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Moonlight on the River, Lucerne
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Mezzotint printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 7/8 inches (29.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Ruins of Dioclesian's Baths
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Soft ground etching with aquatint
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping at the Entrance of the Medway, No. 2
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1906
Materials & Techniques:
Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6404. The Wanderer

The Wanderer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in the Inside of the Amphitheatre of Vespasion at Rome Commonly called the Colosseo
Creator:
Richard Cooper the Elder, 1701–1764
Date:
1779
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 14 3/8 x 19 7/8in. (36.5 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abraham Offering up His Son
Creator:
Robert Dunkarton, 1744–1811
Date:
1797
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 23 3/4 x 19 1/2in. (60.3 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Knight Templar
Creator:
Samuel William Reynolds, 1773–1835
Date:
1835
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 3 3/4 x 2 1/2in. (9.5 x 6.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shipping at the Entrance of the Medway, No. 2
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spring Flood
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1865
Materials & Techniques:
Etching on thin, slightly textured, beige India paper laid on thick, slightly textured, cream card
Dimensions:
Mount: 8 1/16 x 6 13/16 inches (20.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Morning Prayer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6411. Mrs. Cosway

Mrs. Cosway
Creator:
Print made by Valentine Green, 1739–1813
Date:
1787
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 9/16 x 13 9/16 inches (47.1 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Prospect of ...Great Yarmouth
Creator:
John Harris, active 1686–1740
Date:
undated
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 27 1/4 x 19in. (69.2 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Agneta Yorke
Creator:
Valentine Green, 1739–1813
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6414. A Pastoral

A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1893
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anne Lascelles
Creator:
James Watson, 1740–1790
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 3/8 x 9in. (31.4 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6416. A Pastoral

A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6417. A Shipwreck

A Shipwreck
Creator:
Print made by Charles Turner, 1774–1857
Date:
1806
Materials & Techniques:
Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6418. Mrs. Sandby

Mrs. Sandby
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 x 9in. (30.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6419. A Bridge

A Bridge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tan-y-Bwlch, Merionethshire, North Wales
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1810 and 1817
Materials & Techniques:
Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:
Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Francis Lascelles
Creator:
James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 14 9/16 inches (51.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with white chalk and graphite; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6424. Cader Idris

Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6425. Vaux-Hall

Vaux-Hall
Creator:
Robert Pollard, 1755–1838
Date:
1785
Materials & Techniques:
Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brandsby Tower, Yorkshire
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1838
Materials & Techniques:
Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Above a Rocky Gorge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:
Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Mezzotint and soft-ground etching; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lakenham, near Norwich
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spanish Student
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:
Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Crotoy from the Mouth of the Somme
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1825
Materials & Techniques:
Aquatint on moderately thin, lightly textured, white wove paper laid to card
Dimensions:
Mount: 16 1/2 x 19 inches (41.9 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806
Creator:
James Clark, 19th century
Date:
ca. 1806
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Untitled (one of three)
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite and black chalk; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof (before a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite, black chalk, and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (2) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pavilion & Steyne at Brighton
Creator:
James Mitan, 1776–1822
Date:
1806
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (cd) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 5/8 inches (25.4 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Rochester, the Town and Harbour
Creator:
Henry Gastineau, 1791–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 × 28 5/16 inches (53.3 × 71.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Titlepage to Restes et Fragments
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 8 1/4 x 6 1/4in. (21 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abbeville - Vue Pris, de la route de Calais
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 6 x 8in. (15.3 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6466. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Accoucheur Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Antique Architect
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Auretian Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Academic Mac
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bath Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Camblet Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cambridge
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6478. The Clerical

The Clerical
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bergues - La Tour du March,
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 9 5/8 x 5 1/2in. (24.5 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Builder Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6481. The Coursing

The Coursing
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Female Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fortunate Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6484. The Military

The Military
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Waiter... Drury Lane
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6486. The Martial

The Martial
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Female Turf
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6488. The Oxford

The Oxford
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Porter Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Parade Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6492. The Novicate

The Novicate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6493. The Original

The Original
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Scavoir Vivre
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Timourous Sporting Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6496. The Surry

The Surry
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tommy Trifle the Male Milliner
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Temple Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caen - Maison Grande Rue Saint-Pierre
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 1/2 x 8 3/4in. (29.3 x 22.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Unfortunate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection