Topic subjectplace ss: England - YCBA Collections Search Search Results

unknown artist

Details of Capitals and Arches, Painted Chamber

between 1793 and 1799

Attributed to John Carter, 1748–1817

Paintings on the Wall by H in Plan

between 1793 and 1799

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Attributed to John Carter, 1748–1817

Details of one of the Figures

ca. 1795

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXIX

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

George Harley, 1791–1871

Ruins of Westminster Palace

1834

Charles James Richardson, 1806–1871

Sections of Room under Painted Chamber

1827

Print made by T. Kearnan, active 1821–1850

The House of Lords, as Restored after the Fire

1835

George Birch, 1842–1904

View of Guy Fawkes' Tower

1827

Print made by John Thomas Smith, 1766–1833

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

1804

Attributed to John Carter, 1748–1817

East Front of Princes Chamber

between 1800 and 1807

Print made by Henry Melville, active 1826–1841

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

George Birch, 1842–1904

Plan and View of Room under the Painted Chamber

1827

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Attributed to John Carter, 1748–1817

Princes Chamber, East Side with the Old House of Lords

between 1800 and 1807

Print made by John Woods, active 1836–1860

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

1825

Attributed to John Carter, 1748–1817

Door near Painted Chamber

between 1800 and 1807

Attributed to John Carter, 1748–1817

Plan of Princes Chamber, One Pair

between 1800 and 1807

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

Attributed to John Carter, 1748–1817

Window Detail, Princes Chamber

between 1800 and 1807

Print made by unknown artist

Exterior & Interior Views of the Painted Chamber & Old House of Lords

1823

Attributed to John Carter, 1748–1817

South Side of Princes Chamber West

between 1800 and 1807

Attributed to John Carter, 1748–1817

Princes Chamber

between 1800 and 1807

Print made by Charles Burton, active 1830–1840

View of the King's Entrance &c. From the South-West

1835

Frederick Mackenzie, 1788–1854

Old Palace Yard

1809

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

Charles James Richardson, 1806–1871

Ceiling to Boudoir House in Old Palace Yard

1871

Print made by William Deeble, active 1814–1849

The Parliament House, from Old Palace Yard, Westminster

1829

Charles James Richardson, 1806–1871

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

1871

Print made by William Deeble, active 1814–1849

The King's Entrance to the House of Lords, From Poets Corner

1829

Charles James Richardson, 1806–1871

Drawing Room Ceiling, No. 3 Old Palace Yard

1871

Charles James Richardson, 1806–1871

Ceiling of Front Parlor House in Old Palace Yard

1871

Charles James Richardson, 1806–1871

Decoration between Windows of Parlor, No. 3 Old Palace Yard

1871

Print made by unknown artist

Chance. The London Firemen's Dog

1834

Charles James Richardson, 1806–1871

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

1871

Print made by unknown artist

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

undated

Print made by M. Gauci, 1810–1846

The Destruction by Fire of the Houses of Parliament

after 1834

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Print made by unknown artist

Houses of Parliament

undated

Print made by T. Kearnan, active 1821–1850

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

unknown artist

Henry VII Chapel, Westminster Abbey

undated

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

John Coney, 1786–1833

North East View of Henry VII Chapel Westminster

1813

Print made by William Henry Toms, ca. 1700–ca. 1750

The South-East Prospect of King Henry The VII's Chapel at Westminster

1739

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Charles J. Hullmandel, 1789–1850

Henry the Seventh's Chapel, North Side

undated

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Augustus Charles Pugin, 1762–1832

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

Print made by Thomas Sutherland, ca. 1785–1838

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

1811

Print made by George Barret Jr., 1767–1842

Marriage of Henry the seventh

1796

Print made by Edward Rooker, 1724–1774

Henry the Seventh's Chapel

undated

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by unknown artist

Henry VII Chapel (Exterior)

ca. 1890

Print made by Herbert Railton, 1857–1910

Henry VII's Shrine

ca. 1890

William Capon, 1757–1827

Henry VII Chapel

ca. 1793

John Carter, 1748–1817

South East View of the Towers of the Abbey, &c. from College St. Westminster

1782

Attributed to John Carter, 1748–1817

Seats in Henry VII Chapel, Westminster Abbey

ca. 1793

Attributed to John Carter, 1748–1817

Continuation of the Preceeding Ornaments

1793

Attributed to John Carter, 1748–1817

Door-way in Wall of South Precints of Westminster Abbey

undated

John Carter, 1748–1817

View of Modern Gateway in South East Angle of Dean's Yard

between 1780 and 1807

John Phillipps Emslie, 1839–1913

Houses Adjacent to Westminster Abbey in the Process of Demolition

1896

Attributed to John Carter, 1748–1817

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

1815

Attributed to John Carter, 1748–1817

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

1792

Attributed to John Carter, 1748–1817

Part of the Old Dormitory

1815

Attributed to John Carter, 1748–1817

Springing of groins

1815

Attributed to Sir Charles Barry, 1795–1860

Doorway, Dean's Yard, Westminster

1837

Attributed to John Carter, 1748–1817

South View of the Abbey Church, Westminster, Taken from Dean's Yard

1785

James Basire II The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Print made by James Basire II, 1769–1822

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

1815