Subject Terms: women - YCBA Collections Search Search Results

201. On the Terrace at Haddon Hall, Derbyshire

Creator:: Thomas Creswick, 1811–1869
Date:: 1840
Materials & Techniques:: Oil on panel
Dimensions:: 24 x 20 inches (61 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Jane Ritchie in memory of Andrew Carnduff Ritchie
On View:: Not on view

202. Old Walton Bridge

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 48 1/8 inches (46 x 122.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

203. A Wherry Taking Passengers out to Two Anchored Packets

Creator:: William Anderson, 1757–1837
Date:: 1825
Materials & Techniques:: Oil on panel
Dimensions:: 10 1/2 x 13 1/8 inches (26.7 x 33.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

204. The Vegetable Seller

Creator:: Pieter Angillis, 1685–1734
Date:: between 1725 and 1728
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/2 × 43 3/4 inches (82.6 × 111.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

205. The Beach at Scheveningen

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1887
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 24 inches (50.8 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

206. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

Creator:: Francis Smith, active 1763–1779
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

207. Christening of the Heir

Creator:: William Redmore Bigg, 1755–1828
Date:: ca. 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

208. Susannah Maria Cibber (née Arne) as Cordelia

Creator:: Pieter van Bleeck, 1700–1764
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 84 x 82 inches (213.4 x 208.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

209. The Coast near Scheveningen with Fishing Pinks on the Shore

Creator:: Charles Brooking, 1723–1759
Date:: ca. 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 31 1/4 inches (50.8 x 79.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

210. Two Figures

Creator:: Dame Barbara Hepworth, 1903–1975
Date:: 1951
Materials & Techniques:: Oil and pencil on panel
Dimensions:: Frame: 22 1/2 × 27 inches (57.2 × 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Oliver Radford, Yale BA 1982, in honor of his parents Roger and Jennifer Radford
On View:: Not on view

211. Mountain Valley with Figures and Distant Village

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1773 and 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

212. Wooded Landscape with a Man Talking to Two Seated Women

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1745
Materials & Techniques:: Oil on panel
Dimensions:: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

213. The Ghost of Clytemnestra Awakening the Furies

Creator:: John Downman, 1750–1824
Date:: 1781
Materials & Techniques:: Oil on panel
Dimensions:: 20 x 25 1/2 inches (50.8 x 64.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

214. Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon

Creator:: Sir Anthony Van Dyck, 1599–1641
Date:: 1636 to 1640
Materials & Techniques:: Oil on canvas
Dimensions:: 51 1/4 x 59 1/4 inches (130.2 x 150.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

215. A Country House in a River Landscape, Previously Identified as Oatlands

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/2 x 45 1/2 inches (87.6 x 115.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

216. Lady Jane Mathew and Her Daughters

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 36 × 36 inches (91.4 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

217. First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836

Creator:: Attributed to H. J. Aveling, active 1839–1842
Date:: exhibited 1839
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 32 inches (55.9 x 81.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

218. A Family Being Served with Tea, possibly the Carter family

Creator:: unknown artist
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 42 x 55 inches (106.7 x 139.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

219. The Watson-Wentworth and Finch Families

Creator:: Charles Philips, 1708–1747
Date:: ca. 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/2 x 49 inches (100.3 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

220. The Bell Tower of Evesham

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Oil on panel
Dimensions:: 21 x 62 inches (53.3 x 157.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

221. The Paper Buildings, Inner Temple, London

Creator:: unknown artist
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/2 x 49 1/4 inches (87.6 x 125.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

222. One Tree Hill, Greenwich, with London in the Distance

Creator:: John Feary, ca. 1745–1788
Date:: 1779
Materials & Techniques:: Oil on panel
Dimensions:: 27 1/2 x 48 inches (69.9 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

223. The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

Creator:: William Hamilton, 1751–1801
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

224. Hanson Toot, View in Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1815, reworked, 1846, 1854, and 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 35 1/2 inches (62.2 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

225. Cottages by a River

Creator:: William Linton, 1791–1876
Date:: ca. 1845
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

226. The Death of Orpheus

Creator:: Landscape by Thomas Jones, 1742–1803
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 37 1/2 x 51 inches (95.3 x 129.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

227. Four Servants of Ston Easton Estate

Creator:: Thomas Beach, 1738–1806
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 62 × 92 inches (157.5 × 233.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

228. Landscape with Farmworkers

Creator:: George Lambert, 1700–1765
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

229. A Sunday School

Creator:: Maria Spilsbury, 1777–1820
Date:: 1803
Materials & Techniques:: Oil on canvas
Dimensions:: Overall: 46 × 55 3/4 inches (116.8 × 141.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

230. Langdale Pikes from Lowood

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: between 1800 and 1806
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

231. Hob Continues Dancing in Spite of his Father

Creator:: John Laguerre, 1688–1746
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/4 x 36 1/2 inches (89.5 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

232. Hob's Defence

Creator:: John Laguerre, 1688–1746
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 36 1/2 inches (90.2 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

233. Scene in a park, with figures from the Commedia dell'Arte

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 36 1/4 x 34 1/2 inches (92.1 x 87.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

234. A Lady Receiving Visitors (The Reception)

Creator:: John Frederick Lewis, 1804–1876
Date:: 1873
Materials & Techniques:: Oil on panel
Dimensions:: 25 × 30 inches (63.5 × 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

235. On the Banks of the Nile, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: 1876
Materials & Techniques:: Oil on panel
Dimensions:: 24 1/2 × 29 1/4 inches (62.2 × 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

236. The Virtuous Comforted by Sympathy

Creator:: Edward Penny, 1714–1791
Date:: 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 50 × 40 1/2 inches (127 × 102.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

237. The Profligate Punished by Neglect

Creator:: Edward Penny, 1714–1791
Date:: 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 49 1/2 × 40 inches (125.7 × 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

238. Tea Party at Lord Harrington's House, St. James's

Creator:: Charles Philips, 1708–1747
Date:: 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/4 x 49 3/4 inches (102.2 x 126.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

239. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

240. The Piazzetta, Venice

Creator:: Edward Pritchett, active ca. 1828–1864
Date:: mid-19th century
Materials & Techniques:: Oil on board
Dimensions:: 5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

241. The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

Creator:: Attributed to Michael Chuke, 1679–1742
Date:: ca. 1715
Materials & Techniques:: Bronzed limewood
Dimensions:: Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

242. The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts

Creator:: Attributed to Michael Chuke, 1679–1742
Date:: ca. 1715
Materials & Techniques:: Bronzed limewood
Dimensions:: Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

243. The Great Divide (Beautiful Zameen)

Creator:: Jagdeep Raina, born 1991
Date:: 2022
Materials & Techniques:: Embroidered tapestry, phulkari border
Dimensions:: Overall: 76 × 27 inches (193 × 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Friends of British Art Fund
On View:: Not on view

244. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: ca. 1790–92
Materials & Techniques:: Gray wash and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:: On view at YUAG

245. Prison Scene

Creator:: George Romney, 1734–1802
Date:: ca. 1790–92
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 18 1/4 inches (28.3 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:: On view at YUAG

246. Prison Scene

Creator:: George Romney, 1734–1802
Date:: ca. 1790–92
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:: On view at YUAG

247. A Morning at Tattersalls (with further sketches in left margin folded over)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Figures at Mass, Poland

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1904
Materials & Techniques:: Black chalk and watercolor on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

249. A London Church

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1924
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

250. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Apuleia in Search of Apuleius

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Dartmoor: The Source of the Tamar and the Torridge

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1813
Materials & Techniques:: Watercolor, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The Angel (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Book of Thel, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Divine Image (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The Little Girl Found (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Night (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief and white-line etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. A Cradle Song (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor; verso: relief and white-line etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Songs of Experience, Title Page (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Nurses Song (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Holy Thursday (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. My Pretty Rose Tree (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. The Fly (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Jerusalem, Plate 28 Proof Impression

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. On the Terrace at Haddon Hall, Derbyshire

202. Old Walton Bridge

203. A Wherry Taking Passengers out to Two Anchored Packets

204. The Vegetable Seller

205. The Beach at Scheveningen

206. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

207. Christening of the Heir

208. Susannah Maria Cibber (née Arne) as Cordelia

209. The Coast near Scheveningen with Fishing Pinks on the Shore

210. Two Figures

211. Mountain Valley with Figures and Distant Village

212. Wooded Landscape with a Man Talking to Two Seated Women

213. The Ghost of Clytemnestra Awakening the Furies

214. Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon

215. A Country House in a River Landscape, Previously Identified as Oatlands

216. Lady Jane Mathew and Her Daughters

217. First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836

218. A Family Being Served with Tea, possibly the Carter family

219. The Watson-Wentworth and Finch Families

220. The Bell Tower of Evesham

221. The Paper Buildings, Inner Temple, London

222. One Tree Hill, Greenwich, with London in the Distance

223. The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

224. Hanson Toot, View in Dovedale

225. Cottages by a River

226. The Death of Orpheus

227. Four Servants of Ston Easton Estate

228. Landscape with Farmworkers

229. A Sunday School

230. Langdale Pikes from Lowood

231. Hob Continues Dancing in Spite of his Father

232. Hob's Defence

233. Scene in a park, with figures from the Commedia dell'Arte

234. A Lady Receiving Visitors (The Reception)

235. On the Banks of the Nile, Upper Egypt

236. The Virtuous Comforted by Sympathy

237. The Profligate Punished by Neglect

238. Tea Party at Lord Harrington's House, St. James's

239. North Country Mails at the Peacock, Islington

240. The Piazzetta, Venice

241. The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

242. The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts

243. The Great Divide (Beautiful Zameen)

244. Howard Visiting a Prison

245. Prison Scene

246. Prison Scene

247. A Morning at Tattersalls (with further sketches in left margin folded over)

248. Figures at Mass, Poland

249. A London Church

250. Grotesque Female Head

251. Grotesque Female Head

252. Grotesque Female Head

253. Grotesque Female Head

254. Grotesque Female Head

255. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

256. Apuleia in Search of Apuleius

257. Apuleia in Search of Apuleius

258. The Deluge

259. The Woman and Tambourine

260. The Drawing of the Clyde

261. The Woman and Tambourine

262. Rome from Monte Mario

263. Dartmoor: The Source of the Tamar and the Torridge

264. The Angel (Plate 40)

265. The Book of Thel, Title Page (Plate 2)

266. 'Tis greatly wise to talk with our past hours' (Page 31)

267. 'Teaching, we learn; and giving, we retain' (Page 35)

268. Night the Third. Narcissa; Title Page

269. 'Where sense runs savage broke from reason's chain' (Page 46)

270. The Divine Image (Plate 24)

271. The Little Girl Found (Plate 22)

272. Night (Plate 30)

273. Infant Joy (Plate 28)

274. A Cradle Song (Plate 26)

275. Songs of Experience, Title Page (Plate 33)