Topic subjectplace ss: Rome - YCBA Collections Search Search Results

201. Classical Ruins with the Arch of Constantine

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1740
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 5 3/4 x 9 3/8in. (14.6 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Elect

Creator:: Conrad Martin Metz, 1749–1827
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

203. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

204. The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

205. Sepulchre on the Via Nomentana in the Roman Campagna

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

206. The Baths of Caracalla, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

207. A Panoramic View toward St. Peter's from the Palace of the Caesars

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Graphite, watercolor, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/4 inches (29.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

208. In the Camp Vaccinio at Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1777
Materials & Techniques:: Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Villa Medici, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: 1784
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. View from Behind the Colonnade, Piazza San Pietro, Rome

Creator:: John Brown, 1749–1787
Date:: ca. 1772
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 9 1/2 inches (22.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Rome, Showing the Coliseum

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: 1802
Materials & Techniques:: Watercolor over graphite on wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A View of Tivoli Looking Towards Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. On Mt. Palatine

Creator:: John Warwick Smith, 1749–1831
Date:: 1764 to 1831
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, mounted on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 x 11 inches (43.2 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

216. The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

Creator:: unknown artist
Date:: 1768
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

217. Interior of the Church of the Gesù, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1925
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

218. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Broken Side of the Amphitheatre at Rome

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 10 inches (16.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Lake of Vico Between Rome and Florence

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 13/16 inches (25.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Part of the Wall of Rome Near the Villa Medici

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. View of Nettuno

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Isola Farnese

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. View of the Ruins of the Temple of Peace

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20 1/8in. (36.8 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Thermae of Caracalla

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1923
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

229. A view of Rome with adjacent hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20in. (36.8 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

231. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 15 7/16in. (25.1 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

234. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 15 1/2in. (25.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

235. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

236. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 5/8 x 9 9/16in. (19.4 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

237. A Perspective View of the Castle of St. Angelo & Elian Bridge with part of the City of Rome

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

238. Study of Pines, Villa Borghese, Rome, 1871

Creator:: Walter Crane, 1845–1915
Date:: 1871
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Schaff, Yale BA 1965

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Topic subjectplace ss Rome

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201. Classical Ruins with the Arch of Constantine

202. The Elect

203. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

204. The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

205. Sepulchre on the Via Nomentana in the Roman Campagna

206. The Baths of Caracalla, Rome

207. A Panoramic View toward St. Peter's from the Palace of the Caesars

208. In the Camp Vaccinio at Rome

209. The Villa Medici, Rome

210. View from Behind the Colonnade, Piazza San Pietro, Rome

211. Rome, Showing the Coliseum

212. The Colosseum, Rome

213. A View of Tivoli Looking Towards Rome

214. An Interior View of the Colosseum, Rome

215. On Mt. Palatine

216. The Remains of the Senatorial Bridge on the Tyber; now call'd Ponte Rotto over this Bridge the Senate all ways pass'd to Consult the Sybills Books at Monte Gianiculo

217. Interior of the Church of the Gesù, Rome

218. Ruined Archway with a Line of Washing, possibly in Rome

219. Facade of Ruined (?) Roman Temple, with Columns and Doorway

220. Broken Side of the Amphitheatre at Rome

221. Lake of Vico Between Rome and Florence

222. Part of the Wall of Rome Near the Villa Medici

223. View of Nettuno

224. The Isola Farnese

225. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

226. View of the Ruins of the Temple of Peace

227. The Horse Race at Rome During the Carnival

228. Thermae of Caracalla

229. A view of Rome with adjacent hills

230. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

231. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

232. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

233. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

234. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

235. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

236. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

237. A Perspective View of the Castle of St. Angelo & Elian Bridge with part of the City of Rome

238. Study of Pines, Villa Borghese, Rome, 1871