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20801. Scotch Eloquence to a Chilly Congregation

Scotch Eloquence to a Chilly Congregation
Creator:
Isaac Cruikshank, 1764–1811
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 14 5/8in. (21.6 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20802. Study of a Nude Girl

Study of a Nude Girl
Creator:
Gwen John, 1876–1939
Date:
between 1916 and 1919
Materials & Techniques:
Black chalk on thin,slightly textured, brown wove paper
Dimensions:
Sheet: 12 1/2 x 9 5/8in. (31.8 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20803. A Scene in the Gamester

A Scene in the Gamester
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20804. Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1759
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20805. An Enquiry Concerning the Clock Tax

An Enquiry Concerning the Clock Tax
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20806. Miss Hibernia at John Bulls Family Dinner

Miss Hibernia at John Bulls Family Dinner
Creator:
Isaac Cruikshank, 1764–1811
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 19 5/8in. (26 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20807. The Antiquities of Malmsbury

The Antiquities of Malmsbury
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20808. John Bull - Swearing to his Property

John Bull - Swearing to his Property
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 x 8 1/4in. (27.9 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20809. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20810. May the Eye of Science pierce Through the Mists of Obsurity

May the Eye of Science pierce Through the Mists of Obsurity
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20811. A Peep at the Lion

A Peep at the Lion
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20812. A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!

A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/8 x 16 7/8in. (28.3 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20813. Deep Politicians

Deep Politicians
Creator:
after George Moutard Woodward, ca. 1760–1809
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 1/2 x 8 7/8in. (29.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20814. Conversazione

Conversazione
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, graphite and white gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20815. The King

The King
Creator:
after George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 7 1/2 x 6in. (19.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20816. Cocks & Breeches

Cocks & Breeches
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1801
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 12 1/4 x 14 1/2in. (31.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20817. The Constitution - Gentlemen

The Constitution - Gentlemen
Creator:
after George Moutard Woodward, ca. 1760–1809
Date:
ca. 1798
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 8 1/4 x 6in. (21 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20818. Geometrical Plan of his Majesty's Dockyard, Deptford

Geometrical Plan of his Majesty's Dockyard, Deptford
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20819. A Conversazione

A Conversazione
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 1/2 x 6 7/8in. (11.4 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20820. Geometrical plan of his Majesty's Dockyard near Portsmouth

Geometrical plan of his Majesty's Dockyard near Portsmouth
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1754
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 25 1/4in. (47.6 x 64.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20821. Geometrical Plan of his Majesty's dockyard, at Sheerness

Geometrical Plan of his Majesty's dockyard, at Sheerness
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20822. The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight

The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight
Creator:
Francis Jukes, 1747–1812
Date:
1785
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20823. An Undertaker in Distress

An Undertaker in Distress
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1796
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 11 5/8 x 17in. (29.5 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20824. A Charge of Bastardy before Justice Juggle

A Charge of Bastardy before Justice Juggle
Creator:
Print made by George Moutard Woodward, ca. 1760–1809
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 9in. (20.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20825. Geometrical Plan of his Majesty's Dockyard, near Plymouth

Geometrical Plan of his Majesty's Dockyard, near Plymouth
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1756
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper mounted on laid paper
Dimensions:
Sheet: 22 1/16 × 28 13/16 inches (56 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20826. A Game at Cards

A Game at Cards
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:
Mount: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20827. Blue and Buf Loyalty

Blue and Buf Loyalty
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 12 7/8in. (18.4 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20828. Geometrical Plan of his Majesty's Dockyard, at Chatham

Geometrical Plan of his Majesty's Dockyard, at Chatham
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1755
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20829. The Word Eater

The Word Eater
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20830. A Touch of the Times

A Touch of the Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20831. The Modern Egbert, or the King of Kings

The Modern Egbert, or the King of Kings
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13 1/8in. (21 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20832. Geometrical Plan of his Majesty's Dockyard, at Woolwich

Geometrical Plan of his Majesty's Dockyard, at Woolwich
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1753
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/8 × 28 9/16 inches (56.2 × 72.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20833. Suitable Restrictions

Suitable Restrictions
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20834. The Slave Trade

The Slave Trade
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20835. Brothers of the Whip

Brothers of the Whip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1781
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 9 1/4in. (17.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20836. A New Speaker - The Wedding Night

A New Speaker - The Wedding Night
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 9 1/4in. (33.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20837. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20838. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20839. A Game at Cards

A Game at Cards
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20840. Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics

Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20841. The Minister Casting Up His Accounts

The Minister Casting Up His Accounts
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 9in. (33 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20842. Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20843. H-st-gs ho, rare H-st-gs! What a Man Buys He May Sell

H-st-gs ho, rare H-st-gs! What a Man Buys He May Sell
Creator:
Print made by unknown artist
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 9in. (20.6 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20844. The Reconciliation, or the Return from Scotland

The Reconciliation, or the Return from Scotland
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20845. The Siphons or Tale of a Tub

The Siphons or Tale of a Tub
Creator:
Print made by unknown artist
Date:
1783
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20846. Two New Sliders for the State Magic Lanthern

Two New Sliders for the State Magic Lanthern
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 x 12 7/8in. (20.3 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20847. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20848. The Times

The Times
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 16 3/8in. (27.6 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20849. Couple Staring out of Window

Couple Staring out of Window
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 1/4 inches (18.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20850. Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1786
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20851. The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John

The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/4 x 8 7/8in. (31.1 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20852. The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes

The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 12 7/8in. (23.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20853. An Essay on the Sublime and Beautiful, The Maiden Speech

An Essay on the Sublime and Beautiful, The Maiden Speech
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand colored
Dimensions:
Sheet: 8 1/16 x 12 3/4in. (20.5 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20854. A Lying-In Visit, or a Short-Sighted Mistake

A Lying-In Visit, or a Short-Sighted Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20855. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20856. Procession to the Hustings after a Successful Canvass

Procession to the Hustings after a Successful Canvass
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20857. Sir Cecil's Budget for Paying the National Debt

Sir Cecil's Budget for Paying the National Debt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20858. King's Place, or a View of (Monsieur Reynard's) Best Friends

King's Place, or a View of (Monsieur Reynard's) Best Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20859. (The) This Irish Ambassadors Extraordinary a Gallante(e) Show

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14 1/8in. (23.5 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20860. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20861. Bardolph Badger'd Or the Portland Hunt

Bardolph Badger'd Or the Portland Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20862. Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance

Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 11 3/4in. (20.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20863. The Volcano of Opposition

The Volcano of Opposition
Creator:
Print made by Frederick George Byron, 1764–1794
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20864. Uncle George and Black Dick at Their New Game of Naval Shuttlecock

Uncle George and Black Dick at Their New Game of Naval Shuttlecock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20865. Wallflowers

Wallflowers
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and gray wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20866. Reformation - or - The Wonderful Effects of a Proclamation!!!

Reformation - or - The Wonderful Effects of a Proclamation!!!
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14 5/8in. (24.1 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20867. The Minister's Ass - Vide Gazetteer - November 11

The Minister's Ass - Vide Gazetteer - November 11
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 3/16in. (21.9 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20868. Philipines

Philipines
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20869. Britania's Protection, or, Loyalty Triumphant

Britania's Protection, or, Loyalty Triumphant
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20870. False Courage

False Courage
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20871. Medical Intelligence - Extraordinary - A Coronation in Pall Mall

Medical Intelligence - Extraordinary - A Coronation in Pall Mall
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 14in. (21 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20872. Reform Advised - Reform Begun - Reform Compleat (Complete)

Reform Advised - Reform Begun - Reform Compleat (Complete)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20873. An Irish Howl

An Irish Howl
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 11 3/4in. (22.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20874. Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 12 3/4in. (24.4 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20875. A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/8 x 16 3/4in. (26.4 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20876. The Toper's Mistake

The Toper's Mistake
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 8 1/4in. (25.1 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20877. Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/4 x 12 5/8in. (24.8 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20878. High Fun for John Bull or the Republicans put to their Last Shift

High Fun for John Bull or the Republicans put to their Last Shift
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 5/16 x 13 3/4in. (26.2 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20879. Pouring Tea

Pouring Tea
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20880. (The) A Grand Battle between the Famous English Cock and Russian Hen!

(The) A Grand Battle between the Famous English Cock and Russian Hen!
Creator:
Attributed to Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20881. Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century

Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 3/16in. (21.6 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20882. The New Birth

The New Birth
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 15 1/8in. (23.5 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20883. A Present

A Present
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige card
Dimensions:
Sheet: 2 7/8 × 3 5/8 inches (7.3 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20884. Marriage A-La-Mode, Plate II: The Breakfast Scene

Marriage A-La-Mode, Plate II: The Breakfast Scene
Creator:
Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20885. L'Allegro

L'Allegro
Creator:
Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on thin, slightly textured, cream wove paper mounted to moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 1/2 × 4 7/8 inches (16.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20886. Marriage A-La-Mode, Plate I: The Contract

Marriage A-La-Mode, Plate I: The Contract
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20887. African Hospitality

African Hospitality
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20888. A View of Newcastle upon Tyne

A View of Newcastle upon Tyne
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1801
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 13 3/8 x 17in. (34 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20889. "We Met"

"We Met"
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 4 inches (10.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20890. View of Old Aberdeen, Including King's College and the Cathedral

View of Old Aberdeen, Including King's College and the Cathedral
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20891. The Death of Abercrombie

The Death of Abercrombie
Creator:
Print made by Edward Mitchell, active 1805–1816
Date:
1805
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20892. Francis Cotes

Francis Cotes
Creator:
D. P. Pariset, born 1740, active in Britain from 1767
Date:
1768
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 8 1/2 x 6in. (21.6 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20893. The Murder of James I, King of Scotland

The Murder of James I, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20894. Mount Batton & Part of Cat-Water from Oreston, near Plymouth

Mount Batton & Part of Cat-Water from Oreston, near Plymouth
Creator:
William Payne, active 1850s
Date:
1788
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20895. Widow Costard's Cow and Goods destained for Rent are redeemed by the generosity of Johnny Pearman

Widow Costard's Cow and Goods destained for Rent are redeemed by the generosity of Johnny Pearman
Creator:
William Sedgwick, 1748–1800
Date:
1784
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 12 1/8 x 10 1/8in. (30.8 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20896. A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
Creator:
Print made by Joseph Ryland, active ca. 1775–1790
Date:
undated
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 27 1/16 inches (41.4 × 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20897. The Plain Sister

The Plain Sister
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper mounted to medium, smooth, brown card
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20898. View of the Excavated Grounds for the Highgate Archway

View of the Excavated Grounds for the Highgate Archway
Creator:
John Hill, 1770–1850
Date:
1813
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 14 3/8 x 21 5/8in. (36.5 x 54.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20899. "Maid of the Mill"

"Maid of the Mill"
Creator:
William Woollett, 1735–1785
Date:
ca. 1765
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 13 1/4 x 17 5/16in. (33.7 x 44cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20900. Plymouth from Stonehouse Hill

Plymouth from Stonehouse Hill
Creator:
William Payne, active 1850s
Date:
1788
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection