Classification: Prints - YCBA Collections Search Search Results

Henry Hoppner Meyer, ca. 1782–1847

Thomas Gainsborough, Esq. R.A

1810

Alexander Bannerman, ca. 1730–1780

Marc Garrard

undated

Print made by William Daniell, 1769–1837

Edmund Garvey, R.A

between 1802 and 1814

Print made by William Daniell, 1769–1837

Prince Hoare

1814

Charles Townley, 1746–c.1800

Hogarth

1781

Charles Turner, 1774–1857

Prince Hoare

1831

Thomas Rowlandson, 1756–1827

Heads: Epicurum

1800

John Young, 1755–1825

Christ giving sight to the blind

1816

Thomas Rowlandson, 1756–1827

Heads: Hazardorum

1800

Thomas Rowlandson, 1756–1827

Heads: Billingsgatina

1800

Thomas Rowlandson, 1756–1827

Heads: Penserosa

1800

Thomas Rowlandson, 1756–1827

Heads: Battleorum

1800

Thomas Rowlandson, 1756–1827

Heads: Nunina

1800

John Smith, 1652–1743

Mr. and Mrs. Gibbons

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

1853

James Gillray, 1756–1815

Hounds in Finding

1800

James Gillray, 1756–1815

Hounds Throwing-Off

1800

James Gillray, 1756–1815

Cockney-Sportsmen Re-charging

1800

John Harris, 1811–1865

Coaching: The Last Change Down

1863

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

1837

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791

William Pether, ca. 1738–1821

Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

1789

Print made by John Faber the Younger, ca. 1695–1756

Philippe Mercier

1735

Francesco Bartolozzi, 1728–1815

Ticket for the Theatre Royal, Haymarket

Between 1775 and 1800

Francesco Bartolozzi, 1728–1815

Ticket for the Theatre Royal, Covent Garden

Between 1775 and 1800

Francesco Bartolozzi, 1728–1815

Adelaide

1798

Print made by Richard Earlom, 1743–1822

James McArdell

1771

Francesco Bartolozzi, 1728–1815

Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

1789

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

1789

Thomas Rowlandson, 1756–1827

Set of Six Views in London, (Turn Pike series)

1797

Hurvin Anderson, born 1965

Title-page: Nine Etchings, a series of 9 etchings, each print signed and numbered by the artist, ed. 44, published 2005

2005

Print made by George Baxter, 1804–1867

Gems of the Great Exihibtion Number 2

1852

Print made by unknown artist

Habit of an Arabian Soldier

between 1757 and 1772

after Gordon Ross

Michio Itow: New Art Dancer

1918

Print made by Thomas Rowlandson, 1756–1827

A Mad Dog in a Coffee House

1809

Print made by Charles Shannon, 1863–1937

Salt Water

1895

Print made by Walter Richard Sickert, 1860–1942

Mother and Daughter

undated

George Siegmund Facius, 1750–1804

George III

1791

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas A. Woolnoth, 1785–1857

Mrs. W. West as Cordelia

1820

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

1824

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by Louis I. Kahn, 1901–1974

Floor Plan, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Parking, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Floor Plan, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Second Floor, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Basement Parking, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Third Floor, The Paul Mellon Center for British Art and British Studies

August 17, 1970

Print made by Louis I. Kahn, 1901–1974

Elevation, The Paul Mellon Center for British Art and British Studies

1970

Print made by Louis I. Kahn, 1901–1974

Fourth Floor, The Paul Mellon Center for British Art and British Studies

August 17, 1970