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1201
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes
- 1796
1202
- Illustrations of The Book of Job
- 1826
1203
- The Book of Thel
- 1789
1204
- Illustrations to Dante's Divine Comedy
- 1827
1205
- Love Songs, Class I. Tailpiece
- 1783
1206
- William Cowper, Author of "The Task"
- 1802
1207
- The Peasants' Nest: Cowper's tame Hares
- 1802
1208
- A Corrected and Revised Map of the Country of Allestone
- 1806
1209
- Love Songs, Class I. Headpiece
- 1783
1210
- Love Songs, Class II. Headpiece
- 1783
1211
- Love Songs, Class II. Tailpiece
- 1783
1212
- Love Songs, Class III. Headpiece
- 1783
1213
- Love Songs, Class III. Tailpiece
- 1783
1214
- Love Songs, Class IV. Headpiece
- 1783
1215
- Love Songs, Class IV. Tailpiece
- 1783
1216
- Love Songs, Class V. Headpiece
- 1783
1217
- Drinking Songs, Headpiece
- 1783
1218
- Drinking Songs, Tailpiece
- 1783
1219
- Miscellaneous Songs, Headpiece
- 1783
1220
- Miscellaneous Songs, Tailpiece
- 1783
1221
- Ancient Ballads, Headpiece
- 1783
1222
- Ancient Ballads, Tailpiece
- 1783
1223
- Canto I. Verse 29
- 1803
1224
- Canto II. Verse 471
- 1803
1225
- The Dog; Frontispiece
- 1805
1226
- Canto V. Verse 43
- 1803
1227
- Canto III. Verse 201
- 1803
1228
- Canto IV. Verse 328
- 1803
1229
- Canto VI. Verse 294
- 1803
1230
- Sketch of a Shipwreck after Romney
- 1809
1231
- William Cowper
- 1803-1804
1232
- Mrs Cowper Mother of the Poet
- 1803-1804
1233
- The Pastorals of Virgil, Volume 2
- 1821
1234
- The Pastorals of Virgil, Volume 1
- 1821
1235
- Feeding the Ducks
1236
- Le Repos
- 1826
1237
- Portrait of Engelmann, in profile
- 1816
1238
- Louis-Philippe, Duc d' Orleans and Antoine, Duc de Montpensier
- 1805
1239
- Horses at Cottages Door
- 1804, published 1806
1240
- Fat Boy
- between 1974 and 1978
1241
- The Sheep of His Pasture
- ca. 1828
1242
- Cottage with People
- ca. 1826
1243
- Landscape with Bridge
- 1824 to 1827
1244
- The Bacchante
- ca. 1827
1245
- Derelict Cottage in Landscape with Figures
- 1824
1246
- Whitlingham
- 1824
1247
- Portrait, James Heath
- 1796
1248
- Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)
- ca. 1800
1249
- Perspective View of the Bridge at Sion
- 1768
1250
- Bonaparte's Head-Quarters in London
- 1803
1251
- A Man of the Sandwich Islands
- ca. 1784
1252
- William Powell Frith
1253
- Portrait of John Flaxman
1254
- The Prodigal Son in Excess (1 of 5)
- ca. 1775
1255
- The Prodigal Son Returns Reclaim'd (1 of 5)
- ca. 1775
1256
- Ruins of Ryland Abbey, Yorkshire
- ca. 1812
1257
- The Prodigal Son Feasted on His Return (1 of 5)
- ca. 1775
1258
- Portrait, Wenceslaus Hollar 'a Lewengrum et Bareyt'
1259
- The Prodigal Son Recieves His Patrimony (1 of 5)
- ca. 1775
1260
- The Royal Palace of Windsor
1261
- Scene on the Serpentine, Hyde Park on the Night of the Grand Jubilee, August 1, 1814
- 1814
1262
- The Prodigal Son in Misery (1 of 5)
- ca. 1775
1263
- View in Hyde Park, with the Fleet at Anchor on the Serpentine River, 12 August 1814
- 1814
1264
- Ruins of Fountaine's Abbey, Yorkshire
- ca. 1811
1265
- Sir Hugh Middleton's Glory or the First Issuing of the Water into the New River Head, 1613
- ca. 1772
1266
- Statue Hall or the Modern Register Office
- 1769
1267
- A Trip to Paris by Johnny Bull and Jack Dandy
- 1819
1268
- The King’s Bagnio
- 1686
1269
- A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England
- 1798
1270
- A View of Gravesend in Kent, with Troops Passing the Thames to Tilbury Fort
- ca. 1760
1271
- View of Tonbridge During the Late Election, December 18, 1832
- after 1832
1272
- Vue de Pont de Westminster
- ca. 1799
1273
- View of Bombay
- 1734
1274
- Sleepest or Wakest Thou?
- ca. 1853
1275
- The Alto Relievo
- 1796
1276
- River Stour, Suffolk
- 1831
1277
- River Stour, Suffolk
- 1831
1278
- Fainasollis, Borbar and Fingal
- 1783
1279
- The Fall of Agandecca
- 1783
1280
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
1281
- Wanstead House in Essex
- 1775
1282
- The Sentinel
- 1857
1283
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
1284
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
1285
- John Campbell, 2nd Duke of Argyll, 1st Duke of Greenwich
- 1700
1286
- Henry Bennet, 1st Earl of Arlington
- 1670-1700
1287
- Edmond Antrobus, 1st Baronet
- undated
1288
- Francis Atterbury, Bishop of Rochester & Dean of Westminster
- 1735-1751
1289
- Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel
- 1624-1629
1290
- Henry Bennet, 1st Earl of Arlington
- 1739
1291
- Thomas Ashton D.D
- 1756
1292
- The Fall of Ostend: La Gare Maritime
- 1915
1293
- William Eden, 1st Baron Auckland
- 1810
1294
- Mademoiselle Baccelli
- 1783
1295
- George Anson, 1st Baron Anson
- ca.1755
1296
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
1297
- The Schinderlin
- 1777
1298
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
1299
- The Third Cavalry in Ghent
- 1915
1300
- Untitled: Cupid