir William Worthy and Patie

Sir William Worthy and Patie
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1566. Sir William Worthy's Blessing

Sir William Worthy's Blessing
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1567. Glaud and Peggy

Glaud and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1568. Madge and Bauldy

Madge and Bauldy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1569. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1570. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1571. Ticket to a Concert of Ancient Vocal and Instrumental Music

Ticket to a Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 9 inches (19.1 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1572. Ticket to Concert of Ancient Vocal and Instrumental Music

Ticket to Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1573. Ticket to a Concert of Ancient Vocal and Instrumental Music

Ticket to a Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 9 5/8 inches (21 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1574. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

1575. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

1576. View of the Front of the New Public Buildings, Guildford

View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1577. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1578. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1579. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1580. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1581. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1582. Women and their Garments Artistically Described

Women and their Garments Artistically Described
Creator:
George Louis Palmella Busson Du Maurier, 1834–1896
Date:
1874
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1583. Bathing Machine on the Common, near Southsea Castle

Bathing Machine on the Common, near Southsea Castle
Creator:
John Nixon, ca. 1760–1818
Date:
1788
Materials & Techniques:
Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1584. Landscape with a Man Washing His Feet at a Fountain, after Poussin

Landscape with a Man Washing His Feet at a Fountain, after Poussin
Creator:
David Cox, 1783–1859
Date:
ca. 1821
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, and scratching out on very thick, slightly textured, beige cardboard
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1585. St. Davids Head, Pembrokeshire

St. Davids Head, Pembrokeshire
Creator:
John Glover, 1767–1849
Date:
ca. 1805
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Iola S. Haverstick Fund

1586. Ryde Pier

Ryde Pier
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 3 11/16 inches (13.5 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1587. The Launching of a Ship

The Launching of a Ship
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and red ink, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, brown wove paper mounted on thick, rough, brown wove paper
Dimensions:
Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John and Carmen Dugdale

1588. The Pottery Shop

The Pottery Shop
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 13/16 x 6 1/4 inches (9.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1589. Comforts of Bath: Coaches Arriving

Comforts of Bath: Coaches Arriving
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1590. Harvesters in Landscape in Sussex

Harvesters in Landscape in Sussex
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1591. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1592. Comforts of Bath: The Ball

Comforts of Bath: The Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 11/16 x 8 1/4 inches (14.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1593. Butterfly Hunting

Butterfly Hunting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1806
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1594. Women Drinking Punch

Women Drinking Punch
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1595. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Oil and pen and brown ink on wove paper mounted on board
Dimensions:
Sheet: 2 1/2 x 3 3/4 inches (6.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1596. A Park Scene

A Park Scene
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 6 15/16 inches (15.6 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1597. Modern Grace...The Ballet of Alonzo e Cara

Modern Grace...The Ballet of Alonzo e Cara
Creator:
Thomas Rowlandson, 1756–1827
Date:
1796
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1598. A View at Blackwall

A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1599. The Preacher

The Preacher
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800 to 1810
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/16 inches (14.9 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1600. A Village Scene with Girls Spinning

A Village Scene with Girls Spinning
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection