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East Entrance to the Cell in the South West Tower of London
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tower from the River upon a Public Occasion
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tower of London
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Court of the Tower
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Traitor's Gate and St. Thomas' Tower
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
La Tour de Londres
Creator:
John G. Winckler, 1734–1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Survey and Ground Plot of the Royal Palace of White Hall
Creator:
George Vertue, 1684–1756
Date:
1747
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 1/4 x 28 1/8in. (54 x 71.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
White Tower, or Tower of London
Creator:
unknown artist
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North, or inside, View of Traitor's Gate
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hon. Samuel Barrington, 1729/30-1800
Creator:
Print made by Gaetano Stefano Bartolozzi, 1757–1821
Date:
1812
Materials & Techniques:
Soft-ground etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 9/16 × 9 inches (34.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan
Various Portraits of Bishops
Creator:
unknown artist
Materials & Techniques:
Soft ground etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Views of the Tower of London
Creator:
after James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South Elevation of the White Tower, in the Tower of London
Creator:
James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
La Torre Bianca nella torre di Londra
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London from the Excavations for St. Katherine's Dock
Creator:
George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Keep of the Tower, London
Creator:
William Woolnoth, active 1806–1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
William Woolnoth, active 1806–1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Tower of London..1681/1689
Creator:
James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gateway of the Bloody Tower
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cappella della Torre Bianca nell Torre de Londra
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New and Exact Plan of the City of London and Suburbs thereof....1739
Creator:
Sutton Nicholls, active 1725
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower and the Mill
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Tower of London MDCCXXVI
Creator:
James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tower of London and the Mint
Creator:
Robert Havell, 1769–1832
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chapel in the White Tower, London
Creator:
James S. Storer, 1771–1853
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tower of London
Creator:
William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tower
Creator:
Philip Audinet, 1766–1837
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower of London
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A North-west View of the Tower of London
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gateway of the Bloody Tower
Creator:
unknown artist
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tower from the Pool
Creator:
Thomas Abiel Prior, 1809–1886
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of the Bloody Tower
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bloody Gate, Tower of London
Creator:
unknown artist
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gate-Way of the Bloody Tower
Creator:
Frederick Nash, 1782–1856
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of London, taken from Albion Place, Blackfryar Bridge
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1802
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the East India Docks
Creator:
William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue de Charing Cross a Londres
Creator:
Charles H. Onghena, 1806–1886
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Elevated View of the New Dock in Wapping
Creator:
William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 34 5/8 × 21 5/8 inches (87.9 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Chatham
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, and stipple engraving, published state
Dimensions:
Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day
Creator:
Benjamin Smith, 1775–1833
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of St. John
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The White Tower from S. E.
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reform Bill receiving The King's Assent by Royal Commission
Creator:
Samuel William Reynolds, 1773–1835
Date:
1836
Materials & Techniques:
Mezzotint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New and Exact Prospect of the North side of the City of London taken from the Upper Pond near Islington
Creator:
unknown artist
Date:
1730
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Johns Chapel in the White Tower London
Creator:
James Peller Malcolm, 1767–1815
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of St. Peter's ad Vincula
Creator:
unknown artist
Date:
1889
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower from the River
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Beauchamp Tower
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Side of London Bridge, The East Side of London Bridge
Creator:
Sutton Nicholls, active 1725
Date:
1710
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Harvest Moon
Creator:
Print made by Charles Henry Baskett, 1872–1953
Date:
between 1910 and 1913
Materials & Techniques:
Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper laid on mount
Dimensions:
Sheet: 9 15/16 x 13 7/8 inches (25.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle
Key of names to "The Interior of the Fives Court, with Randall, and Turner Sparring"
Creator:
unknown artist
Date:
1825
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Front of the Cathedral Church of St. Paul's in London
Creator:
Print made by William Emmett, 1671–1736
Date:
between 1700 and 1710
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Interior of the Fives Court, with Randall, and Turner Sparring
Creator:
Charles Turner, 1774–1857
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 22 7/8 x 31 5/8in. (58.1 x 80.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cathedral Church of St. Paul's in London: A Section of the Cross Isle from North to South with a Prospect of the Choir and Dome
Creator:
Print made by William Emmett, 1671–1736
Date:
between 1700 and 1710
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
A View of the Bridge now Building over the Thames at Vauxhall
Creator:
William Daniell, 1769–1837
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Mute Swan" or "Tame Swan"
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 5 3/16 inches (12.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914

25766. The Goshawk

The Goshawk
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 4 15/16 inches (11.4 × 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914
The End of the Day
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1919
Materials & Techniques:
Drypoint on wove paper
Dimensions:
Plate: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25768. Fisherman

Fisherman
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 11/16 inches (9.8 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Loading Vraic, St. Malo
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1926
Materials & Techniques:
Drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 15 1/2 inches (25.5 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Jersey Vraic Cart
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1939
Materials & Techniques:
Etching on laid paper
Dimensions:
Plate: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore
The Trinity House
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex
Creator:
William Watts, 1752–1851
Date:
1782
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
San Frediano in Cestello, Florence
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1915
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 15 15/16 inches (27.6 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Edwin M. Herr Memorial Collection by Mrs. Herr in memory of her husband Edwin M. Herr, Yale PhD 1884, transfer from the Yale University Art Gallery
Chiswick House in Middlesex, the Seat of the Duke of Devonshire
Creator:
William Watts, 1752–1851
Date:
1781
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The House at Chiswick in the County of Middlesex one of the Seats of the Rt. Hon. Charles Boyle
Creator:
Johannes Kip, 1653–1722
Date:
ca. 1715
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 3/8 x 19 1/4in. (34 x 48.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Rt. Hon. The Earl of Burlington's House at Chiswick, and part of the Town
Creator:
J. Fougeron, active 1761
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiswick House in Middlesex, the Seat of Duke of Devonshire
Creator:
William Watts, 1752–1851
Date:
1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Twickenham Park House in Middlesex
Creator:
William Angus, 1752–1821
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Twickenham from the River
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Twickenham Meadows
Creator:
John Landseer, 1769–1852
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View near Twickenham
Creator:
John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Baroness Howe's Villa & Pope's Grotto
Creator:
James C. Allen, active 1821–1831
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25786. Arundel

Arundel
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 5 1/2 x 8 9/16 inches (13.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
The Fishmarket, Venice, No. 2
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1912
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
East Blatchington
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25789. Self-Portrait

Self-Portrait
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 11 5/16 x 9 1/8 inches (28.7 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Under the Pincian Trees
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1911
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/16 x 10 3/4 inches (20.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Windy Night, Stockholm
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1935
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/4 x 10 13/16 inches (40 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Ballantrae Road
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1907
Materials & Techniques:
Drypoint and etching, with plate tone on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.9 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25793. Ayr Prison

Ayr Prison
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25794. Oxfordshire

Oxfordshire
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 7/8 x 11 1/4 inches (22.5 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Portrait of Joseph Conrad
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1923
Materials & Techniques:
Drypoint on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 14 3/4 x 11 3/16 inches (37.5 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Salvage Men, World War I
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1919
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 13 3/4 inches (28.6 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Mansion at Twickenham
Creator:
James Peller Malcolm, 1767–1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Earl of Radner's House at Twickenham
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
A View of Governour Pitt's House at Twickenham
Creator:
John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection