Classification: Prints - YCBA Collections Search Search Results

Thomas Henwood, 1797–1861

The Procession of the Lewes Bonfire Boys

1853

James Basire, 1730–1802

Distribution of His Majesty's Maundy Ante Chapel at Whitehall

1789

Print made by James Gillray, 1756–1815

The Minister In - The Minister Out

1782

Isaac Cruikshank, 1764–1811

The Hopes of the Family in the Road to Preferment

1799

John Faber the Younger, ca. 1695–1756

George Graham, Clockmaker

undated

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by James Gillray, 1756–1815

The Coming-On, of the Monsoons; or - The Retreat from Seringapatam

1791

Edward Duncan Ships of the General Steam Navigation Company, Caledonia 800 Tons leaving Hamburg - The Neptune 800 tons entering the Elbe, with her Majesty's Mails

Edward Duncan, 1803–1882

Ships of the General Steam Navigation Company, Caledonia 800 Tons leaving Hamburg - The Neptune 800 tons entering the Elbe, with her Majesty's Mails

1842

James Gillray, 1756–1815

The Prince at Grass --- The Prince in Clover

1787

Edward Duncan, 1803–1882

Whampoa in China

Charles Hunt, 1803–1877

Mortar Battery at Woolwich

undated

Thomas Burke, 1749–1815

Samma the Demoniac weeping over the ashes of his youngest son Benoi

1772

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

Isaac Cruikshank, 1764–1811

Consolation in the Gout

1796

Robert Havell, 1769–1832

View of a Triumphal Arch Proposed to be Erected at Hyde Park Corner Commenorative of the Victory ...King George III

1813

John Smith, the mezzotinter, 1652–1743

Grinling Gibbons

1690

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

George Moutard Woodward, ca. 1760–1809

The Effects of British Valour on the French Directory

1798

Isaac Cruikshank, 1764–1811

Whims of the Moment or the Bedford Level!!

1795

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

John Smith, the mezzotinter, 1652–1743

The Hon. Lady Essex Mostyn

1705

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

J. Wellis To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

J. Wellis, active 1799

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

1799

George Moutard Woodward, ca. 1760–1809

Our Old Friend

George Moutard Woodward, ca. 1760–1809

An Irish Request in a Storm

1802

George Moutard Woodward, ca. 1760–1809

The Friends of Freedom and May Our Liberties Never Be Swallowed in a Pitt

George Moutard Woodward, ca. 1760–1809

In Our Journey through Life may we Live Well on the Road

ca. 1798

Joseph Constantine Stadler, active 1780–1812

The Royal Review in Hatfield Park

1802

George Moutard Woodward, ca. 1760–1809

A Clerical Rebuke & Parochial Reply

1794

Simon François Ravenet, 1706–1774

Marriage A-La-Mode, Plate IV: The Toilet Scene

1745

Bernard Baron, 1696–1762

Marriage A-La-Mode, Plate III: The Scene with the Quack

1745

Archibald Robertson, 1748–1788

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr

1782

William James Bennett, 1787–1844

South West View of Saint Paul's Cathedral and Blackfrairs Bridge

Giles King, active 1732–1746

Salmon Leap at Leixlip

Print made by Thomas Bowles III, ca. 1712–1767

A View of Amsterdam on each side the Old Rampart as seen from the Harbor

between 1780 and 1815

Richard Gilson Reeve, 1803–1889

Fox Hunting: The Death

1835

Richard Gilson Reeve, 1803–1889

Fox Hunting: Getting Away

1835

unknown artist

Set of four [Foxhunting]: 3. Full Cry

1817

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

Print made by unknown artist

A View of the City of Oporto

between 1780 and 1815

Edward Duncan, 1803–1882

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

1833

William Austin Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Print made by William Austin, 1721–1820

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Jake Chapman, born 1966

Untitled

1999

Jake Chapman, born 1966

Untitled

1999

Print made by James Barry, 1741–1806

St. Sebastian

undated

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by Sir Frank William Brangwyn, 1867–1956

The Goatherd

1898

Francis Sydney Unwin, 1885–1925

Square in Venice

Print made by James McNeill Whistler, 1834–1903

The Rag Gatherers

1858

Print made by James McNeill Whistler, 1834–1903

Little Annie Seated

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

James McNeill Whistler, 1834–1903

Chelsea

undated

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by George Cruikshank, 1792–1878

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by Thomas Trotter, ca. 1750–1803

MacBeth, Act I, Scene III: "A Heath"

1803

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Benjamin West, 1738–1820

King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."

1803

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Robert Thew, 1758–1802

MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"

1803

Samuel Middiman, ca. 1750–1831

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

1803

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Samuel Middiman, ca. 1750–1831

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

1803

Samuel Middiman, ca. 1750–1831

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

1803

James Parker, 1750–1805

MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"

1803

Peter Simon, 1750–1810

King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

1803

Thomas Ryder, 1746–1810

King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

1796

Robert Thew, 1758–1802

Henry IV, Part I, Act II, Scene IV: " The Boar's Head"

1803

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

William S. Leney, 1769–1831

Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"

1803

Pierre Charles Canot, ca. 1710–1777

View of the City of New York: A South East View of the City of New York in North America

1763

Peter P. Benazech One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea.

Peter P. Benazech, 1767–1794

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of the Entrance of what is called the Topan Sea

1761

Pierre Charles Canot Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

Pierre Charles Canot, ca. 1710–1777

Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758

1762

unknown artist

Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica

1769