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39401. Heads: Billingsgatina

Heads: Billingsgatina
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Colored etching
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39402. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1836
Materials & Techniques:
Etching and engraving; engraver's proof on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39403. Heads: Nunina.

Heads: Nunina.
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39404. Heads: Battleorum

Heads: Battleorum
Creator:
Thomas Rowlandson, 1756–1827
Date:
1800
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 10 1/2 x 5 1/2in. (26.7 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39405. Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
Creator:
Charles Denton, active 1853
Date:
1853
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39406. Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
Creator:
Charles Denton, active 1853
Date:
1853
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39407. Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
Creator:
Charles Denton, active 1853
Date:
1853
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 15 7/8 x 20 1/2in. (40.3 x 52.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39408. Man and Woman Drinking

Man and Woman Drinking
Creator:
Print made by Jan van Somer, ca. 1645–after 1699
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39409. Hounds Throwing-Off

Hounds Throwing-Off
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39410. Hounds in Finding

Hounds in Finding
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39411. Coming-In at the Death

Coming-In at the Death
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39412. Cockney-Sportsmen Shooting-Flying

Cockney-Sportsmen Shooting-Flying
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching, with etched borders
Dimensions:
Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39413. Cockney-Sportsmen Re-charging

Cockney-Sportsmen Re-charging
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching, with etched borders
Dimensions:
Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39414. Coaching: The Early Delivery

Coaching: The Early Delivery
Creator:
John Harris, 1811–1865
Date:
1863
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39415. Fore's Stable Scenes: The Hunting Stud

Fore's Stable Scenes: The Hunting Stud
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39416. Cockney-Sportsmen finding a Hare

Cockney-Sportsmen finding a Hare
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Hand colored etching, with etched borders
Dimensions:
Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39417. Coaching: The Right Sort

Coaching: The Right Sort
Creator:
John Harris, 1811–1865
Date:
1863
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39418. Evening or the Sportsman's Return

Evening or the Sportsman's Return
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1795
Materials & Techniques:
Mezzotint, printed and hand colored
Dimensions:
Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39419. Fore's Stable Scenes: The Team

Fore's Stable Scenes: The Team
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39420. Fore's Stable Scenes: Thorough Breds

Fore's Stable Scenes: Thorough Breds
Creator:
John Harris, 1811–1865
Date:
1846
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39421. Fores's National Sports: Racing - A False Start

Fores's National Sports: Racing - A False Start
Creator:
John Harris, 1811–1865
Date:
1866
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39422. Coaching: The Last Change Down

Coaching: The Last Change Down
Creator:
John Harris, 1811–1865
Date:
1863
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39423. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39424. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39425. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39426. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
Creator:
John Harris, 1811–1865
Date:
1837
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39427. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39428. View on Lake Maggiore at Evening

View on Lake Maggiore at Evening
Creator:
Francis Towne, 1740–1816
Date:
1781
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 8 1/4 inches (15.2 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick

39429. Brussels from the Paris Road

Brussels from the Paris Road
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick

39430. Fores's National Sports: Racing - Returning to Weigh

Fores's National Sports: Racing - Returning to Weigh
Creator:
John Harris, 1811–1865
Date:
1866
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39431. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39432. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39433. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39434. The Bay of Naples from Capodimonte, Italy

The Bay of Naples from Capodimonte, Italy
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Iola S. Haverstick

39435. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39436. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39437. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39438. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39439. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39440. Mr. William Williams

Mr. William Williams
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39441. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39442. William William's Second Wife

William William's Second Wife
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39443. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39444. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
Creator:
Richard James Lane, 1800–1872
Date:
1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39445. Sir Thomas Lawrence

Sir Thomas Lawrence
Creator:
Richard James Lane, 1800–1872
Date:
1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39446. Sir Thomas Lawrence P. R. A.

Sir Thomas Lawrence P. R. A.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1830
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39447. Alphonse Legros

Alphonse Legros
Creator:
Print made by Alphonse Legros, 1837–1911
Date:
undated
Materials & Techniques:
Etching on laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39448. Major General Lambert

Major General Lambert
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39449. Thomas Lawrence, Late President of the Royal Academy

Thomas Lawrence, Late President of the Royal Academy
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39450. Sir Godfrey Kneller

Sir Godfrey Kneller
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1735
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39451. James McArdell

James McArdell
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39452. Daniel Maclise

Daniel Maclise
Creator:
Print made by Charles Baugniet, 1814–1886
Date:
1857
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39453. Philippe Mercier

Philippe Mercier
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1735
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39454. Thomas Paine

Thomas Paine
Creator:
William Sharp, 1749–1824
Date:
1793
Materials & Techniques:
Line engraving, published state
Dimensions:
Sheet: 10 7/8 × 8 3/4 inches (27.6 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39455. Castle above a River, Woodcutters in the Foreground

Castle above a River, Woodcutters in the Foreground
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39456. A Girl Spinning Thread

A Girl Spinning Thread
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39457. King John Ratifying the Magna Charta

King John Ratifying the Magna Charta
Creator:
William Wynne Ryland, 1732–1783
Date:
ca. 1783
Materials & Techniques:
Stipple engraving, engraver's proof
Dimensions:
Sheet: 18 5/16 x 23 5/8in. (46.5 x 60cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39458. The Swain's Amusement

The Swain's Amusement
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39459. An Elephant and a Camel

An Elephant and a Camel
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1663
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 7/8 x 8 3/8in. (14.9 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39460. Portrait of Inigo Jones

Portrait of Inigo Jones
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1655
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/16 x 5 3/8in. (20.5 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39461. A Triton holding a Fish

A Triton holding a Fish
Creator:
Bernard Lens II, 1659–1725
Date:
1700
Materials & Techniques:
Pen and brown ink, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 3/4 × 11 inches (24.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39462. Portrait of Sir Edward Astley

Portrait of Sir Edward Astley
Creator:
Thomas Worlidge, 1700–1766
Date:
1762
Materials & Techniques:
Etching on silk
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39463. Young Male Shearing a Sheep

Young Male Shearing a Sheep
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39464. Ticket for the Theatre Royal, Haymarket

Ticket for the Theatre Royal, Haymarket
Creator:
Francesco Bartolozzi, 1728–1815
Date:
Between 1775 and 1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39465. Ticket for the Theatre Royal, Covent Garden

Ticket for the Theatre Royal, Covent Garden
Creator:
Francesco Bartolozzi, 1728–1815
Date:
Between 1775 and 1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39466. Ticket for the Benefit of Mr. Sal Pietro

Ticket for the Benefit of Mr. Sal Pietro
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Stipple engraving and Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/4 x 4 7/8 inches (10.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39467. Fonrose

Fonrose
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39468. Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving and line engraving on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39469. Concert Ticket For The Benefit of Madame Banti

Concert Ticket For The Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39470. Adelaide

Adelaide
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39471. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39472. Cupid and Psyche

Cupid and Psyche
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39473. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39474. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39475. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39476. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39477. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 5 5/8 inches (14.9 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39478. Ticket for the Brandenbourg House Masquerade

Ticket for the Brandenbourg House Masquerade
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39479. For the Benefit of Mr. Borghi

For the Benefit of Mr. Borghi
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39480. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39481. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1770
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39482. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 5 1/2 inches (11.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39483. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39484. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39485. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 5 3/4 inches (16.5 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39486. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39487. For the Benefit of Mr. Guadagni

For the Benefit of Mr. Guadagni
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1767
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39488. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39489. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1768 and 1776
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39490. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1768 and 1776
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39491. Orpheus and Eurydice

Orpheus and Eurydice
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39492. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39493. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1769 and 1787
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39494. Hanover Square

Hanover Square
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Line engraving and stipple engraving, printed in brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39495. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39496. Mrs. Abington as Thalia

Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39497. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39498. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39499. Ticket to a Concert of Ancient Vocal and Instrumental Music

Ticket to a Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 9 inches (19.1 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39500. Ticket to Concert of Ancient Vocal and Instrumental Music

Ticket to Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection