Associated People: Shakespeare, William (1564–1616), playwright and poet

801. William Shakespeare

Creator:: unknown artist
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 10 x 7 1/4in. (25.4 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

802. Shakspeare

Materials & Techniques:: Etching, stipple engraving and line engraving on wove paper
Dimensions:: Sheet: 8 3/4 x 5 1/2in. (22.2 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

803. Shakspeare

Creator:: Thomas Anthony Dean, 1801–1860
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

804. Illustrations to Shakspeare

Date:: 1825
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

805. Illustrations to Shakspeare

Date:: 1825
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

806. Monumental Bust of Shakespeare, at Stratford Upon Avon.

Creator:: Charles John Smith, 1803–1838
Date:: 1836
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

807. Monumental Bust of shakespeare, at Stratford Upon Avon

Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

808. Title Page, Shakespeare's Works, Edited

Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

809. The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall

Creator:: Benjamin Holl, 1808–1884
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

810. Title Page, Shakespeare's Works, Edited

Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

811. Shakespeare's Apotheosis

Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

812. The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall

Creator:: Benjamin Holl, 1808–1884
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

813. Plan of the property originally possessed by the Shakspeare Family

Creator:: Michael Hanhart, active 1841–1852
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

814. William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.

Creator:: William Finden, 1787–1852
Date:: 1820
Materials & Techniques:: Engraving with chine collé on wove paper
Dimensions:: Image: 3 7/8 x 3 1/8in. (9.8 x 7.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

815. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr.

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

816. Shakspeare's Desk

Creator:: James Fahey, 1804–1885
Date:: 1824
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

817. Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.

Creator:: Charles John Smith, 1803–1838
Date:: 1837
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

818. Cassolette made from Shakspeare's Mulberry Tree

Creator:: Charles John Smith, 1803–1838
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

819. A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

Creator:: William Wise, Active 1823–1876
Date:: 1811
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

820. Cassolette made from Shakspeare's Mulberry Tree.

Creator:: Charles John Smith, 1803–1838
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

821. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr.

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

822. Henderson in the Character of Falstaff

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 x 10 7/16 inches (30.6 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

823. Troilus and Cessida: Six Women on the Walls of Illion

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

824. Reclining Nude, Possibly Titania

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 13 inches (17.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

825. Infant Shakespeare, wih Comedy and Tragedy

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

826. Monument to Shakespeare

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

827. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

828. Timon of Athens Before His Cave

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

829. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

830. Sketch for the Passions: Pride

Creator:: Richard Dadd, 1817–1886
Date:: ca. 1854
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

831. Shakespeare Cliff, Dover

Creator:: Samuel Atkins, active 1787–1808
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

832. David Garrick, Esq.

Creator:: John Dixon, ca. 1740–1811
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 19 15/16 x 14 1/8 inches (50.6 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

833. Shakespearean Scene (?): A Pilgrim

Creator:: Joseph Farington, 1747–1821
Date:: 1796
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

834. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

835. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

836. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

837. Macbeth and the Apparition of the Armed Head

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

838. Macbeth and the Witch

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

839. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

840. Sketch for the Passions: Love

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

841. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

842. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

843. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

844. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper, stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 15/16 × 8 15/16 inches (17.6 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

845. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

846. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

847. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

848. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

849. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

850. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

851. Fluellen Forcing Pistol to Eat His Leek

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

852. Alcibiades and Timon

Creator:: Richard Westall, 1765–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

853. Figure Leaning over Stairs

Creator:: Henry Fuseli, 1741–1825
Date:: 1789
Materials & Techniques:: Pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

854. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

855. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

856. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

857. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

858. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

859. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

860. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

861. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

862. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

863. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

864. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

865. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

866. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

867. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

868. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

869. Shakespeare, King Lear, Act I, Scene I

Creator:: Richard Earlom, 1743–1822
Date:: 1803
Materials & Techniques:: Engraving on wove paper
Dimensions:: Plate: 19 3/8 x 25in. (49.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Peter R. Spokes in memory of Charles Beecher Hogan

870. Portrait of John Philip Kemble, Actor

Creator:: James Heath, 1757–1834
Date:: 1799
Materials & Techniques:: Stipple, printed in color
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

871. Portrait of George Frederick Cooke, Actor

Creator:: Anthony Cardon, 1772–1813
Date:: 1799-1805
Materials & Techniques:: Stipple, printed in color
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

872. Sarah Siddons, Actress

Creator:: James Heath, 1757–1834
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

873. John Bannister, Actor

Creator:: James Heath, 1757–1834
Date:: 1799-1805
Materials & Techniques:: Stipple, printed in color
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

874. Untitled: Classical Domestic Scene

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 2 1/8 x 2 1/8in. (5.3 x 5.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

875. Untitled: Classical Domestic Scene

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 2 1/8 x 2 1/8in. (5.3 x 5.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

876. Untitled: Classical Pastoral Scene

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 4 1/8 x 6in. (10.4 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

877. Untitled: Two Medieval Crests

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 5 1/2 x 7in. (14 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

878. [One from] Illustrations to Shakespeare

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

879. Anne Page and Slender

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1829
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 16 3/4 x 12 5/8in. (42.5 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

880. Taming of the Shrew

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

881. David Garrick with a Bust of Shakespeare

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 24 1/2 x 15 1/8in. (62.2 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

882. A Midsummer Night's Dream, Act IV, Scene I

Creator:: Peter Simon, 1750–1810
Date:: c.1796
Materials & Techniques:: Stipple, engraver's proof
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

883. Midsummer Night's Dream: Act IV, Scene I

Creator:: after Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

884. Tempest, Act I, Scene II. The Enchanted Island.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

885. Portrait of David Garrick

Creator:: Valentine Green, 1739–1813
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

886. As You Like It: Act V Scene IV: Rosalind and Orlando

Creator:: Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

887. Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 7/8 x 25in. (50.5 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

888. Much Ado About Nothing. Act IV, Scene 1

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

889. As You Like It: Act II Scene 1. Jacques and the Wounded Stag.

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

890. George, Duke of Clarence

Creator:: after Richard Bernard Godfrey, 1728–op.1794
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

891. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 18 3/8 inches (64.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

892. Shakespeare dans sa Famille

Creator:: unknown artist
Materials & Techniques:: Mezzotint and engraving
Dimensions:: Sheet: 33 × 42 inches (83.8 × 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

893. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

894. Shakespeare and his Contemporaries

Creator:: James Faed Sr., 1821–1911
Date:: 1857
Materials & Techniques:: Stipple engraving on laid paper mounted on stretcher
Dimensions:: Sheet: 27 x 31 1/2in. (68.6 x 80cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

895. William Shakespeare - He was not for an age but for all time

Creator:: Print made by Leopold Flameng, 1831–1911
Date:: 1890
Materials & Techniques:: Etching
Dimensions:: Sheet: 26 1/4 x 19 3/4in. (66.7 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

896. Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III

Creator:: William Nelson Gardiner, 1766–1814
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/4 x 19in. (41.3 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

897. Miss Wallis in the Character of Juliet

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

898. Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1816
Materials & Techniques:: Colored mezzotint
Dimensions:: Sheet: 16 3/8 x 13 1/4in. (41.6 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

899. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

900. "Romeo And Juliet", Act I, Scene V

Creator:: unknown artist
Materials & Techniques:: Colored lithograph, heightened with oils and decorated with gold and flowered ornaments
Dimensions:: Sheet: 21 x 27 3/4in. (53.3 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Associated People Shakespeare, William (1564–1616), playwright and poet

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801. William Shakespeare

802. Shakspeare

803. Shakspeare

804. Illustrations to Shakspeare

805. Illustrations to Shakspeare

806. Monumental Bust of Shakespeare, at Stratford Upon Avon.

807. Monumental Bust of shakespeare, at Stratford Upon Avon

808. Title Page, Shakespeare's Works, Edited

809. The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall

810. Title Page, Shakespeare's Works, Edited

811. Shakespeare's Apotheosis

812. The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall

813. Plan of the property originally possessed by the Shakspeare Family

814. William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.

815. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr.

816. Shakspeare's Desk

817. Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.

818. Cassolette made from Shakspeare's Mulberry Tree

819. A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

820. Cassolette made from Shakspeare's Mulberry Tree.

821. End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr.

822. Henderson in the Character of Falstaff

823. Troilus and Cessida: Six Women on the Walls of Illion

824. Reclining Nude, Possibly Titania

825. Infant Shakespeare, wih Comedy and Tragedy

826. Monument to Shakespeare

827. Othello and Desdemona, 'Othello', Act V, Scene II

828. Timon of Athens Before His Cave

829. Hamlet and the Ghost

830. Sketch for the Passions: Pride

831. Shakespeare Cliff, Dover

832. David Garrick, Esq.

833. Shakespearean Scene (?): A Pilgrim

834. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

835. The Princes in the Tower

836. Hamlet and the Ghost

837. Macbeth and the Apparition of the Armed Head

838. Macbeth and the Witch

839. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

840. Sketch for the Passions: Love

841. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

842. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

843. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

844. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

845. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

846. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

847. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

848. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

849. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

850. Theatrical Figures About a Throne

851. Fluellen Forcing Pistol to Eat His Leek

852. Alcibiades and Timon

853. Figure Leaning over Stairs

854. The Three Witches from Macbeth: Double, Double, Toil and Trouble

855. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

856. Ferdinand and Ariel

857. Lady Macbeth, Sleepwalking

858. Prospero and Miranda

859. Ophelia's Death

860. Lady Percy Watching the Sleeping Hotspur

861. Lear and Cordelia

862. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

863. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

864. Antigonus Disposing of Perdita

865. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

866. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

867. The Apparition of the Armed Head: Macbeth

868. Lear and Cordelia

869. Shakespeare, King Lear, Act I, Scene I

870. Portrait of John Philip Kemble, Actor

871. Portrait of George Frederick Cooke, Actor

872. Sarah Siddons, Actress

873. John Bannister, Actor

874. Untitled: Classical Domestic Scene

875. Untitled: Classical Domestic Scene