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Thomas Rowlandson Heads: Billingsgatina
Thomas Rowlandson, 1756–1827
Heads: Billingsgatina
1800
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
Thomas Rowlandson Heads: Nunina.
Thomas Rowlandson, 1756–1827
Heads: Nunina
1800
Thomas Rowlandson Heads: Battleorum
Thomas Rowlandson, 1756–1827
Heads: Battleorum
1800
Charles Denton Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
1853
Charles Denton Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
1853
Charles Denton Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
1853
Jan van Somer Man and Woman Drinking
Print made by Jan van Somer, ca. 1645–after 1699
Man and Woman Drinking
undated
James Gillray Hounds Throwing-Off
James Gillray, 1756–1815
Hounds Throwing-Off
1800
James Gillray Hounds in Finding
James Gillray, 1756–1815
Hounds in Finding
1800
James Gillray Coming-In at the Death
James Gillray, 1756–1815
Coming-In at the Death
1800
James Gillray Cockney-Sportsmen Shooting-Flying
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
James Gillray Cockney-Sportsmen Re-charging
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
John Harris Coaching: The Early Delivery
John Harris, 1811–1865
Coaching: The Early Delivery
1863
John Harris Fore's Stable Scenes: The Hunting Stud
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
James Gillray Cockney-Sportsmen finding a Hare
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
John Harris Coaching: The Right Sort
John Harris, 1811–1865
Coaching: The Right Sort
1863
Joseph Grozer Evening or the Sportsman's Return
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
John Harris Fore's Stable Scenes: The Team
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
John Harris Fore's Stable Scenes: Thorough Breds
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
John Harris Fores's National Sports: Racing - A False Start
John Harris, 1811–1865
Fores's National Sports: Racing - A False Start
1866
John Harris Coaching: The Last Change Down
John Harris, 1811–1865
Coaching: The Last Change Down
1863
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
1837
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
1837
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
1837
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
1837
William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
Francis Towne View on Lake Maggiore at Evening
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
Thomas Shotter Boys Brussels from the Paris Road
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
John Harris Fores's National Sports: Racing - Returning to Weigh
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
John Robert Cozens The Bay of Naples from Capodimonte, Italy
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
Frederick Tatham Mr. William Williams
Frederick Tatham, 1805–1878
Mr. William Williams
ca. 1830
William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
Frederick Tatham William William's Second Wife
Frederick Tatham, 1805–1878
William William's Second Wife
ca. 1830
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
Richard James Lane Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
Richard James Lane Sir Thomas Lawrence
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
Alphonse Legros Alphonse Legros
Print made by Alphonse Legros, 1837–1911
Alphonse Legros
undated
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
unknown artist Thomas Lawrence, Late President of the Royal Academy
unknown artist
Thomas Lawrence, Late President of the Royal Academy
John Faber the Younger Sir Godfrey Kneller
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822
James McArdell
1771
Charles Baugniet Daniel Maclise
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
John Faber the Younger Philippe Mercier
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
William Sharp Thomas Paine
William Sharp, 1749–1824
Thomas Paine
1793
Peter DeWint Castle above a River, Woodcutters in the Foreground
Peter DeWint, 1784–1849
Castle above a River, Woodcutters in the Foreground
ca. 1820
John Faber the Younger A Girl Spinning Thread
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
William Wynne Ryland King John Ratifying the Magna Charta
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
John Faber the Younger The Swain's Amusement
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
Wenceslaus Hollar An Elephant and a Camel
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
Wenceslaus Hollar Portrait of Inigo Jones
Wenceslaus Hollar, 1607–1677
Portrait of Inigo Jones
1655
Bernard Lens II A Triton holding a Fish
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
Thomas Worlidge Portrait of Sir Edward Astley
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
John Faber the Younger Young Male Shearing a Sheep
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
Francesco Bartolozzi Ticket for the Theatre Royal, Haymarket
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Theatre Royal, Covent Garden
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
Francesco Bartolozzi Ticket for the Benefit of Mr. Sal Pietro
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
Francesco Bartolozzi Concert Ticket For The Benefit of Madame Banti
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
Francesco Bartolozzi Adelaide
Francesco Bartolozzi, 1728–1815
Adelaide
1798
Francesco Bartolozzi Ticket to Westminster Abbey
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
Francesco Bartolozzi Cupid and Psyche
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salpietro
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Francesco Bartolozzi For the Benefit of Mr. Borghi
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1770
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1778
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi For the Benefit of Mr. Guadagni
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
Francesco Bartolozzi Orpheus and Eurydice
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
Francesco Bartolozzi Hanover Square
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
Francesco Bartolozzi Ticket for the Benefit of Mr. Giardini
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786