<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

6401. Mrs. Sandby

Mrs. Sandby
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 12 x 9in. (30.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6402. A Bridge

A Bridge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 6 15/16 inches (23.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6403. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6404. Tan-y-Bwlch, Merionethshire, North Wales

Tan-y-Bwlch, Merionethshire, North Wales
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1810 and 1817
Materials & Techniques:
Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:
Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6405. Miss Francis Lascelles

Miss Francis Lascelles
Creator:
James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 14 9/16 inches (51.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6406. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint with white chalk and graphite; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6407. Cader Idris

Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6408. Vaux-Hall

Vaux-Hall
Creator:
Robert Pollard, 1755–1838
Date:
1785
Materials & Techniques:
Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6409. Brandsby Tower, Yorkshire

Brandsby Tower, Yorkshire
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1838
Materials & Techniques:
Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6410. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6411. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6412. Castle Above a Rocky Gorge

Castle Above a Rocky Gorge
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:
Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6413. Newcastle-on-Tyne

Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Mezzotint and soft-ground etching; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6414. Castle Above a Waterfall

Castle Above a Waterfall
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6415. Lakenham, near Norwich

Lakenham, near Norwich
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6416. Spanish Student

Spanish Student
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige Japan paper
Dimensions:
Sheet: 18 x 12 11/16 inches (45.7 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6417. Harlech Castle

Harlech Castle
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6418. Le Crotoy from the Mouth of the Somme

Le Crotoy from the Mouth of the Somme
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1825
Materials & Techniques:
Aquatint on moderately thin, lightly textured, white wove paper laid to card
Dimensions:
Mount: 16 1/2 x 19 inches (41.9 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6419. A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806

A View of the Cape of Good Hope; below, The Battle previous to the Surrender of the Cape of Good Hope, January 8th, 1806
Creator:
James Clark, 19th century
Date:
ca. 1806
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6420. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6421. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/8 inches (32.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6422. French Fishing Boat off the Shears

French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream card
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6423. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6424. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6425. Untitled (one of three)

Untitled (one of three)
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6426. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite and black chalk; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6427. Study of Trees on the Banks of the Yare

Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6428. More Park, near Watford, on the River Colne

More Park, near Watford, on the River Colne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; first engraver's proof (before a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6429. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6430. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint, with graphite, black chalk, and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6431. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (2) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6432. The Pavilion & Steyne at Brighton

The Pavilion & Steyne at Brighton
Creator:
James Mitan, 1776–1822
Date:
1806
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6433. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (cd) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 5/8 inches (25.4 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6434. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6435. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6436. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6437. A View of Rochester, the Town and Harbour

A View of Rochester, the Town and Harbour
Creator:
Henry Gastineau, 1791–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 × 28 5/16 inches (53.3 × 71.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6438. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6439. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6440. Okehampton Castle on the River Okement

Okehampton Castle on the River Okement
Creator:
Print made by Charles Turner, 1774–1857
Date:
1825
Materials & Techniques:
Engraving and mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6441. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6442. Titlepage to Restes et Fragments

Titlepage to Restes et Fragments
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 8 1/4 x 6 1/4in. (21 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6443. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6444. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6445. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6446. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6447. Dartmouth, on the River Dart

Dartmouth, on the River Dart
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6448. Abbeville - Vue Pris, de la route de Calais

Abbeville - Vue Pris, de la route de Calais
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 6 x 8in. (15.3 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6449. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6450. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6451. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6452. The Accoucheur Macaroni

The Accoucheur Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6453. The Blacksmith's Shop

The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6454. The Antique Architect

The Antique Architect
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6455. Back of the New Mills, Norwich

Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6456. The Auretian Macaroni

The Auretian Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6457. The Academic Mac

The Academic Mac
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6458. The Bath Macaroni

The Bath Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6459. The Camblet Macaroni

The Camblet Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6460. The Cambridge

The Cambridge
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6461. The Clerical

The Clerical
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6462. Bergues - La Tour du March,

Bergues - La Tour du March,
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 9 5/8 x 5 1/2in. (24.5 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6463. The Builder Macaroni

The Builder Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6464. The Coursing

The Coursing
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6465. A Female Macaroni

A Female Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6466. The Fortunate Macaroni

The Fortunate Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6467. The Military

The Military
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6468. The Waiter... Drury Lane

The Waiter... Drury Lane
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6469. The Martial

The Martial
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6470. The Female Turf

The Female Turf
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6471. The Oxford

The Oxford
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6472. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6473. The Porter Macaroni

The Porter Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6474. The Parade Macaroni

The Parade Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6475. The Novicate

The Novicate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6476. The Original

The Original
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6477. The Scavoir Vivre

The Scavoir Vivre
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6478. The Timourous Sporting Macaroni

The Timourous Sporting Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6479. The Surry

The Surry
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6480. Tommy Trifle the Male Milliner

Tommy Trifle the Male Milliner
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6481. A Temple Macaroni

A Temple Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6482. Caen - Maison Grande Rue Saint-Pierre

Caen - Maison Grande Rue Saint-Pierre
Creator:
Richard Parkes Bonington, 1802–1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 1/2 x 8 3/4in. (29.3 x 22.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6483. The Unfortunate

The Unfortunate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6484. The Tiger Macaroni

The Tiger Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6485. A Hibernian

A Hibernian
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6486. The Harrogate

The Harrogate
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6487. The Grubb Street

The Grubb Street
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6488. A Law

A Law
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6489. The Iris

The Iris
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6490. The Knightsbridge

The Knightsbridge
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6491. The Lilly

The Lilly
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6492. The Hunting

The Hunting
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6493. Larpool Beck - Whitby

Larpool Beck - Whitby
Creator:
Joseph John Jenkins, 1811–1885
Date:
undated
Materials & Techniques:
Watercolor with gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Friends of British Art at Yale

6494. The Mercer

The Mercer
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6495. The Provider

The Provider
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6496. A Macaroni In Morning Dress

A Macaroni In Morning Dress
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6497. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6498. A Macaroni

A Macaroni
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6499. A Macaroni Liveryman

A Macaroni Liveryman
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6500. The Apothecary

The Apothecary
Creator:
Mary Darly, active 1762 –1772
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection