Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
202
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
203
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
204
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
205
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
206
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
207
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
208
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
209
unknown artist
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
210
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
211
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
212
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
213
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
214
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
215
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
216
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
217
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
218
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
219
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
220
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
221
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
222
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
223
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
224
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
225
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
226
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
227
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
228
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
229
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
230
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
231
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
232
unknown artist
Grave of the Supposed William Lyndewode
1852
233
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
234
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
235
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
236
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
237
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
238
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
239
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
240
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
241
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
242
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
243
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
244
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
245
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
246
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
247
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
248
unknown artist
Peers' Entrance
undated
249
unknown artist
Survey view of a lobby, Palace of Westminster
undated
250
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
251
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
252
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
253
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
254
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
255
unknown artist
New Rooms at Westminster for the Bishops
undated
256
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
257
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
258
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
259
unknown artist
Exterior of Painted Chamber, North View
undated
260
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
261
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
262
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
263
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
264
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
265
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
266
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
267
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
268
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
269
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
270
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
271
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
272
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
273
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
274
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
275
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
276
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
277
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
278
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
279
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
280
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
281
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
282
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
283
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
284
George Harley, 1791–1871
Ruins of Westminster Palace
1834
285
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
286
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
287
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
288
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
289
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
290
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
291
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
292
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
293
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
294
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
295
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
296
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
297
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
298
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
299
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords