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Anna, Uxor Francisci Kynnesman Generosi
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
ca. 1695
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Madame Ann Kirk
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
between 1683 and 1687
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 11 1/2in. (47.6 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Madam Mary Kirk
Creator:
Alexander Browne, active 1660–1683
Date:
1680-1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady taking tea
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14205. Mrs Lemaistre

Mrs Lemaistre
Creator:
Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady elegantly attired
Creator:
Thomas Frye, 1710–1762
Date:
1761
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 x 14 inches (52.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Katharine Countess of Lincoln
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady George Lenox
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14209. Lady

Lady
Creator:
Thomas Frye, 1710–1762
Date:
1760
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 14 5/8 inches (50.8 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Litchfield
Creator:
William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Madam Lucy Loftus
Creator:
Alexander Browne, active 1660–1683
Date:
ca. 1684
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Luisa by the Grace of God Queen of Denmark & Norway, &c
Creator:
Print made by John Simon, 1675–1751
Date:
between 1746 and 1751
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14213. Madam Loftus

Madam Loftus
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
1685
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14214. Lady

Lady
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14215. Miss Lumsdon

Miss Lumsdon
Creator:
Thomas Watson, 1743–1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Madame Jane Long
Creator:
Richard Tompson, died 1693
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jake and Dinos' Disasters of War, Title Page
Creator:
Jake Chapman, born 1966
Date:
1999
Materials & Techniques:
Letterpress on white 300 gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

14218. Subway

Subway
Creator:
Michael Rothenstein, 1908–1993
Date:
1985
Materials & Techniques:
Color-printed woodcut with hand coloring in watercolor on Fabriano and white Hosho papers
Dimensions:
Sheet: 22 3/16 x 30in. (56.3 x 76.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mrs. Michael Rothenstein
Red Cliff, Brittany
Creator:
Michael Rothenstein, 1908–1993
Date:
1958
Materials & Techniques:
Color linocut and relief printing on moderately thick, moderately textured, cream cartridge paper
Dimensions:
Sheet: 21 15/16 x 30in. (55.7 x 76.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mrs. Michael Rothenstein
Circle (Blue to Pink, Red Centre)
Creator:
Michael Rothenstein, 1908–1993
Date:
1968
Materials & Techniques:
Color woodcut, linocut, and half-tone block on J. Green mould-made paper
Dimensions:
Sheet: 29 3/4 x 23 1/8in. (75.5 x 58.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mrs. Michael Rothenstein
Black, Blue and White
Creator:
Michael Rothenstein, 1908–1993
Date:
1965
Materials & Techniques:
Color printed woodcut, linocut, and metal relief on filter paper
Dimensions:
Sheet: 36 x 25 9/16in. (91.4 x 65cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mrs. Michael Rothenstein
The Cottage of the late John Wilkes, Esquire, in the Isle of Wight; page 94 (Volume Three)
Creator:
Samuel Rawle, 1771–1860
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Birthplace of Akenside (with text); page 5 from The Mirror (Volume One)
Creator:
unknown artist
Date:
1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arbuthnott House, The Seat of Lord Viscount Arbuthnott; page 10 (Volume One)
Creator:
Robert Scott, 1771–1841
Date:
1794
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abbotsford, The Seat of Sir Walter Scott Bart; page - (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apsley House, Hyde Park Corner; page 9 (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Airth Castle, Stirlingshire; page 4 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1831
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)
Creator:
William Le Petit, early 1800s
Date:
1835
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue de L'Arsenal rise du haut de la Riviere; page 10 (Volume One)
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Etching and aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Albyns, Essex, The Seat of John R. Abdy, Esquire (published by L. Asperne); page 7 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1802
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel; page 12 (Volume One)
Creator:
Print made by Henry Moses, ca. 1782–1870
Date:
ca. 1825
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Albion Mill Blackfriers Bridge; page 6 (Volume One)
Creator:
Thomas Prattent, active 1780–1810
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Athol House, Dunkeld; page 15 (Volume One)
Creator:
Print made by unknown artist
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Auchtertyre House, Perthshire; page 17 [page 18 is blank] (Volume One)
Creator:
James S. Storer, 1771–1853
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Avishays; page 16 (Volume One)
Creator:
John Wright, ca. 1745–1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Elias Ashmole, at Lambeth; page 14 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Date:
between 1826 and 1859
Materials & Techniques:
Wood-engraving and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of the New Buildings at the Bank of England (page 20, volume 1)
Creator:
Print made by Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bank of Scotland; page 21 (Volume One)
Creator:
Edward Mitchell, active 1805–1816
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bank of Ireland, Dublin (South Portico); page 22 (Volume One)
Creator:
B. Winkles, active 1830–1840
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bampton Castle ruines, 1664; page 19 (Volume One)
Creator:
unknown artist
Date:
1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Banqueting House, White Hall; page 24 (Volume One)
Creator:
unknown artist
Date:
1784
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)
Creator:
William Le Petit, early 1800s
Date:
1835
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baynard's Castle (published by Harding); page 28 (Volume One)
Creator:
A. Birrell, ca.1770–ca. 1820
Date:
1790
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bayarg Tower, Dumfriesshire; page 27 (Volume One)
Creator:
J. Goode, active 1810–1865
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
Creator:
John Rogers, 1808–ca.1888
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Biebrich; page 33 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
Creator:
Francis Stephen Cary, 1808–1880
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
Creator:
Robert Scott, 1771–1841
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boscobel House; page 35 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
Creator:
Alfred William Warren, active 1791–1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James Barry's House; page 25 (Volume One)
Creator:
unknown artist
Date:
1806
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Breaching Castle, Angus Shire; page 37 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brewer's Alms House, Mile End; page 40 (Volume One)
Creator:
Robert Tingle, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1787
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Brenckburn Priory, Northunberland; page 44 (Volume One)
Creator:
M. J. Starling, active 1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burnshead Hall, Westmorland; page 45 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1835
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brownholme Hall; page 41 (Volume One)
Creator:
F. Mansell, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Native House at Elstow; page 46 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Vestry Chair (with text) from the mirror; page 47 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burghley House from the Gardens; page 48 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burn House; page 51 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burton Constable; page 53 (Volume One)
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carstairs (Central View) Lanarkshire; page 57 (Volume One)
Creator:
John J. Hinchliff, 1805–1875
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burns's Mausoleum at Dumfries (with text); page 52 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
Creator:
William Watts, 1752–1851
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chancer's Inn, Canterbury; page 61 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Cathcart's House, Whitehall; page 58 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
Creator:
William Angus, 1752–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Date:
1836
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rows in Bridge Street, Chester; page 64 (Volume One)
Creator:
Peter Mazell, active 1761–1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chip Chase Castle, Northumberland; page 66 (Volume One)
Creator:
Joseph C. Bentley, 1809–1851
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chester Castle; page 63 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Court Yard, Chillingham Castle; page 65 (Volume One)
Creator:
W. Taylor, active 1790–1810
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coltman's Castle, Co. Cork; page 70 (Volume One)
Creator:
H. Winkles, Active 1834–1840
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Church-College, Oxford; page 68 (Volume One)
Creator:
George Barret, ca. 1728/32–1784
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Residence of the late Mrs. Clive, Twickenham; page 69 (Volume One)
Creator:
Henry S. Storer, 1795–1837
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chirk Castle, Denbighshire; page 67 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conservatory at Weisbaden; [not numbered] (Volume One)
Creator:
J. Steed, active 1830–1832
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
Creator:
John Greig, active 1803–1853
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of ye Inside of ye Kitchen of Christ Church College, Oxon formerly Cardinal College; [not numbered] (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Craig Hall, Perthshire; page 78 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowley's House at Chertsey; page 75 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coliseum, Regent's Park; page 72 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1827
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Craigstone, Aberdeenshire; page 77 (Volume One)
Creator:
S. Lacey, active 1830s
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hall of Croydon Palace; page 82 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copenhagen House; page 73 (Volume One)
Creator:
Print made by C. J. Williams, active ca. 1820
Date:
1809
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cullands Grove Southgate, The Seat of William Curtis, Esquire; page 83 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection