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40201. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Etching, proof, colored
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40202. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Color-printed etching and mezzotint, proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40203. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40204. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40205. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Color-printed etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40206. Church Interior after Pieter Saenredam

Church Interior after Pieter Saenredam
Creator:
Cornelius Ploos Van Amstel, 1726–1798
Materials & Techniques:
Color-printed etching and mezzotint; proof
Dimensions:
Sheet: 7 1/2 x 6in. (19 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40207. The Last Stage of Cruelty, or a Mercifull Example of Quaerism (sic) at Brighton

The Last Stage of Cruelty, or a Mercifull Example of Quaerism (sic) at Brighton
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40208. A Whimisical !! Will

A Whimisical !! Will
Creator:
Charles Williams, active 1796–1830
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40209. Britania's Assassination..or - The Republican Amuseument

Britania's Assassination..or - The Republican Amuseument
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40210. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40211. Popular Indignation of John Bull in a Rage

Popular Indignation of John Bull in a Rage
Creator:
Charles Williams, active 1796–1830
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40212. St. Vetus's Dance of the Panegyrist and the Patron of a Wellesley Push for Power

St. Vetus's Dance of the Panegyrist and the Patron of a Wellesley Push for Power
Creator:
Charles Williams, active 1796–1830
Date:
1813
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40213. Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering

Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering
Creator:
Thomas Jones, active 1828
Date:
1828
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40214. The Parson and the Clarke, No. 76

The Parson and the Clarke, No. 76
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40215. Modern Military Gallantry - or Rare News for the Leadenhall Street

Modern Military Gallantry - or Rare News for the Leadenhall Street
Creator:
Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40216. Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers

Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers
Creator:
Thomas Jones, active 1828
Date:
1828
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40217. Easter Hunt

Easter Hunt
Creator:
G. Carfrae, active 1787
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40218. Scene le Vrog House

Scene le Vrog House
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40219. A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge

A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge
Creator:
William Heath, 1795–1840
Date:
1822
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40220. A naval Enquiry with a 'Naughtical' Explanation

A naval Enquiry with a 'Naughtical' Explanation
Creator:
Charles Williams, active 1796–1830
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40221. Les Montagnes Russes, ou la Passion du Jour

Les Montagnes Russes, ou la Passion du Jour
Creator:
Print made by unknown artist
Date:
between 1815 and 1820
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40222. Poodles preparing for an AQUATIC EXCURSION

Poodles preparing for an AQUATIC EXCURSION
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40223. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40224. Hodge Outwitted

Hodge Outwitted
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40225. The Wrymouth Candidates of the Strangers at Home Plate

The Wrymouth Candidates of the Strangers at Home Plate
Creator:
Charles Williams, active 1796–1830
Date:
ca. 1814
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40226. Fishing for Flats or a Drag from the Stock Exchange

Fishing for Flats or a Drag from the Stock Exchange
Creator:
unknown artist
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40227. Theatrical Doctors recovering Clara's Notes!

Theatrical Doctors recovering Clara's Notes!
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40228. Hungry Rats in an Empty Barn

Hungry Rats in an Empty Barn
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40229. Mr. George King the Parish Overseer / One of the Select Vestry

Mr. George King the Parish Overseer / One of the Select Vestry
Creator:
William Heath, 1795–1840
Date:
1829
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40230. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40231. The Matrimonial Mania - or - Poor Jonny Ridden to Death

The Matrimonial Mania - or - Poor Jonny Ridden to Death
Creator:
Charles Williams, active 1796–1830
Date:
1818
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40232. HOGARTHS roast beef REALISED

HOGARTHS roast beef REALISED
Creator:
William Heath, 1795–1840
Date:
1810
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40233. The Swearing Quaker

The Swearing Quaker
Creator:
unknown artist
Date:
ca. 1816
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40234. How to Obtain a Request

How to Obtain a Request
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40235. A Clerical Manoeuvre or the Way to Finish a Charity Sermon

A Clerical Manoeuvre or the Way to Finish a Charity Sermon
Creator:
Charles Williams, active 1796–1830
Date:
1815
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40236. Dreadful Hard Times

Dreadful Hard Times
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40237. The Kettle Hooting the Porridge-Pot

The Kettle Hooting the Porridge-Pot
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40238. The English Lion Dismember'd

The English Lion Dismember'd
Creator:
Thomas Colley, active 1780s
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40239. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40240. Fellow Sufferers

Fellow Sufferers
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40241. National Discourse

National Discourse
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40242. Set a Thief to Catch a Thief

Set a Thief to Catch a Thief
Creator:
unknown artist
Date:
ca. 1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40243. Apothecaries, Taylors & c. Conquering France and Spain

Apothecaries, Taylors & c. Conquering France and Spain
Creator:
James Gillray, 1756–1815
Date:
1779
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40244. Logic from Oxford, or the Tandem Reduced

Logic from Oxford, or the Tandem Reduced
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40245. The Nabob Rumbled or A Lord Advocates Amusement

The Nabob Rumbled or A Lord Advocates Amusement
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40246. The Westminster Watchman

The Westminster Watchman
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40247. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40248. INTEGRITY retiring from Office

INTEGRITY retiring from Office
Creator:
James Gillray, 1756–1815
Date:
1801
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40249. A Parody upon the Poem of Alonzo the Brave and the Fair Imogene

A Parody upon the Poem of Alonzo the Brave and the Fair Imogene
Creator:
John Eckstein, 1735–1818
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40250. Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise

Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40251. The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull

The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40252. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40253. The Magnanimous Ally

The Magnanimous Ally
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40254. The Sweating Sickness; or, the Imaginary Malady

The Sweating Sickness; or, the Imaginary Malady
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40255. Small Blunders or Irish Bulls

Small Blunders or Irish Bulls
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40256. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40257. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40258. A Standing-dish at Boodles

A Standing-dish at Boodles
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40259. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40260. The Wits of Windsor, a Miltonian Pun

The Wits of Windsor, a Miltonian Pun
Creator:
unknown artist
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40261. Lord North on the Stool of Repentance, or the Ill Effects of Meddling with Salts

Lord North on the Stool of Repentance, or the Ill Effects of Meddling with Salts
Creator:
unknown artist
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40262. A Scotch Poney - commonly call'd a Galloway

A Scotch Poney - commonly call'd a Galloway
Creator:
James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40263. Gentle Emetic

Gentle Emetic
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40264. City Malitia (sic) Marching

City Malitia (sic) Marching
Creator:
Capt. Francis Grose, 1731–1791
Date:
ca. 1788
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40265. Anticipation, or the approaching fate of the French commercial treaty

Anticipation, or the approaching fate of the French commercial treaty
Creator:
James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40266. The Sacred page Displayed

The Sacred page Displayed
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40267. Charming-well again

Charming-well again
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching with hand-coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40268. A recorder on his Pilgrimage / A Man of Honour and a gentleman

A recorder on his Pilgrimage / A Man of Honour and a gentleman
Creator:
unknown artist
Date:
1770
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40269. Taking Physick

Taking Physick
Creator:
James Gillray, 1756–1815
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40270. L'Armurier / Le Pecheur

L'Armurier / Le Pecheur
Creator:
Print made by unknown artist
Date:
ca. 1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40271. [ man with a candle ]

[ man with a candle ]
Creator:
unknown artist
Date:
178-?
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40272. Breathing a vein

Breathing a vein
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40273. Wha Wants Me?

Wha Wants Me?
Creator:
James Gillray, 1756–1815
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40274. La Fruitiere / Le Tailleur

La Fruitiere / Le Tailleur
Creator:
Print made by unknown artist
Date:
ca. 1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40275. Officers of the Hopeton fincible Regim't

Officers of the Hopeton fincible Regim't
Creator:
John Kay, 1742–1826
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40276. Chambroochee

Chambroochee
Creator:
unknown artist
Date:
before 1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40277. Illustrations for Scrap Books

Illustrations for Scrap Books
Creator:
unknown artist
Date:
1825
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40278. Fools Eloquence

Fools Eloquence
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40279. And did you not hear of a jolly young water man who at famd Westminster bridge used to ply

And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40280. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40281. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40282. Bonus / Mellior / Optimus

Bonus / Mellior / Optimus
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40283. The Acquittal or the Managers Poisened with a Beer of Their Own Brewing

The Acquittal or the Managers Poisened with a Beer of Their Own Brewing
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40284. A New Administration, or the State Quacks Administering

A New Administration, or the State Quacks Administering
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40285. An Irish Tilting Match, or the Poissardes against the Poignards

An Irish Tilting Match, or the Poissardes against the Poignards
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40286. The Minister In / The Minister Out

The Minister In / The Minister Out
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40287. The Battle Royal, or who wears the Breeches

The Battle Royal, or who wears the Breeches
Creator:
unknown artist
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40288. The new Master of the Crown Inn discharging Betty the head Chambermaid

The new Master of the Crown Inn discharging Betty the head Chambermaid
Creator:
Henry Heath, active 1824–1835
Date:
1830
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40289. A legal method of thrashing out Grain

A legal method of thrashing out Grain
Creator:
Isaac Cruikshank, 1764–1811
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40290. Where the Carcase is, there will ... the Birds of Prey be gathered

Where the Carcase is, there will ... the Birds of Prey be gathered
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40291. The Rival Accoucheurs or who shall Deliver Europe

The Rival Accoucheurs or who shall Deliver Europe
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40292. Secret Influence directing the new Parliament

Secret Influence directing the new Parliament
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40293. The Taylor Sheering the Geese

The Taylor Sheering the Geese
Creator:
William Heath, 1795–1840
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40294. A Meeting of Monopolizers, or the Good Effect of Peace

A Meeting of Monopolizers, or the Good Effect of Peace
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40295. Egyptian Sketches

Egyptian Sketches
Creator:
James Gillray, 1756–1815
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40296. Doublûres of Characters

Doublûres of Characters
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40297. The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends

The Faith of Treaties Exemplified or John Bull's last Effort to Oblige his False Friends
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40298. The Pigs Possessed

The Pigs Possessed
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40299. Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work

Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40300. New Morality

New Morality
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection