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Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
Rev. William Gilpin Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 24)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 25)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
Rev. William Gilpin A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
Rev. William Gilpin The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
Rev. William Gilpin The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
Rev. William Gilpin The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
Rev. William Gilpin Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
William Havell [One from a group of views] Thames and South Coast
William Havell, 1782–1857
[One from a group of views] Thames and South Coast
1822
unknown artist No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's
unknown artist
No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's
1815-1816
unknown artist No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon
unknown artist
No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon
1815-1816
unknown artist No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth
unknown artist
No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth
1815-1816
unknown artist No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
unknown artist
No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon
1815-1816
unknown artist No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns
unknown artist
No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns
1815-1816
unknown artist No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth
unknown artist
No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth
1815-1816
unknown artist No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks
unknown artist
No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks
1815-1816
unknown artist No.9, The Milk House, Warren, etc. Returning to Exmouth
unknown artist
No.9, The Milk House, Warren, etc. Returning to Exmouth
1815-1816
unknown artist No.12, Part of the Warren, Dr. Drury's, etc.
unknown artist
No.12, Part of the Warren, Dr. Drury's, etc
1815-1816
unknown artist No.15, The Windmill, Parker's Warehouse with Powderham in the Distance
unknown artist
No.15, The Windmill, Parker's Warehouse with Powderham in the Distance
1815-1816
unknown artist No.11, The Rocks Going towards Salterton
unknown artist
No.11, The Rocks Going towards Salterton
1815-1816
unknown artist No.14, The Beacon, Taken from the Windmill
unknown artist
No.14, The Beacon, Taken from the Windmill
1815-1816
unknown artist No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields
unknown artist
No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields
1815-1816
unknown artist No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth
unknown artist
No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth
1815-1816
unknown artist No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth
unknown artist
No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth
1815-1816
unknown artist No.18, Berry Head, etc., Taken at Dawlish
unknown artist
No.18, Berry Head, etc., Taken at Dawlish
1815-1816
unknown artist No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish
unknown artist
No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish
1815-1816
unknown artist No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach
unknown artist
No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach
1815-1816
unknown artist No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth
unknown artist
No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth
1815-1816
unknown artist No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth
unknown artist
No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth
1815-1816
unknown artist No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon
unknown artist
No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon
1815-1816
unknown artist No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth
unknown artist
No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth
1815-1816
unknown artist Eastern Side of Torquay, Taken from Tor Abbey
unknown artist
Eastern Side of Torquay, Taken from Tor Abbey
1815-1816
unknown artist Western Side of Torquay, Tor Abbey Lies behind this Hill
unknown artist
Western Side of Torquay, Tor Abbey Lies behind this Hill
1815-1816
unknown artist Mamhead, Starcross, etc.
unknown artist
Mamhead, Starcross, etc
1815-1816
unknown artist Chapel, Library, Fishmarket, Beacon
unknown artist
Chapel, Library, Fishmarket, Beacon
1815-1816
unknown artist Lympstone, Mr. Hornell's House and Farm, The Embankment
unknown artist
Lympstone, Mr. Hornell's House and Farm, The Embankment
1815-1816
unknown artist Panoramic View from Berry Head to Powderham
unknown artist
Panoramic View from Berry Head to Powderham
1815-1816
Simon Watts The little Hunchback dining with the Taylor, is choak'd with a Fish Bone
Simon Watts, active 1812
The little Hunchback dining with the Taylor, is choak'd with a Fish Bone
1787
unknown artist Matlock High Tor
unknown artist
Matlock High Tor
1848
unknown artist Bridge Street, Catherall
unknown artist
Bridge Street, Catherall
unknown artist Eastgate Street, Chester
unknown artist
Eastgate Street, Chester
unknown artist Corn Exchange, Church and Castle, Newcastle upon Tyne
unknown artist
Corn Exchange, Church and Castle, Newcastle upon Tyne
unknown artist Dover
unknown artist
Dover
1841
unknown artist Naworth Castle
unknown artist
Naworth Castle
1842
unknown artist Blenheim (Number 273)
unknown artist
Blenheim (Number 273)
unknown artist Dove Dale from the South, Derbyshire
unknown artist
Dove Dale from the South, Derbyshire
1848
unknown artist Merton College - 0xford
unknown artist
Merton College - 0xford
unknown artist Brasenose College, Oxford
unknown artist
Brasenose College, Oxford
unknown artist Magdalene College, Oxford
unknown artist
Magdalene College, Oxford
unknown artist Christ Church Broad Walk, Oxford
unknown artist
Christ Church Broad Walk, Oxford
A. B. Johnson New Street, Birmingham
A. B. Johnson, active 1910–1930
New Street, Birmingham
undated
A. B. Johnson The Queen's Hospital
A. B. Johnson, active 1910–1930
The Queen's Hospital
undated
unknown artist Watergate Street, Chester
Print made by unknown artist
Watergate Street, Chester
ca. 1840
unknown artist Bath Street
unknown artist
Bath Street
unknown artist Lord Street, Liverpool
unknown artist
Lord Street, Liverpool
Tanner, Vallance, Kearney & Co. All's Well... Act I, Scene III
Tanner, Vallance, Kearney & Co.
All's Well... Act I, Scene III
unknown artist Palace of Holyrood, Edinburgh
unknown artist
Palace of Holyrood, Edinburgh
unknown artist Dover from the Jetty
unknown artist
Dover from the Jetty
unknown artist Ippolita, Queen of the Amazons
unknown artist
Ippolita, Queen of the Amazons
unknown artist Taming of the Shrew
unknown artist
Taming of the Shrew
unknown artist Untitled
unknown artist
Untitled
unknown artist In Defiance of the Law
unknown artist
In Defiance of the Law
G. Presbury The Distressed Poet
Print made by G. Presbury, active 1823–1845
The Distressed Poet
Alfred-Louis Brunet-Debaines Iffley Mill
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Iffley Mill
1880
Alfred-Louis Brunet-Debaines Jervaulx Abbey
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Jervaulx Abbey
1882
Alfred-Louis Brunet-Debaines Earley Abbey
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Earley Abbey
1882
Alfred-Louis Brunet-Debaines Adovcate's Close, Edinburgh
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Adovcate's Close, Edinburgh
1878
Alfred-Louis Brunet-Debaines Greyfriars, Edinburgh
Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Greyfriars, Edinburgh
1878
unknown artist Vue d'Edinbourg du cote de Dean
unknown artist
Vue d'Edinbourg du cote de Dean
unknown artist Seated Man with Standing Woman and Two Children
unknown artist
Seated Man with Standing Woman and Two Children
undated
William Livesay An Old River Course
Print made by William Livesay, active 1881
An Old River Course
1881
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804