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22001. Great Yarmouth, Norfolk

Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22002. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22003. Sketch of Centaurs and Lapiths From a Frieze

Sketch of Centaurs and Lapiths From a Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 13/16 × 14 1/2 inches (17.3 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22004. St. Merri, Paris

St. Merri, Paris
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint
Dimensions:
Sheet: 12 1/2 × 5 3/8 inches (31.8 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

22005. Views in the Levant: A Camel

Views in the Levant: A Camel
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22006. Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea

Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 13 1/16 inches (21.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22007. St. Merri, Paris

St. Merri, Paris
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 8 1/4 inches (31.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Charles Nagel Jr., BA 1923, BFA 1926, MFA 1928

22008. Views in the Levant: Study of Figures From a Frieze or Panel

Views in the Levant: Study of Figures From a Frieze or Panel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22009. Views in the Levant: Back View of the Head of the Sphinx

Views in the Levant: Back View of the Head of the Sphinx
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22010. The Canongate Tollbooth

The Canongate Tollbooth
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 15 7/8 × 7 inches (40.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22011. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22012. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 13 1/2 inches (21 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22013. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22014. Still Waters

Still Waters
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 12 3/8 inches (20.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22015. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22016. Views in the Levant: Study of Man with Long-stemmed Pipe

Views in the Levant: Study of Man with Long-stemmed Pipe
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22017. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22018. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 × 14 9/16 inches (27.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22019. Sacred Cave of Archidamus

Sacred Cave of Archidamus
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22020. Dunstanborough Castle

Dunstanborough Castle
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 15/16 inches (27.5 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22021. Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands

Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22022. Cowes, Isle of Wight

Cowes, Isle of Wight
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 9/16 inches (26.4 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22023. Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat

Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22024. Evening on the Garry

Evening on the Garry
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22025. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22026. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22027. Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel

Views in the Levant: Men Sailing Small Boat with Cabin Past Buildings and a Camel
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and brown ink, black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 15/16 × 7 1/2 inches (12.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22028. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22029. Alnwick Castle, Northumberland

Alnwick Castle, Northumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22030. Winchelsea, Sussex

Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22031. Mar's Work, Stirling

Mar's Work, Stirling
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/4 inches (28.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22032. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1830
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22033. Alnwick Castle, Northumberland

Alnwick Castle, Northumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22034. Stoneyhurst, Lancashire

Stoneyhurst, Lancashire
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22035. Holy Island, Northumberland

Holy Island, Northumberland
Creator:
Print made by William Tombleson, ca.1795–1835
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22036. Trematon Castle, Cornwall

Trematon Castle, Cornwall
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22037. Winchelsea, Sussex

Winchelsea, Sussex
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; second state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22038. Ludlow Castle, Shropshire

Ludlow Castle, Shropshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22039. Folkestone Harbour and Coast to Dover

Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22040. The Belfry of Bruges [Belgian Set: No. 6]

The Belfry of Bruges [Belgian Set: No. 6]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 6 1/4 inches (42.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22041. Walton Bridge on Thames, Surrey

Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1830
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 1/2 inches (26.8 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22042. Damme [Belgian Set: No. 5]

Damme [Belgian Set: No. 5]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22043. Robin Hood's Bay

Robin Hood's Bay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22044. Gosport, Entrance to Portsmouth Harbour

Gosport, Entrance to Portsmouth Harbour
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1831
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22045. Eton College, Berkshire

Eton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22046. Windsor Castle, Berkshire

Windsor Castle, Berkshire
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22047. Tynemouth, Northumberland

Tynemouth, Northumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1831
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22048. Old La Roche [Belgian Set: No. 7]

Old La Roche [Belgian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 11 inches (26.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22049. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Etching and engraving with chine collé; first state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22050. Malvern Abbey and Gate, Worcestershire

Malvern Abbey and Gate, Worcestershire
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22051. On the Ourthe

On the Ourthe
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22052. Pembroke Castle, Wales

Pembroke Castle, Wales
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1831
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22053. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé; first state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22054. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Etching and engraving with chine collé; second state on moderarely thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22055. My Little Lady of Luxor

My Little Lady of Luxor
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 6 1/4 inches (31.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22056. An Egyptian Mirror

An Egyptian Mirror
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 12 5/8 × 7 1/2 inches (32.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22057. Sketch on the Tay

Sketch on the Tay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1908
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 9 1/4 inches (8.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22058. After-glow (or Evening) on the Findhorn

After-glow (or Evening) on the Findhorn
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22059. An Egyptian Mirror

An Egyptian Mirror
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 12 1/2 × 7 1/8 inches (31.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22060. The Turkish Fort

The Turkish Fort
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching and drypoint on wove paper
Dimensions:
Sheet: 7 1/4 × 1 1/4 inches (18.4 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22061. The Chimera of Amiens

The Chimera of Amiens
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1910
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 7 3/4 inches (27.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22062. Rameses II

Rameses II
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching with drypoint on wove paper
Dimensions:
Sheet: 13 × 7 1/2 inches (33 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22063. The Wingless Chimera

The Wingless Chimera
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Etching and drypoint
Dimensions:
Sheet: 8 1/4 × 13 1/4 inches (21 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

22064. Bookplate for James Curle

Bookplate for James Curle
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Etching on Japanese paper
Dimensions:
Sheet: 7 3/4 × 4 1/2 inches (19.7 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

22065. The Wingless Chimera

The Wingless Chimera
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Etching and drypoint on laid paper
Dimensions:
Plate: 7 5/8 x 9 3/8in. (19.4 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22066. The Fisher's Hut

The Fisher's Hut
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1910
Materials & Techniques:
Etching and drypoint on wove paper
Dimensions:
Sheet: 7 1/4 × 13 inches (18.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22067. Yvon

Yvon
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/8 inches (31.8 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22068. Views in the Levant: Ruined Flat Archway

Views in the Levant: Ruined Flat Archway
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22069. Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees

Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 7/16 inches (12.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22070. The Boddin

The Boddin
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Sheet: 7 3/8 × 11 1/2 inches (18.7 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

22071. Views in the Levant: Man on Horseback Approaching Gateway to a Town

Views in the Levant: Man on Horseback Approaching Gateway to a Town
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and black ink, pen and gray ink, graphiite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 5 5/8 inches (19.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22072. Views in the Levant: Landscape With Sea, Town and Hills

Views in the Levant: Landscape With Sea, Town and Hills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 18 7/8 inches (23.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22073. Views in the Levant: The Columns of Augustus at Brundisium

Views in the Levant: The Columns of Augustus at Brundisium
Creator:
Willey Reveley, 1760–1799
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22074. Views in the Levant: Harbour Town Surrounded by Windmills

Views in the Levant: Harbour Town Surrounded by Windmills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 × 18 11/16 inches (22.7 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22075. Nithsdale

Nithsdale
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1911
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 14 7/8 inches (24.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22076. Views in the Levant: View of Burial Chamber With Pyramids in Background

Views in the Levant: View of Burial Chamber With Pyramids in Background
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen with gray ink and black ink, with gray wash and black wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 11 1/16 inches (34 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22077. Views in the Levant: Landscape with Various Shaped Roofs in Foreground

Views in the Levant: Landscape with Various Shaped Roofs in Foreground
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22078. Views in the Levant: Landscape with Domed Building in Compound....

Views in the Levant: Landscape with Domed Building in Compound....
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, with gray wash, and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 12 5/16 × 19 15/16 inches (31.3 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22079. Arran Peaks

Arran Peaks
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1912
Materials & Techniques:
Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22080. Views in the Levant: View of Mecca

Views in the Levant: View of Mecca
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 × 20 3/16 inches (30.6 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22081. The Esk

The Esk
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1912
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 12 3/8 inches (19.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Margaret J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

22082. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22083. Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea

Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream
Dimensions:
Sheet: 7 3/8 × 23 3/16 inches (18.7 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22084. Weathercote Cave when Half Filled with Water

Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22085. Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains

Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
Creator:
unknown artist
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink with brown wash, over graphite on medium, slightly textured, cream laid paper laid down on card
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22086. Original Wrapper for : NO / OF/ LIBER STUDIORUM: ILLUSTRATIVE OF/ LANDSCAPE COMPSITIONS,/VIZ.../ by J.M.W. Turner, R.A.

Original Wrapper for : NO / OF/ LIBER STUDIORUM: ILLUSTRATIVE OF/ LANDSCAPE COMPSITIONS,/VIZ.../ by J.M.W. Turner, R.A.
Creator:
unknown artist
Date:
1812
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22087. Aquamanille

Aquamanille
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1913
Materials & Techniques:
Etching and drypoint on laid paper
Dimensions:
Sheet: 11 1/2 × 9 3/4 inches (29.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22088. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
Creator:
unknown artist
Date:
ca. 1740
Materials & Techniques:
Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22089. Meditation

Meditation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22090. Cairngorms

Cairngorms
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1914
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Sheet: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22091. Admiration

Admiration
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22092. Vignette, Apollo And Cupid

Vignette, Apollo And Cupid
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22093. Loch-an-Dorb

Loch-an-Dorb
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1914
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 4 3/4 × 9 1/2 inches (12.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

22094. Vignette; Pulto With Tablet And Hermes's Staff

Vignette; Pulto With Tablet And Hermes's Staff
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22095. Hills of Tullock

Hills of Tullock
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1915
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 9 5/8 × 8 1/2 inches (24.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22096. The Frews

The Frews
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1915-1917
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Sheet: 8 1/4 × 13 inches (21 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

22097. Astronomy

Astronomy
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22098. Memorial Scene; Woman Reclining Against Tomb

Memorial Scene; Woman Reclining Against Tomb
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22099. Cecilia

Cecilia
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22100. St. Aignan, Chartres

St. Aignan, Chartres
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1916
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 5/8 inches (30.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery