- YCBA Collections Search Search Results

7801. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7802. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7803. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7804. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7805. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7806. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7807. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7808. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7809. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7810. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7811. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7812. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7813. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7814. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7815. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7816. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7817. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7818. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7819. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7820. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7821. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7822. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7823. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7824. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7825. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7826. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7827. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7828. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7829. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7830. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7831. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7832. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7833. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7834. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7835. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7836. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7837. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7838. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7839. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7840. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7841. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7842. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7843. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7844. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7845. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7846. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7847. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7848. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7849. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7850. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7851. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7852. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7853. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7854. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7855. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7856. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7857. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7858. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7859. The evening glow now pervades the Landscape strongly (Design for Plate 24)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7860. The evening glow now pervades the Landscape strongly (Design for Plate 25)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7861. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7862. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7863. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7864. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7865. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7866. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7867. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7868. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7869. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7870. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7871. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7872. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7873. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7874. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7875. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7876. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7877. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7878. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7879. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7880. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7881. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7882. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7883. No.11, The Rocks Going towards Salterton

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7884. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7885. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7886. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7887. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7888. No.18, Berry Head, etc., Taken at Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7889. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7890. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7891. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7892. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7893. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7894. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7895. Eastern Side of Torquay, Taken from Tor Abbey

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7896. Western Side of Torquay, Tor Abbey Lies behind this Hill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7897. Mamhead, Starcross, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7898. Chapel, Library, Fishmarket, Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7899. Lympstone, Mr. Hornell's House and Farm, The Embankment

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7900. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

New Additions

Search Constraints

Height [cm] Unknown

Search Results

7801. York Minister

7802. York Minister

7803. York Minister

7804. York Minister

7805. York Minister

7806. York Minister

7807. York Minister

7808. York Minister

7809. York Minister

7810. York Minister

7811. York Minister

7812. York Minister

7813. York Minister

7814. York Minister

7815. York Minister

7816. York Minister

7817. York Minister

7818. York Minister

7819. York Minister

7820. York Minister

7821. York Minister

7822. York Minister

7823. York Minister

7824. York Minister

7825. York Minister

7826. York Minister

7827. York Minister

7828. York Minister

7829. York Minister

7830. York Minister

7831. York Minister

7832. York Minister

7833. York Minister

7834. York Minister

7835. York Minister

7836. York Minister

7837. York Minister

7838. York Minister

7839. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7840. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7841. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7842. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7843. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7844. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7845. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7846. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7847. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7848. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7849. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7850. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7851. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7852. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7853. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7854. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

7855. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

7856. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

7857. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)

7858. Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)

7859. The evening glow now pervades the Landscape strongly (Design for Plate 24)

7860. The evening glow now pervades the Landscape strongly (Design for Plate 25)

7861. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

7862. The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)

7863. The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)

7864. [One from a group of views] Thames and South Coast

7865. The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)

7866. [One from a group of views] Thames and South Coast

7867. [One from a group of views] Thames and South Coast

7868. Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)