- YCBA Collections Search Search Results

Creator:: unknown artist
Materials & Techniques:: Stipple engraving and line engraving
Dimensions:: Sheet: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

46266. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46267. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46268. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46269. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46270. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46271. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46272. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46273. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46274. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46275. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46276. No.11, The Rocks Going towards Salterton

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46277. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46278. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46279. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46280. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46281. No.18, Berry Head, etc., Taken at Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46282. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46283. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46284. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46285. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46286. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46287. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46288. Eastern Side of Torquay, Taken from Tor Abbey

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46289. Western Side of Torquay, Tor Abbey Lies behind this Hill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46290. Mamhead, Starcross, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46291. Chapel, Library, Fishmarket, Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46292. Lympstone, Mr. Hornell's House and Farm, The Embankment

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46293. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46294. Saturday Evening, the Husbandman's Return From Labour

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46295. Afternoon

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 5 3/16 × 3 15/16 inches (13.3 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

46296. April in the Hills

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 15/16 × 5 7/16 inches (10 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

46297. Dancing Bear with Its Keeper, Piper, and Audience of One

Creator:: James Bretherton, ca. 1730–1806
Date:: 1774
Materials & Techniques:: Etching and line engraving on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 9/16 x 13 1/16 inches (26.9 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46298. The Deserter

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46299. The little Hunchback dining with the Taylor, is choak'd with a Fish Bone

Creator:: Simon Watts, active 1812
Date:: 1787
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46300. Chelsea

Creator:: Charles John Watson, 1846–1927
Date:: 1879
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 7 1/2 x 11 7/16in. (19 x 29cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

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46201. York Minister

46202. York Minister

46203. York Minister

46204. York Minister

46205. York Minister

46206. York Minister

46207. York Minister

46208. York Minister

46209. York Minister

46210. York Minister

46211. York Minister

46212. York Minister

46213. York Minister

46214. York Minister

46215. York Minister

46216. York Minister

46217. York Minister

46218. York Minister

46219. York Minister

46220. York Minister

46221. York Minister

46222. York Minister

46223. York Minister

46224. York Minister

46225. York Minister

46226. York Minister

46227. York Minister

46228. York Minister

46229. York Minister

46230. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46231. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46232. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46233. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46234. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46235. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46236. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46237. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46238. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46239. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46240. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46241. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46242. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46243. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46244. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46245. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

46246. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

46247. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

46248. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

46249. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

46250. The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)

46251. The evening glow now pervades the Landscape strongly (Design for Plate 24)

46252. The evening glow now pervades the Landscape strongly (Design for Plate 25)

46253. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

46254. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

46255. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

46256. [One from a group of views] Thames and South Coast

46257. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

46258. [One from a group of views] Thames and South Coast

46259. [One from a group of views] Thames and South Coast

46260. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

46261. [One from a group of views] Thames and South Coast

46262. [One from a group of views] Thames and South Coast

46263. [One from a group of views] Thames and South Coast

46264. [One from a group of views] Thames and South Coast

46265. Alexander Hood, 1st Viscount Bridport

46266. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

46267. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

46268. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

46269. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon