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Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
James S. Storer Chapter House, Worcester Cathedral, 1807
James S. Storer, 1771–1853
Chapter House, Worcester Cathedral, 1807
1807
J. R. Hamble S. E. Angle of the Cloisters
J. R. Hamble, active 1775–1825
S. E. Angle of the Cloisters
1812
Simon Watts Fulham Church
Simon Watts, active 1812
Fulham Church
1812
unknown artist From Hollar's `View of London', 1647. (Sheet II)
Print made by unknown artist
From Hollar's `View of London', 1647. (Sheet II)
1907
George Arnald South Side of the House of Commons from the Roof of the Painted Chamber
George Arnald, 1763–1841
South Side of the House of Commons from the Roof of the Painted Chamber
1805
unknown artist From Hollar's `View of London, 1647' (Sheet VI)
Print made by unknown artist
From Hollar's `View of London, 1647' (Sheet VI)
1907
unknown artist From Hollar's `View of London', 1647. (sheets I and VII printed together)
Print made by unknown artist
From Hollar's `View of London', 1647. (sheets I and VII printed together)
1907
unknown artist From Hollar's `View of London, 1647' (Sheet V)
Print made by unknown artist
From Hollar's `View of London, 1647' (Sheet V)
1907
unknown artist From Hollar's `View of London, 1647' (Sheet IV)
Print made by unknown artist
From Hollar's `View of London, 1647' (Sheet IV)
1907
Samuel Noble Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
Samuel Noble, 1779–1853
Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
1803
unknown artist Amelias escape from her Mother, Vide, vol. 1, page 78
unknown artist
Amelias escape from her Mother, Vide, vol. 1, page 78
1799
John Burnet Thomas Bewick
Print made by John Burnet, 1784–1868
Thomas Bewick
Thomas Rowlandson The Consequence of not Shifting the Leg
Thomas Rowlandson, 1756–1827
The Consequence of not Shifting the Leg
1798
John S. Muller A General Prospect of Vaux Hall Gardens
John S. Muller, ca. 1715–1792
A General Prospect of Vaux Hall Gardens
Charles J. Hullmandel Near Twickenham
Charles J. Hullmandel, 1789–1850
Near Twickenham
1822
unknown artist Grand Coronation Dinner in Westminster Hall, July 19, 1821
unknown artist
Grand Coronation Dinner in Westminster Hall, July 19, 1821
1821
unknown artist View of the Bloody Tower
Print made by unknown artist
View of the Bloody Tower
1821
Charles Burton View of the King's Entrance & etc., from the South-West
Charles Burton, active 1830–1840
View of the King's Entrance & etc., from the South-West
ca. 1830
Charles H. Jeens William Blake
Charles H. Jeens, 1827–1879
William Blake
1827
Edward Goodall St. Paul's Cathedral
Edward Goodall, 1795–1870
St. Paul's Cathedral
Frederick Christian Lewis the Elder H. Bone, Esqr., R.A.
Frederick Christian Lewis the Elder, 1779–1856
H. Bone, Esqr., R.A
1824
William Henry Watt Isaac Becket
William Henry Watt, 1804–1845
Isaac Becket
John Summerfield Mr. Thomas Bewick
John Summerfield, active 1817?
Mr. Thomas Bewick
1816
William Ridley Sir William Beechey
William Ridley, 1764–1838
Sir William Beechey
1798
Edward Scriven Francis Bartolozzi
Edward Scriven, 1775–1841
Francis Bartolozzi
1832
John Romney Francesco Bartolozzi, Esqr. R.A.
John Romney, 1786–1863
Francesco Bartolozzi, Esqr. R.A
1795
Henry Hoppner Meyer Thomas Bewick, Engraver on Wood
Henry Hoppner Meyer, ca. 1782–1847
Thomas Bewick, Engraver on Wood
Peltro W. Tomkins Francesco Bartolozzi
Peltro W. Tomkins, 1760–1840
Francesco Bartolozzi
Robert Marcuard Francis Bartolozzi Esqr., Ex Academia Regali Artium Londini
Robert Marcuard, 1751–1792
Francis Bartolozzi Esqr., Ex Academia Regali Artium Londini
1788
Benjamin Holl W. H. Bartlett
Benjamin Holl, 1808–1884
W. H. Bartlett
1839
William S. Leney Thomas Banks, Esqr., R.A.
Print made by William S. Leney, 1769–1831
Thomas Banks, Esqr., R.A
1794
Charles Picart James Barry, Esq., Professor of Painting in the Royal Academy
Charles Picart, c.1780–1837
James Barry, Esq., Professor of Painting in the Royal Academy
1811
unknown artist Sir Nathanial Bacon
unknown artist
Sir Nathanial Bacon
John T. Smyth Edward H. Baily
John T. Smyth, 1819?–1851
Edward H. Baily
unknown artist John Bacon, Esq.
unknown artist
John Bacon, Esq
D. P. Pariset F. Cotes
D. P. Pariset, born 1740, active in Britain from 1767
F. Cotes
1768
Charles E. Wagstaff The Late Mr. Thomas Cooper, R.A. Nine years President of the Artist's Annuity Fund
Charles E. Wagstaff, 1808–
The Late Mr. Thomas Cooper, R.A. Nine years President of the Artist's Annuity Fund
James Thomson Abraham Cooper, R.A.
James Thomson, 1789–1850
Abraham Cooper, R.A
1827
unknown artist Francis Chantrey, Esq. R. A.
unknown artist
Francis Chantrey, Esq. R. A
1822
unknown artist Francis Cleyn
unknown artist
Francis Cleyn
J. Shury Sir William Chambers
J. Shury, active 1812
Sir William Chambers
Thomas Ryder Henry Bunbury, Esq.
Thomas Ryder, 1746–1810
Henry Bunbury, Esq
1789
James Thomson Francis Chantry, Esq. R. A.
James Thomson, 1789–1850
Francis Chantry, Esq. R. A
John Outrim John Buckler, F.S.A.
Print made by John Outrim, 1810–ca. 1889
John Buckler, F.S.A
1850
James Thomson Group of Children
James Thomson, 1789–1850
Group of Children
Frederick W. Pailthorpe Robert Cruikshank
Frederick W. Pailthorpe, active 1863
Robert Cruikshank
Anthony Walker Charles De La Fosse
Anthony Walker, 1726–1765
Charles De La Fosse
Pietro Monaco Antonius Canal Pictor
Pietro Monaco, 1707–1763
Antonius Canal Pictor
William Holl II Mr. Edward Dayes, late Draughtsman to H.R.H. The Duke of York
William Holl II, 1807–1871
Mr. Edward Dayes, late Draughtsman to H.R.H. The Duke of York
1806
Thomas Ryder Honorable Anne Damer
Thomas Ryder, 1746–1810
Honorable Anne Damer
1793
George White William Dobson
George White, ca.1684–1732
William Dobson
Frederick W. Pailthorpe George Cruikshank
Frederick W. Pailthorpe, active 1863
George Cruikshank
John T. Smyth Augustus Egg
John T. Smyth, 1819?–1851
Augustus Egg
Frederick W. Pailthorpe George Cruikshank
Frederick W. Pailthorpe, active 1863
George Cruikshank
unknown artist John B. Crome
unknown artist
John B. Crome
John T. Smyth Charles Eastlake
John T. Smyth, 1819?–1851
Charles Eastlake
John T. Smyth Thomas Duncan
John T. Smyth, 1819?–1851
Thomas Duncan
Daniel J. Pound Sir Charles Eastlake
Daniel J. Pound, active ca. 1860
Sir Charles Eastlake
ca. 1860
Thomas Holloway Henry Fuseli Esqr., R. A.
Thomas Holloway, 1748–1827
Henry Fuseli Esqr., R. A
1796
John Frederick Lewis Henry Fuseli
John Frederick Lewis, 1804–1876
Henry Fuseli
James Thomson Henry Fuseli
James Thomson, 1800–1883
Henry Fuseli
1825
George Stodart J. H. Foley, R. A.
George Stodart, Died 1884
J. H. Foley, R. A
between 1862 and 1884
Daniel J. Pound William Powell Frith
Daniel J. Pound, active ca. 1860
William Powell Frith
ca. 1860
Anthony Walker Thomas Flatman
Anthony Walker, 1726–1765
Thomas Flatman
Thomas A. Woolnoth Walter Fawkes, Esq. of Farnley Hall Yorkshire
Thomas A. Woolnoth, 1785–1857
Walter Fawkes, Esq. of Farnley Hall Yorkshire
1825
unknown artist Flaxman (Jean)
unknown artist
Flaxman (Jean)
unknown artist James Fittler
unknown artist
James Fittler
James Thomson John Flaxman
James Thomson, 1800–1883
John Flaxman
1823
unknown artist Henry Gyles
unknown artist
Henry Gyles
John Rowell Henry Gyles
John Rowell, died 1756
Henry Gyles
John R. Jackson Robert Graves
John R. Jackson, 1819–1877
Robert Graves
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Edward Scriven Thomas Girtin
Edward Scriven, 1775–1841
Thomas Girtin
1832
unknown artist John Gilbert, R.A.
unknown artist
John Gilbert, R.A
Henry Hoppner Meyer Thomas Gainsborough, Esq. R.A.
Henry Hoppner Meyer, ca. 1782–1847
Thomas Gainsborough, Esq. R.A
1810
John Smith, the mezzotinter Mr. and Mrs. Gibbons
Print made by John Smith, the mezzotinter, 1652–1743
Mr. and Mrs. Gibbons
1691
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Daniel J. Pound John Gibson
Print made by Daniel J. Pound, active ca. 1860
John Gibson
between 1850 and 1860
William Thomas Fry Robert Hills
William Thomas Fry, 1789–1843
Robert Hills
Charles E. Wagstaff John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
Charles Turner Prince Hoare
Charles Turner, 1774–1857
Prince Hoare
1831
Charles Townley Hogarth
Charles Townley, 1746–c.1800
Hogarth
1781
Sir David Wilkie Benjamin Robert Haydon
Sir David Wilkie, 1785–1841
Benjamin Robert Haydon
William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791