Classification: Prints - YCBA Collections Search Search Results

21901. Henry Gyles

Creator:: John Rowell, died 1756
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21902. William Faithorne

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: between 1765 and 1790
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 8 3/4 inches (27.9 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21903. John Greenhill

Creator:: Print made by George T Doo, 1800–1886
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 8 11/16 inches (30.9 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21904. Robert Graves

Creator:: John R. Jackson, 1819–1877
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21905. John Greenhill

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21906. George Gower

Creator:: Print made by James Basire, 1730–1802
Date:: 1800
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21907. Valentine Green

Creator:: Valentine Green, 1739–1813
Date:: 1788
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 15/16 x 15 13/16 inches (50.6 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21908. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21909. Thomas Girtin

Creator:: Edward Scriven, 1775–1841
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21910. Thomas Girtin

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 11 1/8 inches (45 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21911. John Gilbert, R.A.

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21912. James Gibbs

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21913. Thomas Gainsborough, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21914. Mr. and Mrs. Gibbons

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1691
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21915. Mr. and Mrs. Gibson

Creator:: Anthony Walker, 1726–1765
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21916. John Gibson

Creator:: Print made by Daniel J. Pound, active ca. 1860
Date:: between 1850 and 1860
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21917. Marc Garrard

Creator:: Print made by Alexander Bannerman, ca. 1730–1780
Date:: 1765
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21918. Edmund Garvey, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/16 inches (43.2 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21919. Robert Hills

Creator:: William Thomas Fry, 1789–1843
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21920. John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

Creator:: Charles E. Wagstaff, 1808–
Date:: 1846
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21921. Prince Hoare

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 5/8 x 13 5/16 inches (49.9 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21922. Prince Hoare

Creator:: Charles Turner, 1774–1857
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21923. Hogarth

Creator:: Charles Townley, 1746–c.1800
Date:: 1781
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21924. John Hoppner, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: 1810
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 x 12 5/16 inches (47.4 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21925. Sir George Hayter

Creator:: Sir George Hayter, 1792–1871
Date:: 1822
Materials & Techniques:: Etching and stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 10 15/16 inches (38.2 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21926. Abraham Hondius Pictor

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1689
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 8 5/8 x 7 3/8in. (21.9 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21927. Thomas Hardwick

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21928. Nathaniel Hone

Creator:: Print made by Edward Fisher, 1722–1785
Date:: between 1758 and 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 × 9 5/16 inches (32.6 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21929. Heads: Fancynina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21930. Christ giving sight to the blind

Creator:: John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Etching, unfinished proof
Dimensions:: Sheet: 21 7/8 x 27 3/4in. (55.6 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21931. Benjamin Robert Haydon

Creator:: Sir David Wilkie, 1785–1841
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21932. Heads: Epicurum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21933. Heads: Publicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21934. Heads: Physicorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21935. Heads: Allegora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21936. Heads: Flora

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21937. Heads: Virginia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21938. Heads: Hazardorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21939. Heads: Penserosa

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21940. Heads: Barberorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21941. Heads: Billingsgatina

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Colored etching
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21942. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1836
Materials & Techniques:: Etching and engraving; engraver's proof on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21943. Heads: Nunina.

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21944. Heads: Battleorum

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1800
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21945. Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21946. Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21947. Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

Creator:: Charles Denton, active 1853
Date:: 1853
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21948. Man and Woman Drinking

Creator:: Print made by Jan van Somer, ca. 1645–after 1699
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21949. Hounds Throwing-Off

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21950. Hounds in Finding

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21951. Coming-In at the Death

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21952. Cockney-Sportsmen Shooting-Flying

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21953. Cockney-Sportsmen Re-charging

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21954. Coaching: The Early Delivery

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21955. Fore's Stable Scenes: The Hunting Stud

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21956. Cockney-Sportsmen finding a Hare

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21957. Coaching: The Right Sort

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21958. Evening or the Sportsman's Return

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1795
Materials & Techniques:: Mezzotint, printed and hand colored
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21959. Fore's Stable Scenes: The Team

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21960. Fore's Stable Scenes: Thorough Breds

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21961. Fores's National Sports: Racing - A False Start

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21962. Coaching: The Last Change Down

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21963. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21964. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21965. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21966. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21967. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21968. Fores's National Sports: Racing - Returning to Weigh

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21969. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21970. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21971. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21972. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21973. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21974. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21975. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21976. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21977. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21978. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21979. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21980. Sir Thomas Lawrence

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21981. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21982. Alphonse Legros

Creator:: Print made by Alphonse Legros, 1837–1911
Date:: undated
Materials & Techniques:: Etching on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21983. Major General Lambert

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21984. Thomas Lawrence, Late President of the Royal Academy

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21985. Sir Godfrey Kneller

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21986. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21987. Daniel Maclise

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1857
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21988. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21989. Thomas Paine

Creator:: William Sharp, 1749–1824
Date:: 1793
Materials & Techniques:: Line engraving, published state
Dimensions:: Sheet: 10 7/8 × 8 3/4 inches (27.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21990. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21991. King John Ratifying the Magna Charta

Creator:: William Wynne Ryland, 1732–1783
Date:: ca. 1783
Materials & Techniques:: Stipple engraving, engraver's proof
Dimensions:: Sheet: 18 5/16 x 23 5/8in. (46.5 x 60cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21992. The Swain's Amusement

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21993. An Elephant and a Camel

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1663
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 7/8 x 8 3/8in. (14.9 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21994. Portrait of Inigo Jones

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1655
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/16 x 5 3/8in. (20.5 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21995. Portrait of Sir Edward Astley

Creator:: Thomas Worlidge, 1700–1766
Date:: 1762
Materials & Techniques:: Etching on silk
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21996. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21997. Ticket for the Theatre Royal, Haymarket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21998. Ticket for the Theatre Royal, Covent Garden

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21999. Ticket for the Benefit of Mr. Sal Pietro

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Stipple engraving and Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 4 7/8 inches (10.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22000. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Classification Prints

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21901. Henry Gyles

21902. William Faithorne

21903. John Greenhill

21904. Robert Graves

21905. John Greenhill

21906. George Gower

21907. Valentine Green

21908. Mr. and Mrs. Gibson

21909. Thomas Girtin

21910. Thomas Girtin

21911. John Gilbert, R.A.

21912. James Gibbs

21913. Thomas Gainsborough, Esq. R.A.

21914. Mr. and Mrs. Gibbons

21915. Mr. and Mrs. Gibson

21916. John Gibson

21917. Marc Garrard

21918. Edmund Garvey, R.A.

21919. Robert Hills

21920. John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

21921. Prince Hoare

21922. Prince Hoare

21923. Hogarth

21924. John Hoppner, R.A.

21925. Sir George Hayter

21926. Abraham Hondius Pictor

21927. Thomas Hardwick

21928. Nathaniel Hone

21929. Heads: Fancynina

21930. Christ giving sight to the blind

21931. Benjamin Robert Haydon

21932. Heads: Epicurum

21933. Heads: Publicorum

21934. Heads: Physicorum

21935. Heads: Allegora

21936. Heads: Flora

21937. Heads: Virginia

21938. Heads: Hazardorum

21939. Heads: Penserosa

21940. Heads: Barberorum

21941. Heads: Billingsgatina

21942. Rievaulx Abbey

21943. Heads: Nunina.

21944. Heads: Battleorum

21945. Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

21946. Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

21947. Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

21948. Man and Woman Drinking

21949. Hounds Throwing-Off

21950. Hounds in Finding

21951. Coming-In at the Death

21952. Cockney-Sportsmen Shooting-Flying

21953. Cockney-Sportsmen Re-charging

21954. Coaching: The Early Delivery

21955. Fore's Stable Scenes: The Hunting Stud

21956. Cockney-Sportsmen finding a Hare

21957. Coaching: The Right Sort

21958. Evening or the Sportsman's Return

21959. Fore's Stable Scenes: The Team

21960. Fore's Stable Scenes: Thorough Breds

21961. Fores's National Sports: Racing - A False Start

21962. Coaching: The Last Change Down

21963. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

21964. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

21965. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

21966. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

21967. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

21968. Fores's National Sports: Racing - Returning to Weigh

21969. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

21970. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

21971. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

21972. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

21973. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

21974. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

21975. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House