William Shakespeare, From the Ely House Portrait at Stratford-on-Avon
810
Wm. Shakespear at the Age of 40
1773
811
Robert Cooper, active ca. 1800–1836
Shakspeare
1811
812
Shakspeare
1827
813
unknown artist
William Shakespeare
814
Shakspeare
815
Thomas Anthony Dean, 1801–1860
Shakspeare
816
Illustrations to Shakspeare
1825
817
Illustrations to Shakspeare
1825
818
Charles John Smith, 1803–1838
Monumental Bust of Shakespeare, at Stratford Upon Avon
1836
819
Monumental Bust of shakespeare, at Stratford Upon Avon
820
Title Page, Shakespeare's Works, Edited
821
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
822
Title Page, Shakespeare's Works, Edited
823
Shakespeare's Apotheosis
824
Benjamin Holl, 1808–1884
The Alto Relievo, in the front of the Shakspeare Gallery, Pall Mall
825
Michael Hanhart, active 1841–1852
Plan of the property originally possessed by the Shakspeare Family
826
William Finden, 1787–1852
William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon
1820
827
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr
828
James Fahey, 1804–1885
Shakspeare's Desk
1824
829
Charles John Smith, 1803–1838
Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare
1837
830
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
831
William Wise, Active 1823–1876
A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity
1811
832
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
833
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr
834
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
835
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
836
unknown artist
Reclining Nude, Possibly Titania
undated
837
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
838
Sir William Chambers, 1723–1796
Monument to Shakespeare
ca. 1763
839
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
840
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
841
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
842
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
843
Samuel Atkins, active 1787–1808
Shakespeare Cliff, Dover
ca. 1800
844
John Dixon, ca. 1740–1811
David Garrick, Esq
1779
845
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
846
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
847
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
848
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
849
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
850
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
851
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
852
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
853
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
854
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
855
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
856
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
857
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
858
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
859
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
860
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
861
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
862
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
863
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
864
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
865
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
866
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
867
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
868
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
869
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
870
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
871
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
872
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
873
Mary Hoare, 1744–1820
Prospero and Miranda
1781
874
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
875
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
876
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
877
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
878
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
879
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
880
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
881
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
882
James Heath, 1757–1834
Portrait of John Philip Kemble, Actor
1799
883
Anthony Cardon, 1772–1813
Portrait of George Frederick Cooke, Actor
1799-1805
884
James Heath, 1757–1834
Sarah Siddons, Actress
885
James Heath, 1757–1834
John Bannister, Actor
1799-1805
886
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
887
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
888
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
889
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
890
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
891
Samuel William Reynolds, 1773–1835
Anne Page and Slender
1829
892
unknown artist
Taming of the Shrew
893
Print made by Valentine Green, 1739–1813
David Garrick with a Bust of Shakespeare
1769
894
Peter Simon, 1750–1810
A Midsummer Night's Dream, Act IV, Scene I
c.1796
895
after Thomas Ryder, 1746–1810
Midsummer Night's Dream: Act IV, Scene I
1803
896
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
897
Valentine Green, 1739–1813
Portrait of David Garrick
898
Peter Simon, 1750–1810
As You Like It: Act V Scene IV: Rosalind and Orlando
1791
899
Thomas Ryder, 1746–1810
Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'