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901. Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham

Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham
Creator:
James Wyatt, 1746–1813
Date:
1791
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 40 inches (56.5 x 101.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

902. Cobham Hall, Kent: New Passage by Butler's Pantry

Cobham Hall, Kent: New Passage by Butler's Pantry
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 x 25 1/4 inches (54.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

903. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

904. Herstmonceux Castle, East Sussex: Ground Plan

Herstmonceux Castle, East Sussex: Ground Plan
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 34 5/8 inches (64.1 x 87.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

905. Cobham Hall, Kent: First and Second Floor Plans

Cobham Hall, Kent: First and Second Floor Plans
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
1715 to 1725
Materials & Techniques:
Etching on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 17 3/4 × 10 1/2 inches (45.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

906. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
1715 to 1725
Materials & Techniques:
Etching on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

907. Cobham Hall, Kent: First and Second Floor Plans

Cobham Hall, Kent: First and Second Floor Plans
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
1715 to 1725
Materials & Techniques:
Etching on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 × 11 inches (40.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

908. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
1715 to 1725
Materials & Techniques:
Etching on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

909. Herstmonceux Castle, East Sussex: Plan of the Second Floor

Herstmonceux Castle, East Sussex: Plan of the Second Floor
Creator:
James Lambert of Lewes, 1725–1788
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 x 34 1/2in. (64.1 x 87.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

910. Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks

Italian Landscape with River Running Between High Wall at Left and High Bank at Right Towards a Small Town with Figures on the Banks
Creator:
Richard Wilson, 1713/4–1782
Date:
ca. 1753
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 11 9/16 inches (20.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

911. Kitchen Scene: Dunkerrin, September 1835

Kitchen Scene: Dunkerrin, September 1835
Creator:
Sir David Wilkie, 1785–1841
Date:
1835
Materials & Techniques:
Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

912. Study of Figures for "A View of the Campagna"

Study of Figures for "A View of the Campagna"
Creator:
Richard Wilson, 1713/4–1782
Date:
ca. 1755
Materials & Techniques:
Black chalk and white gouache on medium, rough, brown laid paper mounted on card
Dimensions:
Sheet: 7 5/8 x 10 11/16 inches (19.4 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

913. Ponte delle Torri, Seen Through an Arch

Ponte delle Torri, Seen Through an Arch
Creator:
Richard Wilson, 1713/4–1782
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

914. A View on the Brathay near Ambleside

A View on the Brathay near Ambleside
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

915. A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Creator:
Paul Sandby, 1731–1809
Date:
1802
Materials & Techniques:
Gouache and watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

916. Inverary

Inverary
Creator:
Print made by James Heath, 1757–1834
Date:
1805
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Plate: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

917. St. Michael's Mount, Cornwall

St. Michael's Mount, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

918. St. Michael's Mount, Cornwall

St. Michael's Mount, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1813
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

919. Poole, Dorsetshire

Poole, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and line engraving, 2nd state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

920. Poole, Dorsetshire

Poole, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and line engraving, 1st state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 11/16 inches (29.8 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

921. Poole, Dorsetshire

Poole, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Line engraving and etching, second published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

922. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1812
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

923. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

924. Lyme Regis

Lyme Regis
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 5/8 inches (28.9 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

925. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

926. Lyme Regis

Lyme Regis
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

927. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

928. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

929. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

930. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

931. The Mewstone, Entrance of Plymouth Sound

The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

932. The Mewstone, Entrance of Plymouth Sound

The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Line engraving, first published state on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

933. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Engraving and etching , first published state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

934. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

935. Dartmouth, Devon

Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

936. Plymouth Dock, from Mount Edgecumbe

Plymouth Dock, from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

937. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

938. Plymouth, from Mount Batten

Plymouth, from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

939. Falmouth, Cornwall

Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving, engraver's Proof on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

940. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

941. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

942. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

943. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

944. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

945. East & West Looe, Cornwall

East & West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving, early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

946. Ilfracombe, North Devon

Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

947. Watchet, Somersetshire

Watchet, Somersetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching and engraving, 1st published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

948. Bridport, Dorsetshire

Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

949. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

950. Torbay from Brixham

Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

951. Minehead, Somersetshire

Minehead, Somersetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etching touched on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

952. Minehead, Somersetshire

Minehead, Somersetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

953. Margate

Margate
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

954. Torbay from Brixham

Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

955. Rye, Sussex

Rye, Sussex
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

956. Rye, Sussex

Rye, Sussex
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

957. Rye, Sussex

Rye, Sussex
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

958. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

959. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

960. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

961. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

962. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

963. Ramsgate

Ramsgate
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

964. Margate

Margate
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

965. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

966. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

967. Coombe-Martin, Devonshire

Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

968. The Little Devil's Bridge

The Little Devil's Bridge
Creator:
Print made by unknown artist
Date:
between 1816 and 1820
Materials & Techniques:
Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

969. Addingham Mill on the Warfe

Addingham Mill on the Warfe
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1821
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

970. Lowther House, Westmorland: Lower Ground Floor Plan

Lowther House, Westmorland: Lower Ground Floor Plan
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 x 11 5/8 inches (45.1 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

971. View of the Pantheon, Paris

View of the Pantheon, Paris
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

972. The Southwest view of Hertsmonceux Castle in the County of Sussex

The Southwest view of Hertsmonceux Castle in the County of Sussex
Creator:
Samuel Buck, 1696–1779
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

973. The Steine, Brighton

The Steine, Brighton
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

974. Windsor Castle

Windsor Castle
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 8 5/8 inches (11.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

975. Whitton House, Middlesex: Elevation of the East Front

Whitton House, Middlesex: Elevation of the East Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 5/16 inches (30.5 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

976. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 18 3/16 inches (30.2 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

977. Whitton House, Middlesex: Mezzanine and Attic Floor Plans

Whitton House, Middlesex: Mezzanine and Attic Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/16 x 12 7/16 inches (46.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

978. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

979. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

980. Shipping off the Isle of Wight

Shipping off the Isle of Wight
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 13 1/16 inches (19.1 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

981. The Chelsea Pensioners Reading the Waterloo Dispatch

The Chelsea Pensioners Reading the Waterloo Dispatch
Creator:
Sir David Wilkie, 1785–1841
Date:
before 1822
Materials & Techniques:
Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

982. The Falls at Tivoli

The Falls at Tivoli
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1752 and 1757
Materials & Techniques:
Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/4 x 14 1/8 inches (23.5 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

983. Remains of Purton Hall, Staffordshire

Remains of Purton Hall, Staffordshire
Creator:
Cornelius Varley, 1781–1873
Date:
1820
Materials & Techniques:
Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

984. Le Château de Blois

Le Château de Blois
Creator:
attributed to Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

985. Conway Castle

Conway Castle
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

986. The Arbra Sacra on the Banks of Lake Nemi

The Arbra Sacra on the Banks of Lake Nemi
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1754 and 1756
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, greened white laid paper
Dimensions:
Sheet: 15 5/16 × 22 inches (38.9 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

987. The Via Nomentana

The Via Nomentana
Creator:
Richard Wilson, 1713/4–1782
Date:
1754
Materials & Techniques:
Black and white chalk with stumping on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

988. Muckross Abbey, Killarney

Muckross Abbey, Killarney
Creator:
Cornelius Varley, 1781–1873
Date:
1808
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 12 7/8 inches (12.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

989. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

990. The Garden of Thomas Sandby's House at Englefield Green near Windsor

The Garden of Thomas Sandby's House at Englefield Green near Windsor
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1800
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/4 inches (29.5 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

991. A View of Rome Taken from the Pincio

A View of Rome Taken from the Pincio
Creator:
William Pars, 1742–1782
Date:
1776
Materials & Techniques:
Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

992. View of the Pantheon from the Arsenal

View of the Pantheon from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

993. Boxhill, Surrey

Boxhill, Surrey
Creator:
Richard Wilson, 1713/4–1782
Date:
undated
Materials & Techniques:
Graphite and brown ink on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 12 9/16 inches (19.4 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

994. Harlech Castle

Harlech Castle
Creator:
Cornelius Varley, 1781–1873
Date:
ca. 1803
Materials & Techniques:
Brown wash, brown gouache, graphite, and pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 7/8 inches (25.7 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

995. Landscape Composition

Landscape Composition
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Black chalk, graphite, and white chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 8 7/8 x 14 1/2 inches (22.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

996. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

997. A Lodge at Cassiobury

A Lodge at Cassiobury
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

998. On the Sands at Brighton: Figures Walking on the Shore

On the Sands at Brighton: Figures Walking on the Shore
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 inches (14.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

999. The Cathedral of St. Pierre, Caen

The Cathedral of St. Pierre, Caen
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 3/16 inches (25.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1000. Larchant near Fontainebleau

Larchant near Fontainebleau
Creator:
Ambrose Poynter, 1796–1886
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink on moderately thick, slgihtly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 1 13/16 inches (8.3 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection