Monumental Bust of Shakespeare, at Stratford Upon Avon
1836
807
Monumental Bust of shakespeare, at Stratford Upon Avon
808
Title Page, Shakespeare's Works, Edited
809
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
810
Title Page, Shakespeare's Works, Edited
811
Shakespeare's Apotheosis
812
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
813
Michael Hanhart, active 1841–1852
Plan of the property originally possessed by the Shakspeare Family
814
William Finden, 1787–1852
William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon
1820
815
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr
816
James Fahey, 1804–1885
Shakspeare's Desk
1824
817
Charles John Smith, 1803–1838
Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare
1837
818
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
819
William Wise, Active 1823–1876
A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity
1811
820
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
821
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr
822
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
823
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
824
unknown artist
Reclining Nude, Possibly Titania
undated
825
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
826
Sir William Chambers, 1723–1796
Monument to Shakespeare
ca. 1763
827
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
828
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
829
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
830
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
831
Samuel Atkins, active 1787–1808
Shakespeare Cliff, Dover
ca. 1800
832
John Dixon, ca. 1740–1811
David Garrick, Esq
1779
833
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
834
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
835
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
836
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
837
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
838
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
839
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
840
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
841
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
842
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
843
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
844
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
845
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
846
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
847
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
848
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
849
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
850
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
851
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
852
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
853
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
854
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
855
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
856
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
857
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
858
Mary Hoare, 1744–1820
Prospero and Miranda
1781
859
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
860
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
861
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
862
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
863
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
864
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
865
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
866
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
867
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
868
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
869
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
870
James Heath, 1757–1834
Portrait of John Philip Kemble, Actor
1799
871
Anthony Cardon, 1772–1813
Portrait of George Frederick Cooke, Actor
1799-1805
872
James Heath, 1757–1834
Sarah Siddons, Actress
873
James Heath, 1757–1834
John Bannister, Actor
1799-1805
874
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
875
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
876
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
877
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
878
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
879
Samuel William Reynolds, 1773–1835
Anne Page and Slender
1829
880
unknown artist
Taming of the Shrew
881
Print made by Valentine Green, 1739–1813
David Garrick with a Bust of Shakespeare
1769
882
Peter Simon, 1750–1810
A Midsummer Night's Dream, Act IV, Scene I
c.1796
883
after Thomas Ryder, 1746–1810
Midsummer Night's Dream: Act IV, Scene I
1803
884
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
885
Valentine Green, 1739–1813
Portrait of David Garrick
886
Peter Simon, 1750–1810
As You Like It: Act V Scene IV: Rosalind and Orlando
1791
887
Thomas Ryder, 1746–1810
Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'
1803
888
Peter Simon, 1750–1810
Much Ado About Nothing. Act IV, Scene 1
1803
889
Samuel Middiman, ca. 1750–1831
As You Like It: Act II Scene 1. Jacques and the Wounded Stag
1791
890
after Richard Bernard Godfrey, 1728–op.1794
George, Duke of Clarence
891
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
892
unknown artist
Shakespeare dans sa Famille
893
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
894
James Faed Sr., 1821–1911
Shakespeare and his Contemporaries
1857
895
Print made by Leopold Flameng, 1831–1911
William Shakespeare - He was not for an age but for all time
1890
896
William Nelson Gardiner, 1766–1814
Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
1792
897
Joseph Grozer, ca. 1755–1798
Miss Wallis in the Character of Juliet
1796
898
Frederick Christian Lewis the Elder, 1779–1856
Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II