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2801. Tiger Body, Lateral View

Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2802. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2803. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2804. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2805. Tiger Body, Lateral View

Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2806. Tiger Body, Lateral View

Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer with pin pricks along outer border
Dimensions:
Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2807. Tiger Body, Lateral View (Shows the third stage in dissection)

Tiger Body, Lateral View (Shows the third stage in dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 14 3/8 inches (27 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2808. Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)

Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 9 3/8 x 12 1/4 inches (23.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2809. Tiger Body, Lateral View (Outline drawing for a key figure)

Tiger Body, Lateral View (Outline drawing for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2810. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 10 1/4 x 13 1/8 inches (26 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2811. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Tiger Body, Lateral View (Probably made as the basis for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2812. Leopard Body, Lateral View (First of Five Studies of Another Large Cat)

Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red chalk and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 3/4 inches (25.1 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2813. Leopard Body, Lateral View

Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 14 inches (25.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2814. Leopard Body, Lateral View

Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 1/4 inches (23.2 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2815. Tiger, Recumbent, Viewed Ventrally

Tiger, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2816. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2817. Leopard Body, Lateral View

Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2818. Tiger Body, Recumbent, Viewed Ventrally

Tiger Body, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2819. Tiger Body, Standing in Human Posture

Tiger Body, Standing in Human Posture
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 9 1/2 inches (27.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2820. Fowl Skeleton, Lateral View (Study for the key figure to Table V)

Fowl Skeleton, Lateral View (Study for the key figure to Table V)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 14 1/2 inches (50.8 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2821. Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 19 x 13 3/4 inches (48.3 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2822. Fowl Skeleton, Lateral View

Fowl Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 14 1/4 inches (52.1 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2823. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite; verso: graphite on medium, slightly textured, cream wove paper; pin pricks above beak
Dimensions:
Sheet: 20 1/4 × 13 3/4 inches (51.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2824. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Fowl Body, Lateral View (Outline drawing, related to Table XV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2825. Fowl Body, Lateral View

Fowl Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2826. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2827. Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)

Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 3/4 inches (27.9 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2828. Owl Standing, Anterior View

Owl Standing, Anterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2829. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Dorking Hen Body, Lateral View (Outline drawing of the muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:
Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2830. Owl Standing, Anterior View

Owl Standing, Anterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2831. Monkey Standing, Anterior View

Monkey Standing, Anterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite; verso: ink stain on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 13 1/4 inches (28.3 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2832. Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)

Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2833. Horses Fighting

Horses Fighting
Creator:
after George Stubbs, 1724–1806
Date:
undated
Materials & Techniques:
Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2834. Taj Mahal, Agra

Taj Mahal, Agra
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:
On view at YUAG

2835. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2836. The First Stage of Cruelty

The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2837. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2838. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2839. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2840. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2841. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2842. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2843. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2844. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2845. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 5/8 inches (4.4 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2846. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2847. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2848. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2849. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2850. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2851. Royal Sport, Pit Ticket

Royal Sport, Pit Ticket
Creator:
William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving, hand-colored
Dimensions:
Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Melville & Naomi Stone

2852. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2853. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2854. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2855. The Fourth Stage of Cruelty: The Reward of Cruelty

The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2856. The Bruiser

The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

2857. William Hogarth

William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2858. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2859. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2860. Study of a Female Nude

Study of a Female Nude
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2861. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2862. Gabriel Hunt

Gabriel Hunt
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2863. Benjamin Read

Benjamin Read
Creator:
William Hogarth, 1697–1764
Date:
ca. 1757
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2864. Hymen

Hymen
Creator:
William Hogarth, 1697–1764
Date:
ca. 1748
Materials & Techniques:
Black chalk on medium, slightly textured, brown paper
Dimensions:
Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2865. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2866. The Four Times of Day, Plate IV: Night

The Four Times of Day, Plate IV: Night
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2867. The Four Times of Day, Plate I: Morning

The Four Times of Day, Plate I: Morning
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2868. Frontispiece and its Explanation (no.1)

Frontispiece and its Explanation (no.1)
Creator:
William Hogarth, 1697–1764
Date:
1726
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2869. Hudibras's First Adventure (no.3)

Hudibras's First Adventure (no.3)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2870. Hudibras Triumphant (no.4)

Hudibras Triumphant (no.4)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2871. Hudibras Vanquish'd by Trulla (no.5)

Hudibras Vanquish'd by Trulla (no.5)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2872. Hudibras and the Lawyer (no.7)

Hudibras and the Lawyer (no.7)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Dimensions:
Image: 10 9/16 x 13 7/8 in. (26.8 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2873. Hudibras Catechiz'd (no.9)

Hudibras Catechiz'd (no.9)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2874. Hudibras in Tribulation (no.6)

Hudibras in Tribulation (no.6)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2875. Hudibras Encounters the Skimmington (no.12)

Hudibras Encounters the Skimmington (no.12)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2876. The Four Times of Day, Plate II: Noon

The Four Times of Day, Plate II: Noon
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving, second state
Dimensions:
Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2877. Burning ye Rumps at Temple-Barr (no.11)

Burning ye Rumps at Temple-Barr (no.11)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2878. Hudibras Sallying Forth (no.2)

Hudibras Sallying Forth (no.2)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2879. Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)

Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

2880. Prospectus print "Crown & Mitre"

Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2881. Auction of Pictures, &c.

Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2882. Frontispiece to Leveridge's Songs

Frontispiece to Leveridge's Songs
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2883. Auction of Pictures, &c.

Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2884. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2885. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2886. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2887. Subscription Ticket for The March to Finchley

Subscription Ticket for The March to Finchley
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 9 7/16 in. (19.1 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

2888. Prints Publish'd by the Late W. Hogarth

Prints Publish'd by the Late W. Hogarth
Creator:
Print made by William Hogarth, 1697–1764
Date:
1765
Materials & Techniques:
Letterpress
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2889. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2890. Plate 1, The Fellow 'Prentices at their Looms

Plate 1, The Fellow 'Prentices at their Looms
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2891. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2892. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2893. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2894. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2895. Plate 11, The Idle 'Prentice Executed at Tyburn

Plate 11, The Idle 'Prentice Executed at Tyburn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2896. Plate 12, The Industrious 'Prentice Lord Mayor of London

Plate 12, The Industrious 'Prentice Lord Mayor of London
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2897. Strolling Actresses Dressing in a Barn

Strolling Actresses Dressing in a Barn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2898. The Five Orders of Periwigs

The Five Orders of Periwigs
Creator:
Print made by William Hogarth, 1697–1764
Date:
1761
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2899. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/8 × 7 5/8 inches (20.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2900. Copyright - Act of Parliament

Copyright - Act of Parliament
Creator:
Print made by William Hogarth, 1697–1764
Date:
1767
Materials & Techniques:
Letterpress with engraving
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker