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11801. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
pen and brown ink, and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 2 1/16 × 1 9/16 inches (5.2 × 4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11802. The Murder of Duncan - Macbeth with the Daggers

The Murder of Duncan - Macbeth with the Daggers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11803. The Murder of Duncan - Macbeth Stabbing Duncan

The Murder of Duncan - Macbeth Stabbing Duncan
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11804. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11805. Study of Facial Expressions

Study of Facial Expressions
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 3/4 inches (19.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11806. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 1 13/16 inches (11.1 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11807. Figure Study of Women and Their Hairstyles

Figure Study of Women and Their Hairstyles
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 7/16 × 6 7/8 inches (11.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11808. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 2 11/16 inches (11.2 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11809. Study of a Man's Facial Expression

Study of a Man's Facial Expression
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/16 inches (9.5 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11810. The Murder of Duncan - The Sleeping Groom

The Murder of Duncan - The Sleeping Groom
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11811. Study of a Woman Pleading on Her Knees

Study of a Woman Pleading on Her Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 1/8 × 3 11/16 inches (7.9 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11812. Study of a Woman Pleading on Her Knees

Study of a Woman Pleading on Her Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 5/8 × 4 15/16 inches (9.2 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11813. Study of the Face of Jesus

Study of the Face of Jesus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Black chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 3 × 2 15/16 inches (7.6 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11814. Study of Two Figures and Two Legs

Study of Two Figures and Two Legs
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11815. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11816. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11817. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11818. Study of a Seated Male Figure

Study of a Seated Male Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 7 9/16 × 5 1/4 inches (19.2 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11819. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11820. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11821. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 2 15/16 inches (14 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11822. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11823. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 4 5/8 inches (11.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11824. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11825. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11826. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11827. Study of Figures Sitting Under a Tree

Study of Figures Sitting Under a Tree
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1806
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 × 5 3/4 inches (9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11828. Study of a Man on His Knees

Study of a Man on His Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 3 5/8 inches (8.6 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11829. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11830. Study of a Nude Male

Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 7/16 × 2 15/16 inches (8.7 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11831. Study of a Woman and Child Playing

Study of a Woman and Child Playing
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 3 3/4 inches (15.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11832. Study of a Group of Standing Figures

Study of a Group of Standing Figures
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/16 × 3 1/2 inches (15.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11833. Study of a Woman in a Partial Recline

Study of a Woman in a Partial Recline
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11834. Study of an Ethnic Woman's Face, in Profile, Wearing Earrings

Study of an Ethnic Woman's Face, in Profile, Wearing Earrings
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 2 13/16 × 2 1/4 inches (7.1 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11835. Study of a Man's Expressive Face

Study of a Man's Expressive Face
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 6 3/8 inches (20.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11836. Study of a Man's Expressive Face

Study of a Man's Expressive Face
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/16 × 2 15/16 inches (13.5 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11837. Portrait Study, of a Man's Profile

Portrait Study, of a Man's Profile
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 7/16 × 3 11/16 inches (13.8 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11838. Study of Male Heads

Study of Male Heads
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 × 2 13/16 inches (7.6 × 7.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11839. Study of Faces

Study of Faces
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightlyy textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 7 13/16 inches (28.3 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11840. Study of a Group of Figures, Kneeling and Standing

Study of a Group of Figures, Kneeling and Standing
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11841. Study for a Battle Scene

Study for a Battle Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 7 13/16 inches (15.1 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11842. Studies of the Face of Jesus

Studies of the Face of Jesus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/16 inches (19.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11843. Study for a Gathering of People

Study for a Gathering of People
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 × 8 1/16 inches (25.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11844. Study for Napoleon Bonaparte

Study for Napoleon Bonaparte
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 × 4 inches (11.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11845. Study for, Agony in the Garden

Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11846. Study of a Religious Ceremony Scene

Study of a Religious Ceremony Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11847. Study for Napoleon Bonaparte

Study for Napoleon Bonaparte
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11848. Study for Figures Sitting

Study for Figures Sitting
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 2 3/8 inches (8.9 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11849. Study for Hercules and Persephone

Study for Hercules and Persephone
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 4 11/16 inches (17.5 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11850. Portrait Studies

Portrait Studies
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 3 9/16 inches (15.2 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11851. Figure Study of a Nude Male with a Spear

Figure Study of a Nude Male with a Spear
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11852. Study of an Elderly Man's Portrait

Study of an Elderly Man's Portrait
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 × 3 7/16 inches (15.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11853. Study of a Seated Man, Wearing a Pointed Hat

Study of a Seated Man, Wearing a Pointed Hat
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1803
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/16 inches (13.2 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11854. Study of a Figure

Study of a Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 2 3/8 inches (8.9 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11855. Compositional Study of Soldiers

Compositional Study of Soldiers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 5 3/8 inches (16.8 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11856. Figure Studies of a Nude Male with Spear

Figure Studies of a Nude Male with Spear
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11857. Study of a Castle

Study of a Castle
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 11 3/16 × 8 9/16 inches (28.4 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11858. Figure Study of a Nude Male

Figure Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 3 11/16 inches (12.4 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11859. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11860. Study of Two Seated Men in Their Traditional Costume

Study of Two Seated Men in Their Traditional Costume
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1803
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11861. View at Valmontone. November 1790

View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 22 5/16 inches (41.3 x 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11862. Study of a Man in a Long Robe

Study of a Man in a Long Robe
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk, and graphite, on moderely thick, rough, brown wove paper
Dimensions:
Sheet: 15 3/4 × 11 5/8 inches (40 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11863. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11864. View at Valmontone. November 1790

View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 22 5/8 inches (41.9 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11865. Study of the Crucifixion

Study of the Crucifixion
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/4 × 10 3/16 inches (31.1 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11866. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11867. The Carthusian Convent at Trisulto, near Alatri

The Carthusian Convent at Trisulto, near Alatri
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11868. Ducal Palace etc at Isola di Sora

Ducal Palace etc at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11869. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11870. Convento del Carmine, at Isola di Sora

Convento del Carmine, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11871. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11872. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11873. View on the river Liris, near Isola di Sora

View on the river Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11874. View on the River Liris at Isola di Sora

View on the River Liris at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11875. View at Isola di Sora

View at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11876. Monastery of La Trappe, at Casamare

Monastery of La Trappe, at Casamare
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/4 inches (39.7 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11877. View on the Liris near Isola

View on the Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11878. View on the River Liris, near Isola

View on the River Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11879. View on the Liris at Isola di Sora

View on the Liris at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, brown wash and gray wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11880. View on the River Liris

View on the River Liris
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 21 3/8 inches (38.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11881. View on the Liris, near Isola di Sora

View on the Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11882. Church of S. Domenico on the river Fibrenus

Church of S. Domenico on the river Fibrenus
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/8 inches (38.4 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11883. View on the river Liris, near Isola

View on the river Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11884. View on the River Liris near Isola

View on the River Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11885. View near Sora on the Liris

View near Sora on the Liris
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11886. Castle of Balzerrano, and Vale of Roveto, in Abbruzzo

Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11887. The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus

The Church of S. Domenico, and the site of Cicero's Villa, on the river Fibrenus
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash
Dimensions:
Image: 16 x 21 5/8in. (40.7 x 54.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11888. View on the river Liris, near Isola

View on the river Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11889. View on the river Vulturnus, Sept.r 1790

View on the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 22 3/16 inches (41.4 x 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11890. View in Abruzzo, May 1791

View in Abruzzo, May 1791
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 22 9/16 inches (41.4 x 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11891. Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/16 x 22 1/8 inches (40.8 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11892. View on the river Vulturnus, Sept.r 1790

View on the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 22 1/16 inches (40.3 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11893. Ferry over the river Vulturnus, Sept.r 1790

Ferry over the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/16 x 22 1/4 inches (41.1 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11894. A Mill at Marino, near Rome

A Mill at Marino, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 15/16 inches (34 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11895. Castle of Balzerrano, in Abbruzo

Castle of Balzerrano, in Abbruzo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 7/8 inches (39.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11896. At Grotto Ferrata, near Rome

At Grotto Ferrata, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11897. The Pont du Gard in Languedoc

The Pont du Gard in Languedoc
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29.1 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11898. A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum

A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 16 15/16 inches (28.7 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11899. Ferry over the Vulturnus, Sept.r 1790

Ferry over the Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 22 1/4 inches (40.6 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11900. At Marino, near Rome

At Marino, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 15/16 inches (27.9 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection