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37901. Venus Seated in Her Chariot

Venus Seated in Her Chariot
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 6 5/8 x 9 1/4in. (16.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37902. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 3/16 x 9in. (20.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37903. The Child Christ and Saint Joseph

The Child Christ and Saint Joseph
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 8 9/16 x 10 1/16in. (21.7 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37904. Virgin Holding Child Christ in Her Arm

Virgin Holding Child Christ in Her Arm
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 9 1/2 x 12 1/4in. (24.1 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37905. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37906. Landscape with a Man Seated on a Hummock Holding a Little Boy

Landscape with a Man Seated on a Hummock Holding a Little Boy
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching printed in red ink
Dimensions:
Sheet: 9 x 12 1/2in. (22.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37907. Landscape with a Ruined Bridge and Figures

Landscape with a Ruined Bridge and Figures
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 3/8 x 10 1/4in. (18.7 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37908. Landscape with a Tree in the Center and Figures in a Boat

Landscape with a Tree in the Center and Figures in a Boat
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 12 3/8in. (20.3 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37909. Landscape with Two Travellers Talking

Landscape with Two Travellers Talking
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 3/4 x 12 3/8in. (22.2 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37910. Labourers at Rest

Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37911. Landscape with a Seated Figure Cleaning a Gun

Landscape with a Seated Figure Cleaning a Gun
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 1/4 x 10 3/4in. (21 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37912. An Eagle Perching on a Branch

An Eagle Perching on a Branch
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 x 6 3/4in. (27.9 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37913. Landscape with a Bridge Connecting Two Parts of a Fortress

Landscape with a Bridge Connecting Two Parts of a Fortress
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 8 x 10 7/8in. (20.3 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37914. Caricature of William Conolly

Caricature of William Conolly
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736 to 1747
Materials & Techniques:
Etching
Dimensions:
Sheet: 14 3/8 x 9 3/8in. (36.5 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37915. Landscape with Figures Bathing in a River

Landscape with Figures Bathing in a River
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in red ink
Dimensions:
Sheet: 7 1/4 x 12in. (18.4 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37916. Caricature of the Italian Singer Carnacci

Caricature of the Italian Singer Carnacci
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1738
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/2 x 8 1/2in. (34.3 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37917. Abraham Expelling Hagar and Ishmael

Abraham Expelling Hagar and Ishmael
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 6 1/2 x 8 1/2in. (16.5 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37918. Caricature of a Seated Man with Long Nose

Caricature of a Seated Man with Long Nose
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
ca. 1740
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 5/8 x 8in. (29.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37919. Landscape with Tobias and the Angel

Landscape with Tobias and the Angel
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37920. St. Magdalene in Penitence

St. Magdalene in Penitence
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 16 5/8 x 10in. (42.2 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37921. Landscape with Lake and Herd of Deer

Landscape with Lake and Herd of Deer
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37922. St. Paul Preaching at Athens

St. Paul Preaching at Athens
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1740
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 8 1/8 x 10 1/2in. (20.6 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37923. Adoration of the Shepherds

Adoration of the Shepherds
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/4 x 10 1/2in. (21 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37924. View Across the Tiber with the Dome of St. Peter

View Across the Tiber with the Dome of St. Peter
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1732 to 1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 3/4 x 10 5/8in. (22.2 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37925. Landscape with Cattle Herder under a Tree

Landscape with Cattle Herder under a Tree
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 1/2 x 11 3/4in. (21.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37926. Mother Bundle in a Rage or Too late for the Stage

Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1809
Materials & Techniques:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37927. Rest on the Flight to Egypt

Rest on the Flight to Egypt
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37928. Coast View with Aeneas Hunting

Coast View with Aeneas Hunting
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 9 3/4 x 12in. (24.8 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37929. Classical City in Landscape

Classical City in Landscape
Creator:
John Martin, 1789–1854
Date:
1816
Materials & Techniques:
Brown wash with pen and black ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:
Mount: 8 1/4 x 11 1/16 inches (21 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

37930. The Raising of Tabitha, St. Peter Kneeled and Praying

The Raising of Tabitha, St. Peter Kneeled and Praying
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 7/8 x 8 1/2in. (20 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37931. Expulsion from Eden

Expulsion from Eden
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:
Mount: 7 11/16 x 10 1/4 inches (19.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

37932. The Tomb of Cecilia Metella

The Tomb of Cecilia Metella
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 7 5/8 x 12 5/8in. (19.4 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37933. The Cloisters of a Monastery

The Cloisters of a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/8 x 7 7/8 inches (12.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37934. Seascape

Seascape
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching with woodcut
Dimensions:
Sheet: 8 1/4 x 12in. (21 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37935. A Sea Port at Sunset with Four Figures

A Sea Port at Sunset with Four Figures
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut
Dimensions:
Sheet: 8 5/8 x 11in. (21.9 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37936. An Artist's Studio

An Artist's Studio
Creator:
Thomas Rowlandson, 1756–1827
Date:
1814
Materials & Techniques:
Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37937. A Livery Stable

A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37938. Every Bodies Been There

Every Bodies Been There
Creator:
Tracey Emin, born 1963
Date:
1998
Materials & Techniques:
Lithograph on moderately thick, slightly textured, bright white wove paper
Dimensions:
Sheet: 7 7/8 × 9 3/4 inches (20 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Courtesy of Contemporary

37939. A Timber Waggon

A Timber Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37940. Norwich Market Place

Norwich Market Place
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37941. Quakers' Meeting

Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37942. The Vintage Festival: Ancient Rome

The Vintage Festival: Ancient Rome
Creator:
Auguste Blanchard, 1819–1898
Date:
ca. 1873
Materials & Techniques:
Hand-colored etching
Dimensions:
Plate: 19 1/2 x 37in. (49.5 x 94cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37943. Ulysses Deriding Polyphemus

Ulysses Deriding Polyphemus
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37944. An Officer and his Servant

An Officer and his Servant
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37945. Leaving the Hills

Leaving the Hills
Creator:
Herbert Edward Sedcole, Born 1864
Date:
1900
Materials & Techniques:
Mixed method engraving
Dimensions:
Plate: 23 3/4 x 34 3/4in. (60.3 x 88.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37946. Hamlet - The Play Scene

Hamlet - The Play Scene
Creator:
Charles W. Sharpe, active 1858–1883
Date:
1868
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 24 1/2 x 38 3/8in. (62.2 x 97.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37947. The Fighting Téméraire

The Fighting Téméraire
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37948. The Bookmaker and his Client outside the Ram Inn, Newmarket

The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37949. Christ the Judge and Saints John the Baptist and Abel

Christ the Judge and Saints John the Baptist and Abel
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 × 15 5/8 inches (62.1 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

37950. The Early Repast

The Early Repast
Creator:
Day and Son
Date:
1851
Materials & Techniques:
Hand-colored lithograph
Dimensions:
Sheet: 17 3/4 x 24 1/4in. (45.1 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

37951. The Resurrection of the Dead

The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

37952. Falls on the River Conwy, North Wales

Falls on the River Conwy, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37953. Kitty Overcome

Kitty Overcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37954. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37955. In the Bay of Salerno, near Vietri

In the Bay of Salerno, near Vietri
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Black ink, watercolor, and graphite on medium, moderately textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

37956. View of Vesuvius

View of Vesuvius
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 3/4 inches (18.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

37957. Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson

37958. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37959. Dr. Syntax with Kitty Cowslip

Dr. Syntax with Kitty Cowslip
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37960. Bathers in a Landscape

Bathers in a Landscape
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink, over graphite; verso: graphite with watercolor stain on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 15/16 inches (15.2 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37961. Alterations in the Ale Cellar at Bullstrode

Alterations in the Ale Cellar at Bullstrode
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37962. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37963. Death and the Debauchee

Death and the Debauchee
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1814 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 8 1/2 inches (13.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37964. The Family of Children

The Family of Children
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/4 inches (11 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37965. The Mausoleum

The Mausoleum
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 x 8 11/16 inches (12.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37966. Pont Neuf from the Quai de l'Ecole, Paris

Pont Neuf from the Quai de l'Ecole, Paris
Creator:
David Cox, 1783–1859
Date:
1829
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 x 14 1/4 inches (22.9 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37967. Death Turned Pilot

Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37968. The Woolpack Inn

The Woolpack Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37969. A Road by a Farm

A Road by a Farm
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/8 inches (14.9 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37970. Two Girls Tippling

Two Girls Tippling
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37971. The Elopement

The Elopement
Creator:
Thomas Rowlandson, 1756–1827
Date:
1792
Materials & Techniques:
Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37972. Portrait of Vanessa Bell

Portrait of Vanessa Bell
Creator:
Duncan Grant, 1885–1978
Date:
between 1912 and 1914
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/2 × 23 1/4 inches (67.3 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37973. Selling Fish on a Beach

Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37974. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 6 7/8 × 10 3/8 inches (17.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

37975. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37976. Unidentified Castle

Unidentified Castle
Creator:
unknown artist
Date:
ca. 1824
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37977. Study of the Head of a Young Man

Study of the Head of a Young Man
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37978. Leiston Abbey, Suffolk England

Leiston Abbey, Suffolk England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 × 7 3/4 inches (15.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37979. Bungay Castle

Bungay Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37980. Leiston Abbey, Suffolk, England

Leiston Abbey, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, crea, laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37981. Newark Castle, Nottinghamshire

Newark Castle, Nottinghamshire
Creator:
James Moore, 1762–1799
Date:
ca. 1790
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37982. Rumburgh Priory Church, Suffolk, England

Rumburgh Priory Church, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37983. Jedburgh Abbey

Jedburgh Abbey
Creator:
James Moore, 1762–1799
Date:
ca. 1790
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37984. Mettingham Castle, Suffolk, England

Mettingham Castle, Suffolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37985. Wingfield Castle

Wingfield Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37986. Walsingham Priory, Norfolk, England

Walsingham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37987. Wingfield Castle

Wingfield Castle
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37988. Refectory of Walsingham

Refectory of Walsingham
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 15/16 inches (15.9 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37989. Ely Cathedral

Ely Cathedral
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 7 15/16 inches (16 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37990. Castle Acre Priory, Norfolk, England

Castle Acre Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37991. Binham Priory, Norfolk, England

Binham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 7 15/16 inches (16.4 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37992. Thetford Priory, Norfolk, England

Thetford Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37993. Walsingham Priory, Norfolk, England

Walsingham Priory, Norfolk, England
Creator:
James Moore, 1762–1799
Date:
1790
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 7 15/16 inches (16.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37994. Hadleigh Castle, Essex, England

Hadleigh Castle, Essex, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37995. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37996. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37997. Hadleigh Castle, Essex, England

Hadleigh Castle, Essex, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37998. Stonehenge

Stonehenge
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37999. Study of Sections from the Church of the Holy Ghost

Study of Sections from the Church of the Holy Ghost
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38000. Weymouth Harbour

Weymouth Harbour
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection